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blankfist (Member Profile)

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Every Woody Allen Stammer From Every Woody Allen Movie

Help Wanted (Sift Talk Post)

Laughing Kitten is Laughing

THE UNBELIEVERS - Richard Dawkins & Lawrence Krauss

Hybrid says...

"The film includes interviews with celebrities and other influential people who support the work of these controversial speakers, including:

Ricky Gervais
Woody Allen
Cameron Diaz
Stephen Hawking
Sarah Silverman
Bill Pullman
Werner Herzog
Tim Minchin
Eddie Izzard
Ian McEwan
Adam Savage
Ayaan Hirsi-Ali
Penn Jillette
Sam Harris
Dan Dennett
James Randi
Cormac McCarthy
Paul Provenza
James Morrison
Michael Shermer
David Silverman
...and more.

www.unbelieversmovie.com"

Woody Allen (at 25) Pranks a Secretary for Candid Camera

A Prairie Home Companion - Bad Jokes Song

A Video About Fur, Narrated By Woody Harrelson

Bob Dylan Last Thoughts on Woody Guthrie

Casino Royale 1954 Full Film

Kimmel: Starbucks Coffee Prank: New $7 Cup of Coffee

chilaxe says...

@ChaosEngine

Wine-tasting is mostly in our minds:


"In one test, Brochet included fifty-four wine experts and asked them to give their impressions of what looked like two glasses of red and white wine. The wines were actually the same white wine, one of which had been tinted red with food coloring. But that didn’t stop the experts from describing the “red” wine in language typically used to describe red wines. One expert said that it was “jammy,”5 while another enjoyed its “crushed red fruit.”

"Another test that Brochet conducted was even more damning. He took a middling Bordeaux and served it in two different bottles. One bottle bore the label of a fancy grand cru, the other of an ordinary vin de table. Although they were being served the exact same wine, the experts gave the bottles nearly opposite descriptions. The grand cru was summarized as being “agreeable,” “woody,” “complex,” “balanced,” and “rounded,” while the most popular adjectives for the vin de table included “weak,” “short,” “light,” “flat,” and “faulty.”"

New Yorker

direpickle said:

Not a study involving experts. Totally believable that on average people can't tell the difference. But I wonder if there were outliers. Were any of the subjects able to do it with surprising accuracy? Were some wines consistently rated high/low priced?

Not saying I can discriminate price--and price is not a good discriminator on whether it tastes good--but wines definitely taste differently from one another.

Stephen Fry on American vs British Humor

Sotto_Voce says...

Interaction with the audience is a big part of Carr's stand-up, and the basis of the interaction is that Carr is quicker and wittier than the audience members. People who go to his show deliberately heckle him just to see him tear them to shreds. That part of Carr's on-stage persona is very much the sort of wise-cracking "my-knob-is-bigger-than-yours" thing that Fry attributes to American comedy.

I also don't think the self-deprecating "hapless loser" style of comedy is a new thing in America. Self-deprecation has always been a big part of Jewish comedy (Woody Allen is a good example), which has been central to the American comic tradition. Besides that, I already mentioned Lucille Ball, who certainly isn't a recent phenomenon. You can add the Three Stooges to that list. Also Phyllis Diller and (more recently) Chris Farley.

It might be true that self-deprecating humor is more common in British comedy, but it has been a big enough part of American comedy that I find it a little misleading to characterize it as a specifically British trait.

alien_concept said:

I don't think that. I think that he is spot on, but out of date and talking in general terms. The things that make those American comics great is how they are so much different from what American comics used to be and how they used to be appreciated. And by the way, as an English person, I too think Louis CK is the best out there. Also, I really don't know how you categorise Jimmy Carr in that way, would you care to explain?

Kid Staring at Cheerleader’s Goodies during Hawks Game

Key&Peele "Liam Neesons"

kceaton1 says...

*quality

I really love this skit, it just hits all the right notes, in the right way AND at the right time(s). It's on the mark, over the mark, hyperbolic, ridiculous, sometimes completely correct, but always introduced with a point that is reamed into your mind over and over again--with some people unable to even get the joke if you read Youtube comments for all or any of their skits (reading these comments is actually one of the funniest/funnest things you can do; I swear you literally can find the dumbest people on the planet on Youtube just by reading their comments; for some reason they seem to all like Tea Party related material, HAARP, "Black Helicopters, UFOs, ghosts AND the fact that shows like, "Ghost Hunters", as these idiots always like to say, "IT IS REAL!", and various other stupidity expenditures that in all likelihood takes one I.Q. point off every time they post--they are usually EPICALLY idiotic and can almost induce strokes just by reading their comments at times, as many of you are may be very well aware of--these idiotic posters are contained in this vestibule of the Internet, almost like an abscess of "The Tubes™"...) . A great vaudevillian type skit... Which is why I like so many of Key and Peele's skits and their material as it DOES have that vaudeville quality and atmospheric vibe going for it. I feel as though if you can't like Key and Peele you certainly have a genetic disorder that compromises your ability to enjoy humor and life.

It quite frankly, is a type of comedy that is dying in American television (indie comedies on Cable stations are the key shows still keeping it alive for now--shows like Key and Peele, Portlandia, etc...) and has basically completely disappeared from movies all-together. I think the last comedy that was great, and good enough to count as something along these lines was, "O Brother, Where Art Thou?". Woody Allen and quite a few other directors/writers made a movies that fit this vein, but Mel Brooks really was the king of this type of slapstick and understood this field better than most directors and writers have for a long time.

Although, I know I haven't watched EVERYTHING there is to see, so I readily admit I might be missing some real winners that I REALLY should be mentioning (for example I know Community is very popular, but I don't know what type of comedy it is--is it a typical generic platform comedy, like Friends, or is there something more to it...) . Make sure to post below any other comedies that you feel should be added into the mix, comedies that can be simple on their face, but end up having a lot of intelligent discourse hidden underneath or they just have influences like Key and Peele that give them the feel that a bit of vaudeville and improv (the reason why shows like, "Whose Line Is It?", did so well and if you do a search on Videosift--or Youtube--you quickly realize it was a HIGHLY enjoyed, liked, and well thought of in almost ALL of it's skits, sketches, and comedy routines--a program, that should be mentioned, that originated in the U.K. on the BBC; that version ALSO being excellent in execution, production, and an extremely very well thought out program from it's very inception) are included in their style of comedy and their skits.

Anyway, just my two cents...

/My comment on the state of current U.S. comedy in mainstream media sources is added in so my quality markup isn't just sitting there all alone... Plus it gives us something to talk about besides just this clip/skit.

Controversial PSA from Chile: Boobs Throughout Everyday Life



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