It's a very vaguely defined genre. According to Wikipedia, dubstep "generally features syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies."

This definitely has syncopated drum and percussion. I don't think that machine can produce sub bass frequencies, but the sample he was using was probably as close as it'll get. It had the right BPM (somewhere around 140) and even contained the quintessential bass drop at around the 55 second mark of the song (32 measures in at 140 BPM).

Not saying it was good dubstep, but I think it falls within the broad category.

This looks like typical vasovagal syncope. By far more common in young women than strokes, TIAs.
People who are prone to them tend to get repeated events with triggers such as prolonged standing and stress.
It is often heralded by compensatory palpitations - as a response to a sudden drop in blood pressure which is perhaps what she was pointing to.
Cardiac causes of faint are usually very sudden with no prodrome.

Disagreeing is not fighting, troll.

See 0:50-1:00 here.

>> ^MaxWilder:

>> ^RhesusMonk:
No one asked you to defend anything, bub. Didn't mean to pick a fight.>> ^MaxWilder:
>> ^RhesusMonk:
I'm pretty sure I know why you don't think this is real (whether you're aware of it or not), and it has nothing to do with nuance. Play it again. (a) The voice does doppler as he moves to and from the mic; (b) There is not a single moment where the lips or Adam's Apple are not perfectly in sync with the recording (a near impossibility while lip-syncing, especially with this guy's idiosyncratic syncopation); (c) The acoustics in that auditorium are excellent (considering how loud the performers' snaps come through), which may explain the reduced dopplering that you experienced; (d) It is very unlikely that the mic in the video is the only device through which the recording was made, which again explains reduced doppler effect. I hate to call you out, but the unlikeliness of this guy's voice is what makes this so incredibly promote-able.>> ^MaxWilder:
I find it hard to believe this is real. Not because he doesn't "look" like he could have that kind of voice, but because the sound of his voice is rock solid and extremely nuanced while the man is nowhere near the mic and constantly changing position. I could totally be wrong, but I don't think you get that kind of recording outside of a studio.
Edit: Awesome version of this song, whoever actually sang it.


You're pretty sure of my deep inner beliefs? Pray tell, what are they?
Also, moving toward/away from a mic should cause change in volume, not a noticeable doppler effect. He would have to be running past the microphone for that to happen.
And since I explicitly said "I could totally be wrong" I see no need to defend my opinions, which are my honest opinions and I stand behind them after multiple viewings.


Ok... contradicting everything I said, claiming to know what I'm actually thinking is different from what I posted, and then using the phrase "call you out"... and you didn't mean to pick a fight? I think perhaps you need to consider your words a tiny bit more before hitting that "submit" button.

>> ^RhesusMonk:

No one asked you to defend anything, bub. Didn't mean to pick a fight.>> ^MaxWilder:
>> ^RhesusMonk:
I'm pretty sure I know why you don't think this is real (whether you're aware of it or not), and it has nothing to do with nuance. Play it again. (a) The voice does doppler as he moves to and from the mic; (b) There is not a single moment where the lips or Adam's Apple are not perfectly in sync with the recording (a near impossibility while lip-syncing, especially with this guy's idiosyncratic syncopation); (c) The acoustics in that auditorium are excellent (considering how loud the performers' snaps come through), which may explain the reduced dopplering that you experienced; (d) It is very unlikely that the mic in the video is the only device through which the recording was made, which again explains reduced doppler effect. I hate to call you out, but the unlikeliness of this guy's voice is what makes this so incredibly promote-able.>> ^MaxWilder:
I find it hard to believe this is real. Not because he doesn't "look" like he could have that kind of voice, but because the sound of his voice is rock solid and extremely nuanced while the man is nowhere near the mic and constantly changing position. I could totally be wrong, but I don't think you get that kind of recording outside of a studio.
Edit: Awesome version of this song, whoever actually sang it.


You're pretty sure of my deep inner beliefs? Pray tell, what are they?
Also, moving toward/away from a mic should cause change in volume, not a noticeable doppler effect. He would have to be running past the microphone for that to happen.
And since I explicitly said "I could totally be wrong" I see no need to defend my opinions, which are my honest opinions and I stand behind them after multiple viewings.



Ok... contradicting everything I said, claiming to know what I'm actually thinking is different from what I posted, and then using the phrase "call you out"... and you didn't mean to pick a fight? I think perhaps you need to consider your words a tiny bit more before hitting that "submit" button.

No one asked you to defend anything, bub. Didn't mean to pick a fight.
If anyone else is in doubt, see 0:50-1:00 here.

