Uhh, that was the point of Evil Dead II.

He (Raimi) did a super-low budget film with his friends and found big cult success, a film studio wanted to capitalize, but thought the production values were too low, so paid them to re-shoot the whole thing.

No lack of creativity to blame there.

Looks cool but I need some sort of creative control or I tend to get bored. I'd enjoy reordering matter and creating new celestial events. Wake me up when the future is here.

Suppress not every kind of economic activity, but the kind of activity that employs people at or near minimum wage.

Minimum wage is not paid by magic, it has to be paid by an employer. If he has to pay too much for labor he will quit (or look for creative solutions in order not to employ people - like robots, illegal immigrants, not paying taxes/insurance, outsourcing, some other form of cheating).

The 30 or 100 USD examples are just to show that there does have to be a sane upper limit. What is that limit? Experts argue, areas differ. Why set a federal limit?

Diamond Monster 3D (1) and Creative Blaster (2) for me.

i am just going to add to the opinions and perspectives that @MilkmanDan ,@ChaosEngine ,@dannym3141 and especially @newtboy who i agree with so clearly that i swear we are related.

since many dynamics have already been covered, i.e:police culture,racism,incompetence etc etc.

i shall offer a historical perspective in the ways of the power dynamic.

while this is a power vs powerlessness dynamic dealing with agents of the state,it helps to understand just how we got to this point,and it is NOT the first time we have been here.

see:labor movement of the 30's and the labor strikes,and the response from not only the business community but our own government.

see: the civil rights movement and segregation,and how demagouges used political power to divide by way of racism,and then used police to intimidate,beat and imprison.

there are many MANY examples here in america where the police have been used to suppress and oppress a people or community for less than altruistic reasons,and most certainly not aligning with the ideology we were taught in school the function of police.nevermind the syrupy sweet,idealized picture shoved down our throats since an early age.

so we see on our facebooks,our twitters and/or whatever social media you prefer,that black lives matter...and the counter point,that NO..ALL lives matter.

now this would make sense in a world that never took history into account,or a growing cultural norm of violence and oppression that had been slowly seeping into poor communities (mainly black and latino).

oh wait..
that's right.
social media pundits NEVER fucking consider any of those factors,because just like bill o'reilly,those are pesky nuances and context conflict with their own narrow narrative.

but let us consider them and how they may possibly be a major driving factor in americas current climate.

let us take ferguson as an example,that is a good place to start.
and let us go back to 2008,where we can see the boiling begin to take place in this extremely impoverished community which was already struggling.

the population is a black majority,poor to working poor.home ownership is low,food stamp recipients are high and the future is pretty bleak.

in 2008 ferguson received approximately 18% of it's total fiscal revenue from misdemeanor infractions i.e:traffic,parking,moving violations.small time stuff.basic fines for small infractions.in 2008 that number jumped to 66%.

why?
what happened?
what changed?

well the comptroller of ferguson (and greater st louis),along with HUNDREDS of other smaller municipalities across the country,had bought the rotten fish that wall street was selling in the form of bullshit derivatives.

now wall street and the big banks got their tax payer bailout,but towns like ferguson did not.they lost millions,sometimes billions.this meant pensions were either reduced or outright denied,because there was NO money!

but a town still has to pay police.
fire fighters and school teachers,
clerks and judges,
keep the roads paved and the street lights working.

so what is a local government to do?
can't tax the working class who own homes.you already jacked their property tax to the roof.
can't tax the local business,you already squeeze them as well.
how about those non-property owning people in ferguson?
they need to pay up as well,and let's use the police force to relinquish them of the paltry money they don't have.

to the tune of 66% of all of fergusons revenue.
that is insanity.

so what if you live in ferguson?
chances are you are black,and either poor or working poor.

you make,if you are lucky,20 grand a year and by one man's testimony he paid over 2,000 in traffic tickets in one year.the majority of americans dont see those kind of numbers their entire lifetime.

and what if you began to realize that it was not just you.that almost every person you know or talked to had similar stories.

would you begin to feel a tad bit targeted?

what if the city of ferguson started to become very creative with not only their rules but how they enforced those rules?

what if every year the fines went up?
not remained the same,but actually UP? every year.

what if,as a community people began to actually fear the police? to experience anxiety just by the sight of a patrol car,even though they were not engaging in anything illegal? and who knows...maybe there is some new ordinance on the books that you are unaware of?

would you become paranoid and suspicious of law enforcement?

and then..what if....you started losing friends to cops.people you grew up with being shot in the street,and every time the mayor comes out and calls it a "justifiable killing".

would that make you feel any better?
any less paranoid or anxious?

there was ONE police shooting in ten years and then..as if by magic ..(which is how the media seems to always portray this..shocking news..at 11)..you lose 5 friends in a year.all to cops..all "justifiable".

