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Alita: Battle Angel - Official Trailer

Enzoblue (Member Profile)

Django: Unchained OST - 100 Black Coffins - Rick Ross

JustSaying says...

His "style" is to take elements of existing movies and genres and putting them together to what I'll call generously "homages" to the originals. Tarantino is a remixer, taking samples and putting them together into a new song. Sounds familiar but is somewhat new.
He is very, very good at that and can write interesting dialogue (the first half of Death Proof was nothing but). He also starts to believe his own hype (as seen in Django Unchained, a good but way too mastubatory in nature film) and risks to develop the same relationship to Christoph Waltz (a very good, distinctive and interesting actor) that Tim Burton has with Johnny Depp.
I love pretty much all his movies but he certainly has to watch out that he doesn't trip over his own ego and reputation, both bigger than good for him.

alien_concept said:

He doesn't have "his own style", he is ever changing, all encompassing.

Ameowdeus

siftbot says...

Tags for this video have been changed from 'Kevin Spacey, Christoph Waltz, Gary Oldman, Ben Kingsley, Mandy Pantikin' to 'Kevin Spacey, Christoph Waltz, Gary Oldman, Ben Kingsley, Mandy Patinkin' - edited by brycewi19

Ameowdeus

Sandra Bullock speaks a mean German

The Zero Theorem -- new film from Terry Gilliam

Mr. Tarantino strangled Dianne Kruger Inglorious Bastards...

Le Grand Journal de Canal + à Cannes : coups de feu

The Art of Seduction with Christoph Waltz

Inglorious Basterds Epic Bloopers - "Hi Sally!"

Quboid says...

Possibly not, he'd have to get more scars to hide it. When I say "an unrecognisable mess", I mean his swastika, not his whole face. He's not going to win any beauty contests but it's better than what would have happened to him if the Basterds hadn't intervened, getting blown up in a theatre or if he's lucky, spending his life running from Nazi hunters.

(What's up with quotes? Videosift seems to be mucking them up.)

>> ^alien_concept:

Were skin grafts that great back in the 40s? If he had to scar his whole face up, that'd still be terrible for a character like him

>> ^Quboid:
>> ^alien_concept:
>> ^Quboid:
>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

Survive with a fat swastika on his head

That could be fixed with plastic surgery, or if that wasn't available, he could get more slices in his face to change it into an unrecognisable mess. Claim he was hit by shrapnel while saving children from Nazis.
.

Inglorious Basterds Epic Bloopers - "Hi Sally!"

alien_concept says...

>> ^Quboid:

>> ^alien_concept:
>> ^Quboid:
>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

Survive with a fat swastika on his head

That could be fixed with plastic surgery, or if that wasn't available, he could get more slices in his face to change it into an unrecognisable mess. Claim he was hit by shrapnel while saving children from Nazis.


Were skin grafts that great back in the 40s? If he had to scar his whole face up, that'd still be terrible for a character like him.

Inglorious Basterds Epic Bloopers - "Hi Sally!"

Quboid says...

>> ^alien_concept:

>> ^Quboid:
>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!

Survive with a fat swastika on his head


That could be fixed with plastic surgery, or if that wasn't available, he could get more slices in his face to change it into an unrecognisable mess. Claim he was hit by shrapnel while saving children from Nazis.

Inglorious Basterds Epic Bloopers - "Hi Sally!"

alien_concept says...

>> ^Quboid:

>> ^kymbos:
I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.

Spoilers
This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!


Survive with a fat swastika on his head

Inglorious Basterds Epic Bloopers - "Hi Sally!"

Quboid says...

>> ^kymbos:

I watched this film again recently, having absolutely loved it the first time, and found myself enjoying it less than I expected. Mainly because of the excessive use of the 'person is dead / no they're not not they're really just pretending' trick, which I thought was a bit cheap. It happens at least twice at key points in the film (the woman in the bar fight scene, and then the German war hero in the cinema scene).
Don't get me wrong - Tarantino is a God, and the suspense he creates in scenes is brilliant, and the Jew Hunter was pure awesome - but there were a few bits that I found a bit cheap on second viewing. I don't think it hangs together as a film as well as Pulp Fiction or Reservoir Dogs.
So there.


*** Spoilers ***

This bugged me but what really annoyed me is this: what did the Basterds actually achieve? The only difference they made to the big ending is that they helped the main baddie! Landa (Christoph Waltz, in a superb performance) to survived, and got a nice life in the U.S. because of them screwing up the assassination attempt, at the cost of some plastic surgery. They were counter productive!



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