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6 Comments
braschlosansays...Audiophiles listen up, this movie is in Atmos so even if the story sucks you want to see it in an Atmos enabled theater or you wasted your money. That is all.
antsays...I wished I could fully enjoy that since I only can hear mono with my analog bone conduction hearing aid. However, I do love bass! Same for 3D since my old compound eyes can't see them.
Audiophiles listen up, this movie is in Atmos so even if the story sucks you want to see it in an Atmos enabled theater or you wasted your money. That is all.
SevenFingerssays...I's assuming Atmos is some sort of atmospheric surround sound for a theater? I hope the Alamo Drafthouse of Kansas City has that, because that's the only theater worth going to.
Audiophiles listen up, this movie is in Atmos so even if the story sucks you want to see it in an Atmos enabled theater or you wasted your money. That is all.
antsays...Is there a list of theaters with this?
Audiophiles listen up, this movie is in Atmos so even if the story sucks you want to see it in an Atmos enabled theater or you wasted your money. That is all.
braschlosansays...Traditionally there are separate channels (left right center etc) and if you want to make a sound come from above and slightly left an audio engineer would put a little in the left, a little in the center and maybe a small amount in reverse phase in the rear speaker. This worked but theaters have different sizes and layouts so it was never perfect.
Atmos takes a totally different approach. it can have 30-200 channels (iirc). Each speaker is on its own monitored channel and it is specifically tuned for that room. The ATMOS processor decides the exact amount of sound to each speaker on the fly from the "3d soundtrack." When making the movie the sound field is represented as a half sphere and the audio engineer places sounds around this.
What it means is that the theater shape/size/number of speakers and other factors add/subtract nothing from the experience. Not only that but each speaker is monitored for health so it can compensate and alert staff.
The important part is that with so many speakers being able to be addressed independently sounds can transition around the room completely smooth. If you had your eyes closed a helicopter circling your head and landing will transition around naturally.
There aren't many theaters that have it yet since they have to tear up the ceiling to add so many speakers (its usually every other ceiling tile front to back in two columns!). In the San Francisco Bay Area there are only three specific theater room that have it - One on the top floor of AMC Van Ness SF, One at the AMC Metreon SF and one at the Century theater in Fremont.
I's assuming Atmos is some sort of atmospheric surround sound for a theater? I hope the Alamo Drafthouse of Kansas City has that, because that's the only theater worth going to.
braschlosansays...This is the "official" list but I know for a fact it is not updated http://www.dolby.com/us/en/professional/technology/cinema/dolby-atmos.html#Theatres
Is there a list of theaters with this?
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