would you begin to think there was a conspiracy?
targeting you and your neighbors?

i BET you would.
i know i would.

now lets look at the cops.

they are just a tool.
an instrument for the state to uphold the law and write citations for infractions.they dont MAKE the laws,nor the infractions,not even the fines.

they just do what they are told.

and they are told to go into these poor and working poor neighborhoods and write tickets,a LOT of tickets.

do you really think they are unaware of the growing hostility towards them? the looks of disgust,fear and apprehension?

but...this is their job,and they do what they are told.

they see.
they know.
they are aware of the growing hatred towards them,and this makes them anxious..and defensive..and in some horrible,tragic cases...trigger happy.

a natural and normal response to heightened stimuli in the face of great uncertainty.

so they react impulsively and out of fear in a way that ten years ago would have been unheard of.

they think themselves good cops.
they do a good job.
they do what they are told.
and the people hate them for it.
so they respond instinctively and with poor judgement.

we..as citizens,respond with disgust and indignation when a cop abuses his/her authority.we see this as a major moral breach in the citizen/cop relationship,because we feel as agents of the law they should be held to a higher standard than the rest of us...and rightly so,but when you put a human being in a tense and dangerous situation,not of their making,they will fail at some point to react correctly and with sound judgement.

they SHOULD be held accountable,but so should the city council members and the mayor and all the local representatives who created this toxic climate in the first place.

the lesson to be learned here is that nothing is a binary situation when people are concerned.

so when black lives matter protestors address people to make them aware of the situation,this is what they are talking about.the police killing are only a last stage manifestation of a situation that began in 2008 on wall street.

and we need to be aware,because right now it is the predominantly black communities,but soon coming to a neighborhood near YOU.

the poor and working poor have become expendable.no longer relevant to the system.which is why police shootings are being handled the way they are.our value is ever increasingly being judged on how well we can feed the system.

until this disparity is addressed there will continue to be police shootings.people will die and there will be no indictments.

because police do what they are told.

it is up to us to make policy makers accountable for their actions,and in doing so address a toxic climate that both the poor,working poor and cops alike have to swim in.

stop forcing cops to write tickets to fund a city that lost it's savings due to fuckhead bankers.

this blood..all of it..is on those bankers hands.

All things considered, this is probably the least creative, least unexpected, least interesting way anyone could possibly do a Surprise John Cena. These people need to watch more Japanese prank shows.

As cool of an idea as that is, they would need to be really creative with the gameplay to make it fun for everyone in the long run. In the shows most of what the bridge crew does is:

1. Captain tells you what to do, you punch it into the controls.

2. You relay something on your screen to the captain.

3. Goto 1.

I'll love it if they make that into a fun multiplayer game. But I think a safer bet would be just making a single player game where you are the captain and make all the important decisions while good actors feed you information.

On what @SDGundamX said, before I read his post I was going to say that passion industries are generally known for notoriously long hours, bad pay and horrible treatment. I was actually going to mention game developers (especially what I've read about crunch time before release), also chefs who often get paid less than the waiter staff, and of course most creative jobs where job insecurity and poor pay abounds.

It's simple economics. These industries know that these people are willing to put up with more to do what they love. There may not even be a conscious decision on an individual level for a given employer looking to hire, you simply know that you can find employees for X profession at X level of pay and can't really offer more if you want to stay competitive with your competitor. Meanwhile there are people streaming in who don't consider the pay or conditions beforehand and are just adding to a surplus of workers.

That's not to say that people can't be successfully, job secure or wealthy in these sectors but we know most notably from the arts that most of the money accrues to the top actors, top musicians. I do agree that when you see these people giving motivational speeches about 'never giving up' or 'always chasing their dreams', there are dozens who put in just as much effort but never got their lucky break.

The arts may be one of the worst examples, but I think this is true to a lesser extent for all 'passion' industries. It's textbook selection bias and our tendency to lionize success. On a related point, it's like how we idolize successful entrepreneurs and think their autobiographies contain the holy grail to success when perhaps the hypothetical book by a failed entrepreneur detailing their failings might actually be more beneficial to our lives.

from the source @ youtube:

The animated film, “#Justino,” features a security guard at a mannequin factory. Since Justino works the graveyard shift, he has very few chances to interact with his coworkers. With a little bit of creativity, Justino devises ways to connect with his colleagues by using the factory’s mannequins to create situations both amusing and moving. His coworkers appreciate his playfulness each morning, and find a way to repay his generous spirit in kind.

One new feature this year is social media activation. The factory, “Fábrica de Maniquíes El Pilar,” has its own Facebook profile reporting on its day-to-day activities. And we can follow Justino’s nights in real time via his Instagram account @justino_vigilante.

