Still looks like some science fiction movie

*promote

That is some major science-fiction level shit there.

A recent episode of the excellent Science vs. podcast discussed this.

TL;DL "There is no such thing as a miracle drug. And that’s an important message for everyone to know, There are no miracle pills, that’s science fiction.

So we don’t know if chloroquine will save the day here. There’s some promising research - but then there’s some not so promising research. "

This makes me think of "The Expanse"--the science fiction series ...Cool.

Those eyes look like something created in science fiction movies in the 50's.

cool

Brilliant? OMG, I want some of what you've been smoking!

That was a piss-poor movie that created supposed links to an amazing classic of science fiction. It was barely watchable, but I wouldn't have felt so cheated had it had the decency to stand on its own and not try to steal an audience based on an unrelated book.

This felt like a science fiction movie at the opening...
Surreal.
*promote

My personal favourite was Hated in the Nation. I can totally see it happening. Hard science fiction, almost no science fantasy. A.I. and autonomous drones, nihilistic hacker. Awesome.

Chaos, that hole completely dropped me out of it.

Short answer, no, because you can't see them. They also would travel too fast. However, in most hard science fiction, rotating or changing the point of impact will tend to screw up the amount of damage they can do.

jimnms, having seen the movie, I can see why people are reacting this positively to it. Have you seen it? Where you have or havent, consider the following.

You are right that this isn't the first black superhero movie. If you ignore comedies starring goofy concept heros, the list of movies narrows. Then, consider movies with black super heros who are not anti-heroes (Spawn, Blade). Why this distinction? Anti-heroes are great, but they aren't characters for a general young audience to aspire to. To notice that the majority of main character superheroes in movies are either partially a joke or a dark/brooding/scary/threatening/antisocial hero might be a drag. especially when you compare it to the pool of white super heroes who aren't (most of them). That's important.

First movie with a mostly black cast? No, but how many such movies arent about slavery, inner city gangs, extreme poverty, surviving racism, genocide or third world conflict. How many are almost purely optimistic blend of science fiction and the beauty of African culture? How many imagine what an African country unmolested by colonialism might look like in the future, where its citizens were allowed to reach their highest potential in terms of culture, government and technology? This is in part what the Afro-futurism science fiction genre is about and its a very rare genre to make it to film.

Especially a film that has a budget of $ 200 million dollars. That budget is important. It says that at this point in history, the largest (maybe?) movie studio recognizes that the public wants to see black characters in this light. That's a big deal too.

And considering how well this movie is doing at the box office, Black Panther is a signal of whats to come. More stories about inspirational black characters told at this kind of block buster scale.

Does that make a bit more sense? I'm sure there are other reasons; one being its a really good movie! Hope this helps.

I am a fan of Alien Rez, not because of Joss Whedon's patchwork script, but because at least it had the familiar comedic elements of Jean-Pierre Jeunet and his usual returning ensemble cast (Ron Pearlamn, Dominique Pinon), as well as Sigorney Weaver being a badass mother.

Just my opinion. I love all of Jeunet's films; as wild and varied as the genres, his film style and character driven stories transcend the genre. City of Lost Child, Amelie, Delcatessen, Micmacs -- really excellent track record. Cool bit of science fiction in all of his films, even if just sort of a chaotic sense of fate and surrealism.

Ridley Scott is hit or miss -- but then again, Ridley Scott has far more a prolific film career so it's like arguing the planetary distances versus the intergalactic distances, we can't fully comprehend the multitude of influences involved in making a film and the secret to making it a good film, so what does it matter if it's 1 astronomical unit, 2 light years, or 26 billion light years, it's all beautiful art.

My kindness aside, his last 5 films: Robin Hood, Prometheus, The Counselor, Exodus, The Martian -- typical and BORING blockbustery movies. 1492 and everything after have been epic suck fests. Even Hannibal was a let down. They're all movies you're sort of excited about, if it weren't for the fact that he drags them out and adds little element of noticeable flair. Like Spielberg, hidden in realism. I want the stylistic elements of Alien and Blade Runner and Legend that PULLED YOU OUT of the movie experience to say loudly: This is art.

