that was awesome.
i hope del toro gets to make "mountains of madness",because i love the imagery he used in hellboy,which was VERY lovecraftian.

i stumbled upon lovecraft from my dad,and by accident.
my dad had a ton of the those sci-fi,horror pulp magazines from the 40's and 50's in the basement.

i think i was around 9 or 10 and my dad had given me the job of clearing out the basement,because he was going to remodel it..and i remember coming across this old,and dusty cardboard box filled with those books.

i spent the entire afternoon reading..and reading..and reading.
and it was lovecraft that i fell in love with,although at my young age he was not an easy read.you have to absorb lovecraft rather than actually read him.

this was the weekend i also discovered isaac asimov,ray bradbury,fred saberhagen and jack l chalker.

so i fell in love with lovecraft before stephen king.

and then my big sister tried to introduce me to dean r koontz.
and well..fuck dean r koontz,fucking hack and plagiarist.

seriously..fuck dean r koontz.

My memory of the original movie is that it was that there was about 5 minutes of the characters philosophizing on the difficulty of self-identity in a cyber world amid an hour and a half of sexy sci-fi robot murder sprees. I think they can match that.

james o'keefe and project veritas are reknowned in their deceptions and their so-called 'gotcha" shenanigans.

and when i say "shenanigans",i mean clever editing to create a false premise that suits a political agenda.in this case:republicans.

o'keefe is not the first to kneel at the altar of political money,and suck the cock of his masters,simply to buy his way into the powered elites outhouse,located on the very edge of the property.(oooh i am being sassy today).

we can look back at the tea party and literally watch dick army,former congressman turned lobbyist (shocker right there),single handedly change the direction of an entire movement to serve the needs and desires of HIS masters,by the creation of "americans for prosperity".

i am not kidding.
go check it out.
when the original tea party started their message was very similar to the occupy wall street movement in 2011,but dick army and his merry band of fuckheads,manipulated the leadership from outrage against:big banks,wall street and the horrendous malfeasance of rumsfelds department of defense (still looking for that 1 trillion dollars of tax payer money)..

to...

big government and the democrats.

it was quite impressive in its simplicity and brilliance.
reprehensible and grotesque,but impressive.

we can even look at the private organization of the DNC,and how they openly attempted to undermine bernie sanders campaign.a man who was running on THEIR ticket for fuck sakes!

i seem to be on a kick today in regards to people who sell their integrity for cash.for access.for influence.

it appears john carpenters "they live" was not just a simple,cheesy,sci-fi movie but rather a documentary.

"i have come here to kick ass,and chew bubble gum.and i am all out of bubble gum".
rowdy randy piper (rip)

I'll bite. (needless to say, spoilers)

The characters certainly had motivation.

Jyn's motivation, much like Rae in FA, is simple, daddy issues. She isn't so much invested in the rebellion as she is in enacting vengeance for her father. She is stunted emotionally and is not idealistic, but I think she uses that as a vehicle to push other characters along with her. Her last moments with Cassian aren't driven by any great romance, just the solace of two people who don't know if what they did will make a difference, but they succeeded in what they set out to do. I suspect she understood before she left Yavin that she was not going to get out of it alive, which sort of fits with her fairly nihilistic view of the universe.

Cassian was entirely driven by the fight against the Empire. He was willing to do anything, and was completely ruthless at the start, but he does mellow towards the end as Jyn makes a point of saying that he was like a stormtrooper. He is a zealot, a true believer, and is willing to sacrifice everything, even his humanity, for the cause.

Orson, the imperial commander, is a mixture of patriotism and self interest. He's a fervant believer in the imperial ethos of bringing order to the galaxy, but he is also deeply interested in recognition and commensurate rise in rank. He is so motivated that he risks his life directly to try and stop the rebels (not something you typically see bad leader types do outside of superhero movies, that's what henchmen are for) at the end.

The droid is all programming, but his comedy relief is explained by the dialogue that slicing an imp droid can affect it's personality. He is the one of the few light hearted notes (and consequently gives us a pretty poignant note when he says goodbye and get's shut down) in what is a fairly depressing movie. His bluntly honest statements are perfectly ironic and as such really do deserve the laughs they get.

The monk and the warrior were guardians of a temple but are now displaced. While it's couched in the monks mysticism, I think honestly they were happy to stand up to the big bad guys who wrecked their temple and extract some form of revenge. I think it would please both of them to know that it was worth it in the end.

The imperial defector seems to have little motivation, but he has already taken the dangerous step of defecting and getting the ball rolling for the entire plot etc, he's obviously completely displeased about the empire and willing to risk his life to do something about it.