On Nov. 16, #Justino, from the animated short, became the No. 1 trending topic in Spain and No. 5 in the world on Twitter. The film exceeded 1 million views on YouTube within a day.

A national tradition since 1812, Spaniards look forward to the annual Christmas lottery even if it means standing in line for hours to purchase the tickets. Nicknamed El Gordo, which means “the fat one,” prizes are valued up to more than €2.2 billion, making it the biggest lottery prize in the world.

It’s common to “share” the lottery by buying “participaciones,” or “shared tickets” at offices, with friends and family, and at bars. The belief is that the Christmas lottery is unique because it’s one that Spaniards participate in together, and if they win, they win together.

Meh, you're not going to know unless you try.

My first passion was writing and that's what I studied while in university. I majored in film and really wanted to be a screenwriter. I was lucky enough to be living in L.A. at the time and going to a school that has really good connections with Hollywood (some of my teachers were retired producers, agents, etc.) Got two internships at different studios over the course of a year and got to see firsthand what the entertainment industry is really like. And it's actually pretty shitty in a lot of ways you'd expect (i.e. a lot of people trying to fuck each other over to get ahead). I was in fact offered a job at my second internship, but said "Nope!"

I still wanted to write and do something creative and it was getting close to graduation, so I started looking into other options. That's how I found game design. There was a local game studio that was looking for someone with writing experience to help write dialog and story for games. They brought me on as a tester so I could learn the ropes (I had played games but didn't know jack about making them) and promoted me to assistant designer less than a year later.

I worked in games for several years, and in the beginning it was everything I wanted--I got to be creative every day, the people I worked with were some of the smartest and most fun people I'd ever met, and I loved people's reactions when I told them what I did for a living. But two company banckruptcies later it had lost its shine. As I approached my mid-twenties I realized I wanted a more stable job as well as a job that I could be proud of when I retired (making games is fun and all, but I wasn't under any illusion that I was making much of a positive contribution to the world).

I had been volunteering as a tutor at the local Boys and Girls clubs when the game company I was working for went bankrupt and instead of applying for another game job, I decided to become a teacher. I went back to school and got my Master's in English. And that was over 13 years ago. I'm still a full-time teacher today. I wouldn't exactly say I'm passionate about my job anymore but what I've lost in passion I've made up for with experience. I honestly can't see myself doing anything else besides teaching for the rest of my life.

My point is, don't listen to this guy. Go ahead and follow your passion. Just don't be a slave to it. Assess the risks and take them voluntarily rather than be blind-sided by them. Recognize when you're about to hit a roadblock and correct course. I realize for some people this may mean giving up on their passion and having to completely re-evaluate their life but we only learn by trying--not by giving up before we even really get started.

Nothing about this looks appealing. Jumping from "reconstructing ship" to "destroying recently reconstructed ship" does nothing for me. Clearly nothing is sacred and everything can be pooped back out brand-new, this incarnation already has its first resurrected character, so what's at stake here?

Ever since Wrath of Khan, Star Trek writers have been convinced they can only produce Khan-a-likes as a path to success. I was only partially onboard after the first film, I checked out completely after the last one, but I'm particularly surprised at the laziness of this one. The CG and action direction seem to be the only areas that are getting any creative engineering in any of these films.

Opposite experience: in 4th grade me and a partner were suppose to make a model church (catholic school). I had made stained glass windows with that fake stained glass paint - arts and crafts stuff, we had made brick walls out of clay on wood...for a couple of 10 year olds it was pretty impressive. Then my partner's rather insisted we finish it at his house. His father scrapped everything we'd done and made it himself in his wood shop, letting us do nothing. Thing is, he had a wood shop but he sucked. Made it out of fake wood paneling and it didn't even make sense. It was just a crappy looking box that in no way resembled a building. I hated that thing. His need to take over stole the creativity from children.

You might think what your kid makes will be better for your help and they'll be happier because of it. But what you end up with will never be theirs. Hope you're really proud of your grade school project.

All in all, that's not very good anecdote. That one time you thought about saying fuck you in public to a widely despised, confrontational blowhard? It's a nice thought, but it didn't happen, it wasn't a very creative attack, and it wouldn't have been effective - not exactly the stuff of algonquin round table bon mots.

You obviously missed the spiel at the end where he explicitly said that the trickery involved to give the effect was not a downside, it was an example of extreme creativeness. There has been a constant struggle to do more with less in terms of improving games and pushing boundaries.

At no point did he say he felt ripped off... = \

Looking at that it's really easy to see how shitty the four new movies are compared to the originals. All that technology at their disposal, but without the vision and creativity of top-notch talent it doesn't matter.