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Siskel & Ebert Forced to Review American Version of Leon

The American version cuts out many of the scenes that explain Leon's backstory (as shown to us courtesy of fellow videosift cinephile enoch)...

http://videosift.com/video/leon-the-professional-deleted-scene-leons-past

... as well as scenes that demonstrate how screwed up Matilda is.

The point of Natalie Portman's character was that she was denied any normal childhood and was grasping at her childish perspective of what an adult is based solely on her horrifying experiences in that apartment. Matilda was a little girl who thought she knew (but actually knew nothing) about adult sexuality. Her dress and behavior was the only reaction she could have given the world she saw.

Gone are the scenes featuring Matilda's awkward flirtatious behavior shown as that of a child merely mimicking what adults do. Her story arc in the film was that of a refugee from the absurdities of her behavior and be given a second chance at a normal childhood by the non-sexual supportive love of another. Leon is perfect for the job since he also harbored a stunted sexuality and was in many ways Matilda's equal.

The American version, however, really does suffer because of these cuts. Given this, I forgive Siskel & Ebert for this thumbs-down review.

Waiting for "Matilda: The Professional 2"
shuacsays...

Sure, even the circumcised American version isn't as bad as S&E say but I think I can see what they were talking about. Oldman's performance, while great, is kinda over the top a little but it's more an exercise in style than reality. Those are traditionally risky waters to tread in cinema and Besson doesn't have anything to feel bad about. The audience (and DVD buyers) have spoken and it's a verified hit.

I'm off to watch it again too...a calm moment before the storm.

AdrianBlacksays...

Great title, Shuac. You make a valid, well-said point that the scenes deleted - now fail to give the movie it's 'bones'. The reasons S&E gave for not liking the film, were completely due to the trickle-down effect of those important removed scenes.

And the hanging scene Ebert mentioned...is just pure Hollywood, bad-ass fun. If he is picking apart 'impossible' gun scenes in movies, he had better start rewriting all of his review books now. Watch out Matrix.

schlubsays...

These guys are both douche bags. They give negative reviews to good movies and good reviews to shit movies. I don't think their comments here would have been any different if the removed scenes had been left in. They're just a pair of shit disturbers. Also, his name is Léon not Lee-on.

NaMeCaFsays...

I've found that film critics are like bizarro film reviewers. If they say a movie is shit, I usually go and see it. If they say a movie is good I usually don't bother. Funnily enough - except for a few rare occasions - it's paid off tremendously.

Fuck these guys.

shuacsays...

Not wishing to be merely contrary, I find reviews by Roger Ebert to be highly insightful. The recent half-star review of Battlefield: Los Angeles, for example, is hilarious and quite useful to those of us who have historically identified with Mr. Ebert's cinematic prowess. The television program Siskel & Ebert, when it was on, can be forgiven for its rare misstep, like the review of The Professional, even though, as I've pointed out, the version screened was quite compromised. Those who systematically regard their reviews with, as stated above, an "inversion principle" have my pity as surely possessing an abating sum of cognitive capacity. In short, lick my balls. Siskel & Ebert rule.

antsays...

*dead

"'Siskel & Ebert - The...'
This video is no longer available because the YouTube account associated with this video has been terminated due to multiple third-party notifications of copyright infringement from claimants including:

* Flower Films
* Twentieth Century Fox Film Corporation
* Latham Entertainment..."

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