while this is cool, it's really just forcing a specifically art-directed look of the game(texture detail, color grading) into a dashcam-quality, drab color-scheme version. The game was obviously going for a more film-inspired color grading meant to give you the impression of a hot summer day in LA, not a cold German day seen through a raw ccd limited dashcam. cool that it's this fast though!

just saw the bit at the end with the broader dataset used.. that's more like it, keeps the vibrant color but does improve realism of things like road look.

I watched Saving Private Ryan once.
It was an amazing move, but decided I didn't ever need to see it again. The realism was a lot to take. Seeing parts of this reminded me why I made my choice. I didn't make it through this video.

Way too mush positive enthusiasm for a machine that is purely made to kill people. These human killing machines are brutal in their efficiency. I almost feel like the music should be a sound of dred with a somber tone explanation. Discussing them as entertainment seems wrong to me. Not only that, but this is the decommissioned ship, they didn't even get to the more modern ships which can kill way more people, more accurately, and at greater distances.

Of course, this is all to promote a video game, and they want you excited to buy and play their game, and pump them full of micro-payments. I also know their are people that thrive on guns and killing, but as a human being, to me, this seems very uncomfortable.

No, I'm not anti-video game, just anti-realism in video games and killing people. Give me Aliens and sci-fi, or demons and monsters any day

What better way to enhance the realism than to start using real bullets in the movies. About time they got some guts.

Your assumption is incorrect. As I've stated repeatedly, I think people should be seen and assessed individually on the totality of their character. It's just that I see the inpracticality of that in institutional settings where a few people must assess tens of thousands of applicants in months. That necessitates putting people into groups and making assumptions, sometimes by necessity that's by race. Fund education better, they might screen better. Fund all education better, they might be able to abandon all criteria beyond past performance, but that just won't happen (but $12 billion for Trump's trade war's damage to soy bean farmers, no problem, who's next?).

Ahhh....but those discriminatory practices have, and still are encoded in the law against these groups in many forms. Some have been rectified, many not, and never has there been a reasonable attempt to make up the shortfalls/damages these policies have caused these groups over decades and centuries. If I beat you daily and take your lunch until 11th grade, then stop, it's still horrifically unfair of me to insist you meet weight requirements to be on my JV wrestling team and yet not offer you weight training and free lunch to help you get there. Same goes for groups, however you wish to divide them, that have been downtrodden.
Creating policies to address the damage done in order to get the long abused back to their natural ability level isn't bad unless they aren't ever modified once equality is reached. We aren't close yet.

Some won't, most do. You make a thousand little sacrifices for the greater good daily, one more won't hurt you. If your ability is actually equal to the poor kid trying to take your place, the advantages you have over them should make that point abundantly clear and your scores should be excessively higher. If they aren't, you just aren't taking advantage of your advantages, making them the better choice.

Time will tell, but I don't see this as political, I see it as rational realism vs irrational tribal wishful thinking.
My parents both worked at Stanford, and are Republicans, and both support giving less advantaged students more opportunities to excell, and both think diversity on campus benefits everyone to the extent that it merits using race and gender as points to consider during the application process if that's what it takes to get diversity.

Your main problem seems to be that it's decided purely by race. Let me again attempt dissuade you of that notion. Race is only one tiny part of the equation, and it's only part because they tried not including race and, for reasons I've been excessively sesquipedelien about, that left many races vastly underrepresented because they don't have the tools required to compete, be that education, finances, support of family, support of community, extra curricular opportunities, safety in their neighborhood, transportation, etc., much of which is caused by centuries of codified law that kept them poor, uneducated, and powerless to change that status. No white male with a 1600 and 4.0 is being turned away for a black woman with 1000 and 2.9, they might be turned away for a black woman with 1550 and 3.8 because she likely worked much harder to achieve those scores, indicating she'll do even better on a level field.

I don't see why Republicans care, they're now the proudly ignorant party of anti-intellectualism who claim all higher education is nothing but a bastion of liberal lefty PC thugs doin book lernin. Y'all don't want none of that no how. ;-)

Edit: note, according to reports I saw years ago, without racial preferencing FOR white kids, many universities would be nearly all Asian because their cultures value education above most other things so, in general, they test better than other groups.

Because the game isn't realism.

Nice. Reminds me of Ron Mueck, who does similar kind of hyper realism, but also plays a lot with scale (like a giant baby or a tiny old man).

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This is a really good example of showing what video game graphics are really good at (static scenes with hard materials) and what they're not so good at but getting better (natural organic materials, humans with complex animations).

That said, as impressive as it is, we are still a long way off "photo realism".

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I am a fan of Alien Rez, not because of Joss Whedon's patchwork script, but because at least it had the familiar comedic elements of Jean-Pierre Jeunet and his usual returning ensemble cast (Ron Pearlamn, Dominique Pinon), as well as Sigorney Weaver being a badass mother.

Just my opinion. I love all of Jeunet's films; as wild and varied as the genres, his film style and character driven stories transcend the genre. City of Lost Child, Amelie, Delcatessen, Micmacs -- really excellent track record. Cool bit of science fiction in all of his films, even if just sort of a chaotic sense of fate and surrealism.

Ridley Scott is hit or miss -- but then again, Ridley Scott has far more a prolific film career so it's like arguing the planetary distances versus the intergalactic distances, we can't fully comprehend the multitude of influences involved in making a film and the secret to making it a good film, so what does it matter if it's 1 astronomical unit, 2 light years, or 26 billion light years, it's all beautiful art.

My kindness aside, his last 5 films: Robin Hood, Prometheus, The Counselor, Exodus, The Martian -- typical and BORING blockbustery movies. 1492 and everything after have been epic suck fests. Even Hannibal was a let down. They're all movies you're sort of excited about, if it weren't for the fact that he drags them out and adds little element of noticeable flair. Like Spielberg, hidden in realism. I want the stylistic elements of Alien and Blade Runner and Legend that PULLED YOU OUT of the movie experience to say loudly: This is art.

The soundtracks especially -- Ridley Scott replaced the original scoring of his movie Legend, which was a dazzling score by Tangerine Dream -- he replaced it with Jerry Goldsmith in rerelease... which sort of makes it all come full circle when you listen to the awful, typically EPIC score of Prometheus, minus all the atmosphere that the original soundtrack provided.

Anyone who goes to an Oceans movie with realism in mind really doesn't get it.