Wow, I'm amazed this isn't here already.

I love this film, definitely one of his best.

This is adorable. I liked the film...except the shooting of my hero...Hitler.

EDIT: It should be noted that Sally Menke died Sept. 27th, 2010. She had been editor to every Quentin Tarantino film going back to Reservoir Dogs.

>> ^Yogi:
EDIT: It should be noted that Sally Menke died Sept. 27th, 2010. She had been editor to every Quentin Tarantino film going back to Reservoir Dogs.


Oh, that's awful. I had no idea

>> ^Yogi:

This is adorable. I liked the film...except the shooting of my hero...Hitler.
EDIT: It should be noted that Sally Menke died Sept. 27th, 2010. She had been editor to every Quentin Tarantino film going back to Reservoir Dogs.


They should've said, "Bye Sally."

Couldn't resist.

You didn't spell Inglorious wrong which, in this case, is wrong.

Inglourious Basterds

edit: What could be a better time to play spelling Nazi?

I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).

Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.

So there.

Hi, Sally.

>> ^kymbos:

I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.


*** Spoilers ***

This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

>> ^Quboid:

>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!


Survive with a fat swastika on his head

>> ^alien_concept:

>> ^Quboid:
>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

Survive with a fat swastika on his head


That could be fixed with plastic surgery, or if that wasn't available, he could get more slices in his face to change it into an unrecognisable mess. Claim he was hit by shrapnel while saving children from Nazis.

>> ^Quboid:

>> ^alien_concept:
>> ^Quboid:
>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

Survive with a fat swastika on his head

That could be fixed with plastic surgery, or if that wasn't available, he could get more slices in his face to change it into an unrecognisable mess. Claim he was hit by shrapnel while saving children from Nazis.


Were skin grafts that great back in the 40s? If he had to scar his whole face up, that'd still be terrible for a character like him.

Possibly not, he'd have to get more scars to hide it. When I say "an unrecognisable mess", I mean his swastika, not his whole face. He's not going to win any beauty contests but it's better than what would have happened to him if the Basterds hadn't intervened, getting blown up in a theatre or if he's lucky, spending his life running from Nazi hunters.

(What's up with quotes? Videosift seems to be mucking them up.)

>> ^alien_concept:

Were skin grafts that great back in the 40s? If he had to scar his whole face up, that'd still be terrible for a character like him

>> ^Quboid:
>> ^alien_concept:
>> ^Quboid:
>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

Survive with a fat swastika on his head

That could be fixed with plastic surgery, or if that wasn't available, he could get more slices in his face to change it into an unrecognisable mess. Claim he was hit by shrapnel while saving children from Nazis.
.

It's true. The Basterds were kind of incidental to the 'killing hitler' plot when you think about it. They could have not been in it at all and the French girl still would have got it done. But they were fun, and I think that's the point.

I just want a plot from Tarantino that blows my mind again. He's got all the tools, but I haven't been captivated by a plot line by him for a while.