Ahhh. No spinal chord separation, so not a total internal decapitation. Amazingly lucky in many ways, but not the miracle I thought the title implied.

Little late to the party, but it was done by different people. According to this article it was done by Michael Roseth (illustrator and creator) & Kamahi Djordan King ( songwriter and performer).

Childhood's End is the first, and - I loathe to admit - at this point the sole, Arthur C. Clarke book I have read.
It struck a chord in me so deep I hesitate to pick up another of his works for fear of no longer being able to function in modern society.

Why have they bothered lying about this? I don't get it.

Obviously fake, as was pointed out, you have to breath helium for it to change your voice It's a function of sound waves traveling through a different gas density, the same reason your voice goes lower when breathing nitrous oxide. The gas doesn't change your vocal chords as some people seem to think.

Comment hidden because you are ignoring dag. (show it anyway)

I never get tired of hearing covers of this song, as I said almost six years ago in this same thread, the song has power.

On reflection, I think it's the chords. Something about that melancholy shift from F major to minor.

That 32nd note chord rhythm at 2:31 is so funky and crazy rhythmic. Definitely quality!

I went and checked him out after happening upon this and here's his latest: http://videosift.com/video/Ronald-Jenkees-Try-The-Bass-Latest-single

I liked it a lot, but then again I'm in a Western/Eastern mixed marriage also. Maybe that helps.

To each his own, but one thing that really rang true for me was Western PC-ness and being judgmental vs Eastern pragmatism. Last time I visited home (US) with my wife and daughter, *everybody* (strangers on up to family) gave unsolicited advice / criticism of parenting decisions (breast vs bottle, diapers vs cloth, etc. etc.), all acting like they know best. Everybody is a critic / doctor / psychologist / scientist all wrapped into one. Here in Thailand, that never happens -- there is moderate reluctance to step on toes even if you *ask* for advice. There isn't anything inherently "right" or "wrong" about either way, but as someone who has lived in two separate cultures, the video's portrayal of that general mentality really struck a chord with me.

No offense to those that didn't enjoy it; comedy can never be all things to all people.

That comment is a reflection on what I hear on a daily basis.
Perhaps my wordage is off, but the stuff coming at us 24-7 is created by studios, not musicians. So much of what I hear is produced by guys sitting at mixer boards and computers.
My comment isn't aimed at every person out there making music, in fact I know there are lots of musicians out there with talent and skill..., but we never get to hear them over all the crap being dealt out by the industry which is breeding Egos as musicians. (I'd choose Beck over Beyonce any day of the week.)

Sure, I know, it may seem like I'm digging a hole and jumping in but the system is broken and the good music is being squelched. Maybe not 100% of the time, but listen to the music. The electronic age is filtering everything out of the music, no more drummer, no guitar, auto tune, synthetic voice. where is all the character? Where are all the happy accidents that real music serves us. How many of today's artistes (on the charts) can serve us music without a guy mixing it to make them sound good, double tracking, and keeping their voices in tune? I know these tricks have been used for years but never to the extent they are being used today.

I remember a quote by Niel Young, way back when he was recording. The guys at the board keep telling him he wasn't hitting the note, and his answer was "Hey, that's my style man!" So they had to leave it in, and the result was great. Pure Niel Young.

So, I guess it's not so much the musicians out there, so much as it is the recording studios, and the system of pump out the next clone hit...

It was Tony James that initiated this era, back when he created Sigue Sigue Sputnik. He had a dream, a vision of what the band looked and sounded like. He hired people that looked like what he wanted, none could play music, he taught them three chords and they they became the number one, unrecorded, unsigned band in history, and EMI finally Won (relative term) by offering them the most money. From that point all the music was produces electronically in the studio. It sounded like crap, but I loved it. It was new and sounded different. And people ate it up. The studios caught on, and realized they didn't need musicians any more, they always wanted money. It made more sense to hire nobodies, they were a dime a dozon and they could be made to sound any way they wanted them too. Just like the Boy Bands and Girl Bands (Spice girls, Pussy Cat Dolls)

Okay... so I'm rambling now..., it's been a long day...
The industry feeds us synthetic garbage because it's cheep, makes money and is easily replaced by the next song/artist.

Meanwhile the real artists are doing everything they can to get recognized and struggle to make a living giving us their soul served in a song and doing everything they can to be heard over the sounds of the industry.

Kutiman's "Mother of All Funk Chords" has been added as a related post - related requested by Norsuelefantti.

Adding video to channels (Commercial, Travel, Viral) - requested by Norsuelefantti.

Cool *viral *travel *commercial you've got there Kutiman, allthough I liked the old youtube mixes more:

*related=http://videosift.com/video/Mother-of-All-Funk-Chords

Just like most things, belief can swing back and forth like a pendulum. But that pendulum will never swing one way (toward atheism) and stop.

Because a belief in a higher power is hard-coded into our DNA. Religion is man's attempt to interpret this. Some interpretations are more accurate than others, but 'whatever floats your boat'. There is great diversity in the creation, and great diversity in Man's interpretation of belief systems.

Atheism is also a belief. It requires a great deal of faith. Atheists are the few dissonant chords allowed in the symphony. But if you are drawn to that dissonance, you are out of tune.

The fish doesn't have to believe in the ocean. It's always there and sustains the fish. But the fish can't live outside of it.

Wow, that is such bullshit.

Not a fan of Sam Smith, but there's no way Petty should get a songwriting credit for that.

The tempo and tone and key have completely changed.

Granted, the songs use a similar chord progression... but so what? There are only a limited number of chord progressions that sound musical, so of course you'll see repeats.

You are right, what i was saying is mostly about audio quality. You can not have a sharp fast complex attack on very low notes. No matter what the instrument is. B is about the lowest, after that you need to make drastic equalizations to get that sharpness back. Also the chord structure "widens" it's intervals the lower you go. With B tune, you can barely make fifths. Once octave higher and you get thirds. If you go 7 octaves higher, you can even use seconds... Allthou Bmin9 sounds AWESOME on B, not very pretty or even recognizable, it's just rumble..... But it sounds clearer around E, aka Breath on Floyds Dark Side of the Moon....