Saul has been driven mad by the fight. The rebel leadership all seem to fit well within their established roles in the canon, as do Tarkin and Vader. Random rebel and imp personal are placeholders and who really gives a fuck what their motivations are? X D

/shrug As far as character development goes, it's certainly not a work for the ages, but to say these characters are going to get a thing because they need to get a thing seems to be nitpicking for the sake of nitpicking.

Oh yeah, and in regards to AT AT's, it's a strategic imperial world and heavily garrisoned. Likely a staging point for excursions around the galaxy as well. It has major shielding, AA and fighter complements, Star Destroyers standing guard etc. Sure, fan service is a thing (although the homages in R1 are far less clunky than FA, including things like the Hammerhead, references to the cartoons etc), but as an imp commander, I would certainly release AT AT and AT ST vehicles against an attacking force of unknown size, particularly when you see a whole bunch of landing pads explode simultaneously. Are their 10 commandos or 1,000? 10,000? Yeah, go lowball and wait for them to walk out in the open right? \= |

It's not like the AT AT's were stomping all over the archive looking for a guy hiding behind valuable Imp data infrastructure, they are roaming the outer regions and are fairly proof against ground troops. Makes sense to me.

Dunno, I think the RLM reviews are generally entertaining and thoughtful, but in this case whoever writes Plinkett has let his acerbic dislike of "new" Star Wars cloud his objectiveness imo. It was an enjoyable flick and certainly one I intend to own. I don't think it's anywhere near the best sci fi (although I kinda like it on par with Empire) movie out there, but it's far better than RLM gives it credit for, imo.

@Sarzy no Arrival? I thought that was one of the smartest sci-fi movies I've seen in ages.

I enjoyed past reviews from Red Letter Media a lot. They were insightful and detailed. They made me watch some movies in a new light and gave me a better understanding of them. However....

Go fuck yourselves, you whiny bitches!

You know what these people deserve? Everytime they turn on any screen of any kind to watch something even slightly related to sci-fi, it only plays Episode 1. They can't pause it, they can't stop it. And the Pod race as well as the 3-way lightsaber fight are edited out in their entirety. Just to make sure the relentless shittiness contains no form of relief.
We're finally getting decent Star Wars movies and all we get it 'But it ain't the original trilogy!!111!!'.
You people need more dialogue about the uncomfortableness of sand between your ass-cheeks. Or battle scenes characters only survive by entering slapstick-routines.
Sure, TFA and R1 certainly aren't perfect, maybe not even good, but they are surely much better than the awful shit Lucas shat down our throats the last 3 decades on the big screen.
The characters aren't likable enough? Have you met fucking teenage Anakin? I wanna slap the midichlorians out of that whiny bitch-face everytime he's on screen. He's so unlikable, the first time I didn't want to choke him until the Force left his body was when he murdered a classroom full of schoolchildren. That's what it took to make me go from 'I'm supposed to sympathise with this whiny-faced asshole?!' to 'Ok, he's the villian now. I'm supposed to feel this way about him'
There's not enough context? Go fuck yourself. Should we go and add extra flashbacks to Batman vs Superman on how Bruce Wayne's parents got shot? Just in case you don't get why he's Batman yet?
If you don't know what the Force is or who's Darth Vader, get the fuck out of my movie theater, mom! You're clearly here because somebody else dragged into this 'space war movie'.
I get it, the new movies aren't the perfect jewels of film-making your 5-year old self remembers the original trilogy to be ('Let's scrap the Wookies and invent the more Teddybear-like Ewoks, for the toy-sales!') but this is your response?
You're an teenage Anakin. A whiny, insufferable, bitch-faced asshole.
I welcome a healthy, critical discussion about movies any time. What I won't accept is this ridiculous display of ungratefulness after we suffered the prequel trilogy.
Star Wars is finally getting decent again. And you people shit all over it like the last 3 movies were even worth watching.
I'd rather watch Twilight than endure the creepy, awkward romance sub-plot of Episode 2 again. At least Twilight made laugh. And don't get me started on those tax disputes that started all that crap in the first place.
If you can't appreciate a Salami Pizza because there's no Pepperoni on it, you aren't worth any Pizza at all.

