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12 Comments
Porksandwichsays...Glass and smithing are two things I'd like to at least say I'd made something from, even if they looked like crap. Glass is probably the bigger one because it's something you could more likely do at home and on a lower budget. But they are both one of those things where I think you need a apprenticeship in to keep from doing stupid things that could potentially kill or maim you bad enough to screw you up for life.
shogunkaisays...That is awesome
oritteropoIf anyone is wondering, when he says of the piece he is showing off "troppo corto", it means too short.
siftbotTags for this video have been changed from 'Vittorio Costantini, Glass Blowing' to 'Vittorio Costantini, Glass Blowing, Lampworking' - edited by Lann
siftbotTags for this video have been changed from 'Vittorio Costantini, Glass Blowing, Lampworking' to 'Vittorio Costantini, Glass Blowing, Lampworking, Corning Glass' - edited by Lann
robbersdog49Wow. Those insects are just stunning. And unfortunately according to his website, definitely not for sale. I'd pay a good chunk of hard earned for that red spider, it's beautiful.
messengerThat's some *quality glasswork, but I don't see any blowing here.
siftbotBoosting this quality contribution up in the Hot Listing - declared quality by messenger.
LannI find glass to be much more expensive. Then again, it depends on what you mean by "smithing" if you are talking about a blacksmithing studio then yeah a small lampworking set up will be cheaper but still more expensive than the basic start up tools for metalsmithing. Glassblowing however is extremely expensive requiring an annealer, glory hole (no not THAT kind for you dirty minds), and a furnace that runs all the time so it takes a great amount of energy. Coldworking tools are also very expensive. It is understandable why studio cost for glass students are always WAY higher than for metals students.
>> ^Porksandwich:
Glass and smithing are two things I'd like to at least say I'd made something from, even if they looked like crap. Glass is probably the bigger one because it's something you could more likely do at home and on a lower budget. But they are both one of those things where I think you need a apprenticeship in to keep from doing stupid things that could potentially kill or maim you bad enough to screw you up for life.
Porksandwichsays...>> ^Lann:
I find glass to be much more expensive. Then again, it depends on what you mean by "smithing" if you are talking about a blacksmithing studio then yeah a small lampworking set up will be cheaper but still more expensive than the basic start up tools for metalsmithing. Glassblowing however is extremely expensive requiring an annealer, glory hole (no not THAT kind for you dirty minds), and a furnace that runs all the time so it takes a great amount of glass. Coldworking tools are also very expensive. It is understandable why studio cost for glass students are always WAY higher than for metals students.
>> ^Porksandwich:
Glass and smithing are two things I'd like to at least say I'd made something from, even if they looked like crap. Glass is probably the bigger one because it's something you could more likely do at home and on a lower budget. But they are both one of those things where I think you need a apprenticeship in to keep from doing stupid things that could potentially kill or maim you bad enough to screw you up for life.
Honestly don't know enough about either to say one way or another. Glass seemed like it would be cleaner and something you could do without a full production setup, where as blacksmithing would be something you have to go full bore on to do anything worthwhile.
I know they have some metal like substances people use for jewelry and such now that only require a small oven. They are like some kind of clay-ish substance that you mold by hand how you want then bake it to get the metal like look. And I may even be half informed on that as well.
Although I can think of one type of glass creation that I've always wanted to make and keep, where you find a beach and stick a metal rod into the sand to capture the lightning formation as it heats up the sand to glass at the end of the lightning rod. Nothing really man created about it, just kind of coaxed.
DarkhandI think someone needs to promote this guy from glass master to glass wizard!
siftbotGlass insect sculptor Wesley Fleming - The Flameworker has been added as a related post - related requested by oritteropo on that post.
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