[redacted]

Ah, good to know. Thanks!

In reply to this comment by gwiz665:
You gots to use the old style embed to embed in comments.
In reply to this comment by Shepppard:
@gwiz665

I agree with you that Morrowind was better then Oblivion.. but I think Skyrim trumps them all.

All three keep the same "Theme" (the notes played for the rising crescendo) but differently.
Morrowind has it peacefully played by flutes as it climbs, Oblivion has it played with a quicker tempo and by trumpets, and skyrim put lyrics to it, and gave it a more grand feel.)

clicky

That video is a really good way of hearing how the theme evolved throughout the three games.


(Edit: I can't embed videos anymore for some reason, so it was replaced with a link instead.)

You gots to use the old style embed to embed in comments.
In reply to this comment by Shepppard:
@gwiz665

I agree with you that Morrowind was better then Oblivion.. but I think Skyrim trumps them all.

All three keep the same "Theme" (the notes played for the rising crescendo) but differently.
Morrowind has it peacefully played by flutes as it climbs, Oblivion has it played with a quicker tempo and by trumpets, and skyrim put lyrics to it, and gave it a more grand feel.)

clicky

That video is a really good way of hearing how the theme evolved throughout the three games.


(Edit: I can't embed videos anymore for some reason, so it was replaced with a link instead.)

@gwiz665

I agree with you that Morrowind was better then Oblivion.. but I think Skyrim trumps them all.

All three keep the same "Theme" (the notes played for the rising crescendo) but differently.
Morrowind has it peacefully played by flutes as it climbs, Oblivion has it played with a quicker tempo and by trumpets, and skyrim put lyrics to it, and gave it a more grand feel.


(Thanks Gwiz)

That video is a really good way of hearing how the theme evolved throughout the three games.

HIGHLY disappointed!

You'd figure humans that old would be experienced enough to be able sing in tempo, eh?

Steve Reich uses a lot of 'phase shifting' in his music. This is when a rhythmic pattern is played by two performers where one of the the performers keeps the pattern at a constant tempo while the other performer plays at a slightly faster tempo. The effect of this would be similar to two signal lights on cars coming into sync with each other and then going out of sync. This piece, however, simply takes a musical phrase clapped by two performers but the second performer shifts the rhythm by an eighth-note over and over again until they line up. That's why it's more danceable. >> ^oohlalasassoon:

That was awesome... and nearly danceable which is saying a lot for a Steve Reich tune.

I actually kept scrolling up and down trying to make them sing together. hahahahhaha

Pause here.. pause there.

The guy actually stays in tempo with Montel fairly well.

Tempo's shit if you ask me, could have been way better.

Yeah it was manipulated. Apparently the guy with the youtube account where this vid came from specializes in that. I think he plays all the instruments individually in his studio then syncs then with a video. >> ^MilkmanDan:

I liked it. But wasn't the vocal track sampled straight off of the album version and then digitally time compressed to match the altered tempo? It had that slightly shrill sound that comes from time compression plus digital compensation for pitch.
So I guess I'm curious about how it was created.

I liked it. But wasn't the vocal track sampled straight off of the album version and then digitally time compressed to match the altered tempo? It had that slightly shrill sound that comes from time compression plus digital compensation for pitch.

So I guess I'm curious about how it was created.

Cool scenography. Tempo's a bit slow though.

>> ^spawnflagger:
I thought she was pretty good. There was a definite Jimmy Carr vibe there. Just the general tempo and tone of the jokes.
And unlike 95% of other female standup comics, she didn't mention vagina once.


You stole my thoughts!

I thought she was pretty good. There was a definite Jimmy Carr vibe there. Just the general tempo and tone of the jokes.

And unlike 95% of other female standup comics, she didn't mention vagina once.

The key of E it is a two step waltz, but in most cases timing is not followed exactly, because of the fills. Acoustic solo is excellent place for expression and improv. But with a group it is a bit difficult unless the band knows how you improvise and can play along.

I'm pretty sure this is in 4/4 timing. It's tempo is pretty normal maybe Andante.
The chord progression is, E, A, E on the first bar, and then E, B7 on the next bar.
Like so:
E                          A
                         
                         
   E
I've got a good woman at home who thinks I do no wrong
E                         
;                         
;               B7
But sometimes lord, she just ain't always around

thanks for the promote! I think she does really well do; I like it up-tempo.

In reply to this comment by alien_concept:
*promote

This song is fantastic and I really think she does a great job