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(Another) video camera on conveyor belt at sushi restaurant.

lucky760 says...

I don't know what it is because it's mostly boring, but I'm nailed to my seat for every one of these videos. I find them absolutely fascinating. Maybe it's because I wish I could *travel there. Or perhaps I'm interested by the reactions of everyday Japanese folks to the camera. Not sure, but I can't take my eyes off it. Scorsese couldn't have done better.

I wonder what it would look like if it was filmed in the US. My guess is people have tried but they never saw their camera again.

Great submission, Mr. Beans. I'm predicting it'll be the one to rid you of your big red P. *promote!

On a side note, isn't that youdiejoe at about 2:13?

The Big Shave

The Big Shave

Opera you didn't know you knew (lucia sextet)

Deano says...

According to Wikipedia, http://en.wikipedia.org/wiki/Lucia_di_Lammermoor#Trivia, it's been used in;

The "Lucia Sextet" (Chi mi frena in tal momento?) was recorded in 1908 by Enrico Caruso, Marcella Sembrich, Antonio Scotti, Marcel Journet, Barbara Severina, and Francesco Daddi, (Victor single-sided 70036) and released at the price of $7.00, earning it the title of "The Seven-Dollar Sextet". The film The Great Caruso incorporates a scene featuring a performance of this sextet.

The "Lucia Sextet" melody is best known to some from its use by the American slapstick comedy team the Three Stooges in their short films Micro-Phonies and Squareheads of the Round Table, sung in the latter with the lyrics "Oh, Elaine, can you come out tonight...." But the melody is used most dramatically in Howard Hawks' gangster classic "Scarface": Tony Camonte (Paul Muni) whistles "Chi mi frena?" in the film's opening sequence, as he guns down a ganglord boss he has been assigned to protect.

It has also been used in Warner Brothers cartoons: Long-Haired Hare, sung by the opera singer (Bugs Bunny's antagonist); Book Revue, sung by the wolf antagonist; and in Back Alley Oproar, sung by a choir full of Sylvesters, the cat.

The "Lucia Sextet" melody also figures in two scenes from the 2006 film The Departed, directed by Martin Scorsese. In one scene, Jack Nicholson's character is shown at a performance of "Lucia di Lammermoor", and the music on the soundtrack is from the sextet. Later in the film, Nicholson's cell phone ringtone is the sextet melody.

The Sextet is also featured during a scene from the 1986 comedy film, The Money Pit.

In the children's book "The Cricket in Times Square," Chester Cricket chirps the tenor part to the "Lucia Sextet" as the encore to his farewell concert, literally stopping traffic in the process.

An aria from the "mad scene," "Il dolce suono" (from the 3rd Act), was re-popularized when it was featured in the film The Fifth Element in a performance by the alien diva Plavalaguna (voiced by Albanian soprano Inva Mula-Tchako and played onscreen by French actress Maïwenn Le Besco). A loose remake of this film version of the song was covered by Russian pop singer Vitas.

The "mad scene" was also used in the first episode of the anime series Gankutsuou (in place of L'Italiana in Algeri which was the opera used in that scene in The Count of Monte Cristo).

The "mad scene" aria, as sung by Inva Mula-Tchako, was used in an episode of Law & Order: Criminal Intent involving the murder of a young violinist by her opera singer mother (who performs the song right after the murder).

The "mad scene" was released as a music video by Russian male soprano Vitas in 2006.

Among other selections from the opera, the "mad scene", "Verranno a te sull'aure", and "Che facesti?" feature prominently in the 1983 Paul Cox film Man of Flowers, especially "Verranno a te sull'aure," which accompanies a striptease in the film's opening scene.

The opera is mentioned in the novels The Count of Monte Cristo, Madame Bovary and Where Angels Fear to Tread and was reputedly one of Tolstoy's favorites.

"Regnava nel silenzio" accompanies the scene in Beetlejuice in which Lydia (Winona Ryder) composes a suicide note.

A portion of the opera is also used in a key scene of the film The Fifth Element, written and directed by Luc Besson.

Bob Dylan at The Last Waltz

rougy says...

Good stuff!

Saw the film.

Cracked up when Robbie Robertson caught a fly after Scorsese did his New Yorker fast talk (not a dig on St. Martin).

Robbie put out an album of Native American songs - aces all around.

Bob Dylan at The Last Waltz

rasch187 says...

According to Scorsese, Dylan made the stipulation that only two of his songs could be filmed: "Baby Let Me Follow You Down" and "Forever Young". "When Dylan got on stage, the sound was so loud, I didn't know what to shoot," Scorsese later recalled. "Bill Graham was next to me shouting, 'Shoot him! Shoot him! He comes from the same streets as you. Don't let him push you around.' Fortunately, we got our cues right and we shot the two songs that were used in the film." [wiki]

Sarzy (Member Profile)

A Scorsese Directed Short, Scripted by Hitchcock

Goodfellas - Tommy gets 'made'

MrFisk (Member Profile)

The Films of Stanley Kubrick

Shitty director Uwe Boll wants a pro-Boll petition, retards

The Band & The Staple Singers Perform The Weight (Wow!)

siftbot says...

Tags for this video have been changed from 'the band, staple singers, the weight, the last waltz' to 'the band, staple singers, the weight, the last waltz, Martin Scorsese' - edited by schmawy

Top 5 Directors? (Cinema Talk Post)

Top 5 Directors? (Cinema Talk Post)



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