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Martin Scorsese vs. Stanley Kubrick

Sarzy says...

Not a tough choice at all. Scorsese is an amazing director, but Kubrick is a god. No one can frame a shot like Kubrick, move the camera like Kubrick, or match visuals to music like Kubrick (no, not even Scorsese). Plus, Scorsese's filmography is filled with classics, but it also has quite a few merely good films, and even a couple of duds.

Martin Scorsese vs. Stanley Kubrick

shuac says...

Same here, though I enjoy both.

Seven thoughts as I watched this vid:

1. Gangs of New York was such a nothing film. The Departed and Shutter Island were terrific.

2. Scorsese's early work (Who's That Knocking on My Door, Mean Streets, and Taxi Driver) was very artistic. His movies since that time: not so much.

3. "We Are the People is not the same as We Are the People. Let's not fight. Look, I'm gonna make it real simple. We don't pay for the buttons, We throw the buttons away."

4. The only Kubrick film I was really disappointed with was Eyes Wide Shut. That was also a nothing film.

5. Kubrick's movies are timeless and infinitely re-watchable. But then, so are Scorsese's.

6. Kubrick started as a photographer and so his films are meticulous and beautiful, especially Barry Lyndon. Kubrick was an artist through and through.

7. "Hey Dad. There's a strange fella sittin' on the sofa munchy-wunchin' long tics of toast!"

The Departed - Opening Scene

siftbot says...

Tags for this video have been changed from 'Intro, Jack Nicholson, Martin Scorsese, Frank Costello' to 'Intro, Jack Nicholson, Martin Scorsese, Frank Costello, gimme shelter' - edited by rasch187

Inception -- Final Trailer (Christopher Nolan)

Deano says...

For me he's a big name actor who's average. He does the steely intensity you'd expect from a Pitt or Cruise but like them he's more movie star than accomplished actor.

I back up my case by referring to his films. He rarely makes one that I have enjoyed or would go to see.

http://www.imdb.com/name/nm0000138/

If you look at his work since Titanic (another classic effort...) the only thing I'm seeing is that Scorsese has lost his mind.

therealblankman (Member Profile)

enoch says...

In reply to this comment by therealblankman:
@aniatario- Yup, definitely has a reputation as an asshole. As for "stealing" the rights to the music, well he's the songwriter for most of it and that's where the rights to revenues lies. That said the tracks that the band recorded were very collaborative, so he could have chosen to be more equitable, but chose not to. They worked together for over 20 years and by not sharing Robbie alienated himself from the rest of The Band, especially Levon Helm. So yeah... an asshole.

@rougy- During the editing process for The Last Waltz Scorsese and Robertson lived together and consumed copious quantities of drugs. I guess Scorsese was the typical New York hopped-up cokehead, and Robertson definitely seemed to be more of a mellow stoner.

Side note: Just read on Wikipedia that Elton John's song "Levon" was written as a tribute to Levon Helm, the drummer from The Band. Interesting.


wow man.
the next time i find a good robbie robertson vid ill send it your way to post.
you know waaay more about him and the band than i do,for real.
i learned more about him just by your comments..very awesome my man.

ROBBIE ROBERTSON-unbound (original video)

therealblankman says...

@aniatario- Yup, definitely has a reputation as an asshole. As for "stealing" the rights to the music, well he's the songwriter for most of it and that's where the rights to revenues lies. That said the tracks that the band recorded were very collaborative, so he could have chosen to be more equitable, but chose not to. They worked together for over 20 years and by not sharing Robbie alienated himself from the rest of The Band, especially Levon Helm. So yeah... an asshole.

@rougy- During the editing process for The Last Waltz Scorsese and Robertson lived together and consumed copious quantities of drugs. I guess Scorsese was the typical New York hopped-up cokehead, and Robertson definitely seemed to be more of a mellow stoner.

Side note: Just read on Wikipedia that Elton John's song "Levon" was written as a tribute to Levon Helm, the drummer from The Band. Interesting.