The soundtracks especially -- Ridley Scott replaced the original scoring of his movie Legend, which was a dazzling score by Tangerine Dream -- he replaced it with Jerry Goldsmith in rerelease... which sort of makes it all come full circle when you listen to the awful, typically EPIC score of Prometheus, minus all the atmosphere that the original soundtrack provided.

Man, I'm suuuper late to this party....
Anyways, Die Hard is and is not a Christmas movie at the same time. And it depends on your definition what makes a Christmas movie.
I'm gonna take an insane detour here that'll make sense.
Is Star Wars Episode 4 a science fiction movie?
That setting is futuristic, sure, must be sci-fi then. Lasers, Spaceships, Robots, the works. The checklist is done. Sci-Fi.
But what are the themes it touches upon, what is the story?
A young farmer's boy (naturally an adoptred orphan) named Luke is dragged into a rebellion against an evil king (Palpatine) by accident. When the boy get's hold of a pretty princess' (RIP Carrie Fisher) message to an old ally and menthor (Obi) through the fault of her two comic-relief servants (Robot-slaves), he decides to seek the adventure he's yearning for. He finds the old man (by fucking up) and both seek the next harbor to board a ship to join the resistance. The hire smuggler/pirate/bandit/nerfherder Han and his foreign friend Chewie and cross paths with the black knight Lord Vader, the evil kings enforcer. Hijinks ensue, princess rescued, the magic castle/ship/train of the evil king get's destroyed and everyone gets a medal.
What's exactly sci-fi here?
That could play out in medieval times. Or ancient greece. Or the wild west. Or on Christmas.
The setting and the genre are two different things and both determine what you'll label a story with.
Alien is a horror movie, a slasher. Aliens is a war movie. Alien³ is a horror movie of the animal-gone-maneater kind. Alien: Resurrection is a disaster movie (hihi).
They're all sci-fi, like Star Wars. Because of the setting.
Now look at Star Trek: The Next Generation Season 2 Episode 9 'The Measure Of A Man'.
Lasers, spaceships, robots, the usual. What is it about?
A Robot who's so sophisticated that he has to go to trial to prove he's not property but a real boy. Sure, you'll say, I've seen Pinocchio and I can see african men argue the same stuff in the 18th century. The point of the story is not only that is humanity is questioned, the point is he's an artificial lifeform. The question is not only 'What makes you a person?' but also 'When does artificial intelligence become an artificial person?'
That shit won't work in a setting without spaceships and robots. That's sci-fi because of its story.
So, setting and story are both what makes you label a movie a certain way but they're not the same.
Die Hard. Happens on Christmas. Could be Thanksgiving too. Setting interchangeable.
Story? Doesn't contain any christmas-related themes beyond two estranged family members become closer again. That could happen at a funeral as well.
I'm in my mid-thirties and I love Die Hard. It's one of the best 80's action movies. I can watch it anytime and I've seen it at least 20 times (noit joking here). But mostly in the summer. But I understand the question and its diverse answers perfectly well.
Die Hard is a christmas movie if it feels like one to you. For me, Lord of the Rings (especially Fellowship) feels like a Christmas movie to me. I've seen them all in theatres in December, I watched them on VHS and Blu-Ray only in December so far. They have fuck all to do with the occasion but this year was the first one I didn't watch any of them in December. And I feel I missed something this year. I'm not sure I can watch them at this time of the year.

Comment hidden because you are ignoring dag. (show it anyway)

Not to be that guy, but Science Fiction is an essential part of thinking about science and is not worthy of putting down. Anyone who has played Last of Us knows a thing or two about Cordyceps.

FWIW, the good doctor probably wrote more science works than he did science fiction.

But yeah, nobody's imagination can keep up with reality.