Ahhh, the ol' "face-roll the Korg keyboard" school of theme music creation.

this guy does same thing as Beardy, only Beardy is has been doing it lot longer.

Beardy does it all with his mouth, then he used to use Korg Kaoss Pad III's that this guy goes to halfway into the presentation. Which is also seems to be direct copy of Beardy's style. Since a lot of beatboxers started using Korg Kaoss Pad's Beardy sorta got annoyed and moved to using 2 tablets with proprietary software he had written he calls the Beardytron. Go to Beardyman's channel on youtube his concerts are free

http://www.youtube.com/user/beardyman/videos

here's his very old one before his popularity exploded when he used the Korg pads: http://www.youtube.com/watch?v=qciVXUHTN10

@choggie, it's an established trio, sax, drums, and a keyboardist that plays left hand bass. He has a Korg X50 mounted above his Korg SV1 that he's layered five bass sounds together on to make a really impressive sound.

I can't match that, so I'm going to play the upright while he plays the bass still in his spot where he sets up.

I started working on A Moment's Notice, as well.

I'm all about new musical instruments, but honestly this seems just like a really big Korg Kaossilator.

You people are fucking idiots.

Who gives one shit what kind of a computer someone else uses? Do you also care that I'm wearing OsPop shoes? REI socks? a SanDisk SD card? Drinking a mexican coca-cola out of a hand blown glass? I love how I innocently buy a product, and now I'm some sort of delusional fan, who was tricked into buying expensive nonsense by clever advertising.

Did you ever think that maybe I would personally find it useful to me? Oh no, that would only be fucking logical, so there MUST be something more sinister here!!

And this straw man "fanboy" talk is as retarded as it is childish. It's like saying I'm a Gloucester fanboy because I like the way their cheese tastes more than other cheeses.


I have an iPad and I love it.

Wanna know why? Because of stuff like TouchOSC:
http://hexler.net/software/touchosc

And AC-7 Pro:
http://www.saitarasoftware.com/Site/Home.html

And iTap VNC client:
http://www.jokeandbiagio.com/ipad-for-film-and-tv-production-final-cut-pro-screen-sharing

And iElectribe:
http://www.korg.com/iElectribe

And Air Display for FCP:
http://www.canonfilmmakers.com/2010/05/ipad-controls-final-cut-pro-audio.html


Yeah. Open-source, using Open Sound Control messaging, wifi to my desktop, use it in Logic Studio, Final Cut, Max, Reaktor and pretty much whatever else I want. But I guess I'm a "fanboy" because of my increased functionality in my production studio?

Really? Seriously? I should just not have better functionality to soothe the poor babies fee-fee's out there who want to claim that we're all just delusional?

And yes, there's lots of rabid Apple fans, and I don't get the whole sticker-on-the-car thing. But then again, I don't wear logos of any kind. But it seems to me that for every rabid Apple fan, there's 100 internet idiots who froth at the mouth with seething hatred every time Apple makes a new product.


blaaargh!

That was unbelievably awesome.
@spoco2 - I believe its a Kaoss pad - http://www.korg.com/Product.aspx?pd=269

yeah. korg. no surprise, then.

one of the best electronic music manufacturers in *asia. Tokyo, apparently.

sweet *music, fiver. especially to anyone who's into *hiphop, i would think.

This reminds me a LOT of the electro-acoustic band I was in back in high school. Sure it was fun, but it got really frustrating after a few years. We had all this kick ass synth gear, with SO much potential- Korg MS20, Vocoder and Sequencer, Moog MG-1, a half dozen drum machines, guitars, clarinet, two dozen effects pedals, microphones, probably close to a hundred different found sound percussion instruments (aka junk, except junk that happened to sound cool when you hit it- for example an old HD that was probably about 15 inches in diameter), cords everywhere, a couple of PCs, an Atari ST... it was such an AMAZING studio, and we just went every week and played with it. I have probably close to 100 hours of recordings of us screwing around with that gear.

...

And for all of that potential- nobody seemed to be interested in actually making "real" music. It was "experimental" which seemed to be mostly formless noodling.

Anyway, the technology in this video really should be in the hands of mashup artists. Hell, any proper DJ, really. I think it would be good to have kind of as a plug-in to your mixer. Ready, set, mix- "ok, the new track is in and three, two, one- FREAK IT UP!" flip the switch and unleash this madness for a few bars.

Actually!! Take Track A that is playing, and use the freakulator to mimic it with sounds from Track B- slowly mix that in, then increase the grain size until it just sounds like a weird chop of the track you're about to play, then BOOM- let them have it with Track B.

This would totally be awesome to play with.

Oh. My. God.

This is the most amazing technology I've seen in ages.

It definitely reminds me of some of the samples on the MOTM page: Check out Robert Rich's complex glorp patch at http://www.synthtech.com/users.html

This is clearly the same sort of modular synthesis, only using just these pucks instead of hundreds of tangled cables.

Oh I want one SO BAD!

This jam definitely brings me back to the days when I first started playing around with the Korg MS-20 and a sequencer and a MOOG MG-1, and a bunch of guitar pedals. Oh yes, noodling around with synth gear is the best.

I wish I could upvote+100!