Man, I'm suuuper late to this party....
Anyways, Die Hard is and is not a Christmas movie at the same time. And it depends on your definition what makes a Christmas movie.
I'm gonna take an insane detour here that'll make sense.
Is Star Wars Episode 4 a science fiction movie?
That setting is futuristic, sure, must be sci-fi then. Lasers, Spaceships, Robots, the works. The checklist is done. Sci-Fi.
But what are the themes it touches upon, what is the story?
A young farmer's boy (naturally an adoptred orphan) named Luke is dragged into a rebellion against an evil king (Palpatine) by accident. When the boy get's hold of a pretty princess' (RIP Carrie Fisher) message to an old ally and menthor (Obi) through the fault of her two comic-relief servants (Robot-slaves), he decides to seek the adventure he's yearning for. He finds the old man (by fucking up) and both seek the next harbor to board a ship to join the resistance. The hire smuggler/pirate/bandit/nerfherder Han and his foreign friend Chewie and cross paths with the black knight Lord Vader, the evil kings enforcer. Hijinks ensue, princess rescued, the magic castle/ship/train of the evil king get's destroyed and everyone gets a medal.
What's exactly sci-fi here?
That could play out in medieval times. Or ancient greece. Or the wild west. Or on Christmas.
The setting and the genre are two different things and both determine what you'll label a story with.
Alien is a horror movie, a slasher. Aliens is a war movie. Alien³ is a horror movie of the animal-gone-maneater kind. Alien: Resurrection is a disaster movie (hihi).
They're all sci-fi, like Star Wars. Because of the setting.
Now look at Star Trek: The Next Generation Season 2 Episode 9 'The Measure Of A Man'.
Lasers, spaceships, robots, the usual. What is it about?
A Robot who's so sophisticated that he has to go to trial to prove he's not property but a real boy. Sure, you'll say, I've seen Pinocchio and I can see african men argue the same stuff in the 18th century. The point of the story is not only that is humanity is questioned, the point is he's an artificial lifeform. The question is not only 'What makes you a person?' but also 'When does artificial intelligence become an artificial person?'
That shit won't work in a setting without spaceships and robots. That's sci-fi because of its story.
So, setting and story are both what makes you label a movie a certain way but they're not the same.
Die Hard. Happens on Christmas. Could be Thanksgiving too. Setting interchangeable.
Story? Doesn't contain any christmas-related themes beyond two estranged family members become closer again. That could happen at a funeral as well.
I'm in my mid-thirties and I love Die Hard. It's one of the best 80's action movies. I can watch it anytime and I've seen it at least 20 times (noit joking here). But mostly in the summer. But I understand the question and its diverse answers perfectly well.
Die Hard is a christmas movie if it feels like one to you. For me, Lord of the Rings (especially Fellowship) feels like a Christmas movie to me. I've seen them all in theatres in December, I watched them on VHS and Blu-Ray only in December so far. They have fuck all to do with the occasion but this year was the first one I didn't watch any of them in December. And I feel I missed something this year. I'm not sure I can watch them at this time of the year.

He writes fantastic sci-fi...but truth is stranger than fiction.

I am giving this a chance based purely on the choice of director. "Arrival" was that rarest of things, a smart sci-fi.

This still has a high chance of suck, but I'm prepared to be surprised.

Babylon's Ashes has hit the shelves last week -- a copy is waiting for me at home, but I dare not touch it. It's the most addictive sci-fi universe out there and the bloody suspense at the end of each book was killing me. It's worse than waiting for The Winds of Winter...

I live in a country where the only people commonly have guns are law enforcers.
When I see this it just seems like a sci-fi movie promo akin to those fake Tedx talks promoting Prometheus, or a fake commercial from Robocop.

It's so alien and strange to me.

It probably looks like everything sci-fi because so many other sci-fi films have drawn inspiration from the visuals from this late-60's graphic novel. Including starwars(heavily).

Seriously? Have none of these people ever seen a sci-fi movie before?

The "cute alien thing turns out to be deadly" was an amusing trope a few decades ago, but it just feels so bloody stupid these days.

Honestly, how stupid does hollywood think scientists are?
If we happened to find non-terrestial life, there is NO WAY IN HELL we would let humans interact with it without quarantining it for months if not years.

People need to listen to Worf

I don't get it. Bad dialogue and acting. What about this appeals to people?

Although compared to other sci-fi tv series, i'm guessing, this is par for the course.

I never really got into Spawn and Rob Liefeld... well, google Rob Liefeld and the first result is The 40 Worst Rob Liefeld Drawings.

It's also kind of ironic that despite Image's entire raison d'etre being "creator's rights", they ended up in a legal battle with Neil Gaiman over a character Gaiman created for McFarlane.

That said, Image are putting out some amazing work these days. If you like comics or sci-fi and you're not reading Saga or Black Science, you're missing out. Seriously, go read them now.

Side note: I know purists probably hate digital comics, and as someone who owns 5 volumes of Ultimate Sandman, I do like a real book, but digital comics are goddamn awesome.