ROBBIE ROBERTSON-unbound (original video)

rougy says...

@therealblankman:

"...you've got to check out "The Last Waltz" from Martin Scorsese- probably the best live concert ever captured on film."

Saw that years ago with some friends. Loved it. Great show all around, but there's a scene where Robertson and Scorsese are having a talk that was just priceless. Scorsese is interviewing Robertson. Scorsese talks really fast, typical New Yorker, asks a question and can't shut up long enough to hear the answer. Robertson talks pretty slowly. And I can't remember what Scorsese said, but it sort of implied how slow Robertson was.

Well, there was a fly buzzing around Robertson when Scorsese said that, and Robertson caught it in mid-flight and tossed it on the table between him and Scorsese.

That's how I remember it, anyway.

ROBBIE ROBERTSON-unbound (original video)

therealblankman says...

Robertson is a legend. Oddly, for one who has made such a huge contribution to American music he seems to be known by name to only a few, but everrybody knows his music. I mean just hum a few bars of "The Weight" or "The Night They Drove Old Dixie Down" or "Up on Cripple Creek" and all of a sudden people go "Oh... yeah I know that one". The guy is a monster guitar player and one of the best American songwriters of the 20th century. The contributions that he has made, along with the rest of The Band can't be overstated, and don't forget that when people talk about Dylan going electric- this was the guy who was his chief collaborator. *quality stuff.

He's probably also one of the worst singers in the world. The Band released 9 LPs with Robertson writing the majority of the material, but he only sang on 2 tracks in total. When the group performed live his microphone was usually turned off or was so low as to be inaudible. The Band played the Woodstock festival, but their set is nowhere to be seen in the movie- the rumour as to why is that Robbie's mic was live and the whole set was ruined.

This track is from his last album, released in 1998- an eternity in rock and roll years. I met Robbie at a book-signing in TO and asked him about any upcoming solo projects, he said he had something in the works- this was about 4 years ago. Takes him a long time to come up with new material I guess- he's only released 4 solo albums since The Band's last LP in 1977. Wikipedia says he's got a project in the works with Clapton. I'll be there in the store on release day.

For fans of Rock, Country, Soul, Folk, Funk, Blues, Roots (am I missing anything) you've got to check out "The Last Waltz" from Martin Scorsese- probably the best live concert ever captured on film.

Jacques Magazine presents Tori

Sarzy says...

If this were shot on a miniDV camcorder (or at least not made to look like black and white film) there'd be no debate -- grainy black and white and a song from a Scorsese film doesn't automatically make something art. I'm not saying this does or doesn't belong here because I really don't particularly care, but don't try to pass it off as art, because it isn't. It's clearly jerk-off fodder.

Dark Was The Night, Cold Was The Ground

Goodfellas - A Lesson In Pistol Whipping

laura (Member Profile)

I'll Kill You! (Scene from Taxi Driver)

siftbot says...

Tags for this video have been changed from 'taxi driver, robert deniro, jodie foster, martin scorsese, mohawk' to 'taxi driver, travis bickle, robert deniro, jodie foster, martin scorsese, mohawk' - edited by kronosposeidon

(Another) video camera on conveyor belt at sushi restaurant.

rychan says...

>> ^lucky760: Scorsese couldn't have done better.

Indeed. I think it's because of the comfort level of the situation. It's really perfect. People acknowledge the camera but they don't feel threatened by it.

(Another) video camera on conveyor belt at sushi restaurant.

14141 says...

>> ^lucky760:
I don't know what it is because it's mostly boring, but I'm nailed to my seat for every one of these videos. I find them absolutely fascinating. Maybe it's because I wish I could travel there. Or perhaps I'm interested by the reactions of everyday Japanese folks to the camera. Not sure, but I can't take my eyes off it. Scorsese couldn't have done better.
I wonder what it would look like if it was filmed in the US. My guess is people have tried but they never saw their camera again.


My thoughts exactly, well except for the youdienow part.

Oh and, i didnt know that there are fat people in japan



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