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Fairlight CMI - the first digital sampler and sequencer

newtboy says...

My dad had a Prophet 2000 shortly before they were available to the public in 85, cost about $2k I think…it was the same technology but for consumers.
Recording samples was a single button push, every characteristic of any sound was infinitely mailable from reverb and attack and fade, sustain, tone, speed, looping, layering, etc. Not a professional unit like this one, lower fidelity, but affordable (by comparison) and comparable in features except the display. It also did MIDI. I have many memories of shoeboxes full of 3.5” “floppies” and way more dials than I knew how to use.

https://en.wikipedia.org/wiki/Prophet_2000

Wendy Carlos demonstrates her Moog Synthesizer in 1970

newtboy says...

My Pops had a prophet 2000 the mid 80's. The first home digital sampling synth. It had all these options and more to apply to either the basic hum or to any sample. It had reverb, attack, sustain, decay, multiple preset wave forms, speed (of the sample), pitch and tone, and probably 1/2 dozen more I can't recall, all in a keyboard size unit, not a full pipe organ size. The samples came or could be recorded on 3 1/2" floppies, and you could store a huge number of presets to modify them as you wished at the push of one button, not a complete retuning with multiple dials. I had fun remixing James Brown and Prince, but never learned to play well.
Amazing the advancements they made in just 15 years.

Reverb project - take 2 (backwards)

Reverb project - take 2 (backwards)

Extreme Reverb

Pouring lava in my pool

(Pink Floyd) Goodbye Blue Sky - Gabriella Quevedo

Elon Musk: Making Humans a Multiplanetary Species

Georgia's got talent

the Wikisinger (or the importance of acoustics)

Fuggin' amazing reverb in ancient church!

Phooz (Member Profile)

Amazing Acoustics! Halo theme sung in an oil chamber.

Amazing Acoustics! Halo theme sung in an oil chamber.

Yaybahar by Görkem Şen

moonsammy says...

I could see this being an excellent instrument for film scoring. Wouldn't work as well in an orchestral setting. The reverb appears to have a specific frequency which would severely limit the tempo of any collaborative effort - it would need to match or be a multiple of the yaybahar's inherent beat.



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