>> ^MaxWilder:

>> ^RhesusMonk:
I'm pretty sure I know why you don't think this is real (whether you're aware of it or not), and it has nothing to do with nuance. Play it again. (a) The voice does doppler as he moves to and from the mic; (b) There is not a single moment where the lips or Adam's Apple are not perfectly in sync with the recording (a near impossibility while lip-syncing, especially with this guy's idiosyncratic syncopation); (c) The acoustics in that auditorium are excellent (considering how loud the performers' snaps come through), which may explain the reduced dopplering that you experienced; (d) It is very unlikely that the mic in the video is the only device through which the recording was made, which again explains reduced doppler effect. I hate to call you out, but the unlikeliness of this guy's voice is what makes this so incredibly promote-able.>> ^MaxWilder:
I find it hard to believe this is real. Not because he doesn't "look" like he could have that kind of voice, but because the sound of his voice is rock solid and extremely nuanced while the man is nowhere near the mic and constantly changing position. I could totally be wrong, but I don't think you get that kind of recording outside of a studio.
Edit: Awesome version of this song, whoever actually sang it.


You're pretty sure of my deep inner beliefs? Pray tell, what are they?
Also, moving toward/away from a mic should cause change in volume, not a noticeable doppler effect. He would have to be running past the microphone for that to happen.
And since I explicitly said "I could totally be wrong" I see no need to defend my opinions, which are my honest opinions and I stand behind them after multiple viewings.

>> ^RhesusMonk:

I'm pretty sure I know why you don't think this is real (whether you're aware of it or not), and it has nothing to do with nuance. Play it again. (a) The voice does doppler as he moves to and from the mic; (b) There is not a single moment where the lips or Adam's Apple are not perfectly in sync with the recording (a near impossibility while lip-syncing, especially with this guy's idiosyncratic syncopation); (c) The acoustics in that auditorium are excellent (considering how loud the performers' snaps come through), which may explain the reduced dopplering that you experienced; (d) It is very unlikely that the mic in the video is the only device through which the recording was made, which again explains reduced doppler effect. I hate to call you out, but the unlikeliness of this guy's voice is what makes this so incredibly promote-able.>> ^MaxWilder:
I find it hard to believe this is real. Not because he doesn't "look" like he could have that kind of voice, but because the sound of his voice is rock solid and extremely nuanced while the man is nowhere near the mic and constantly changing position. I could totally be wrong, but I don't think you get that kind of recording outside of a studio.
Edit: Awesome version of this song, whoever actually sang it.



You're pretty sure of my deep inner beliefs? Pray tell, what are they?

Also, moving toward/away from a mic should cause change in volume, not a noticeable doppler effect. He would have to be running past the microphone for that to happen.

And since I explicitly said "I could totally be wrong" I see no need to defend my opinions, which are my honest opinions and I stand behind them after multiple viewings.

I'm pretty sure I know why you don't think this is real (whether you're aware of it or not), and it has nothing to do with nuance. Play it again. (a) The voice does doppler as he moves to and from the mic; (b) There is not a single moment where the lips or Adam's Apple are not perfectly in sync with the recording (a near impossibility while lip-syncing, especially with this guy's idiosyncratic syncopation); (c) The acoustics in that auditorium are excellent (considering how loud the performers' snaps come through), which may explain the reduced dopplering that you experienced; (d) It is very unlikely that the mic in the video is the only device through which the recording was made, which again explains reduced doppler effect. I hate to call you out, but the unlikeliness of this guy's voice is what makes this so incredibly *promote-able.>> ^MaxWilder:

I find it hard to believe this is real. Not because he doesn't "look" like he could have that kind of voice, but because the sound of his voice is rock solid and extremely nuanced while the man is nowhere near the mic and constantly changing position. I could totally be wrong, but I don't think you get that kind of recording outside of a studio.
Edit: Awesome version of this song, whoever actually sang it.

>> ^grinter:

I've watched 3 videos from her now. I'm blown away.
There is something lacking in her delivery... punctuation, syncopation, inflection, rhythm..? I'm not a musician, so I don't know how to explain it.
Regardless, that voice is incredible! She's practically an infant, and I actually might pay money to hear her sing. I can't help but thinking that in another 5 years she will be one of the best vocalists out there... that is if Disney doesn't get a'hold of her.


She lacks the journey. Give her time and she may become a great. I agree with what your saying, but that is what is missing: the true understanding and emotion.

I've watched 3 videos from her now. I'm blown away.
There is something lacking in her delivery... punctuation, syncopation, inflection, rhythm..? I'm not a musician, so I don't know how to explain it.
Regardless, that voice is incredible! She's practically an infant, and I actually might pay money to hear her sing. I can't help but thinking that in another 5 years she will be one of the best vocalists out there... that is if Disney doesn't get a'hold of her.

What's with the beat in this remix? Why does it feel like it's never really kicking in? Original mix is far superior - this is a big, four-to-the-floor track and the syncopated kick drum loop here doesn't cut it.

i started to dig it about 1:30~ when the syncopated beat rears up.. thanks for post

ugh... just finished studying for a Cardiac Anesthesia exam... look on the sift to relax for a couple minutes and someone's AICD is detecting A-Fib or A-flutter after a syncope spell... someone get the verapamil ...

I think they sing "so brief ((but)) it wasn't".... yay for sifting this!

Love the syncopated beat in the lines.

In reply to this comment by calvados:
My Confusion Corner commuters are cursing the cold away
As December tries to dissemble the length of their working day
And they bite their mitts off to show me transfers, deposit change
and I can't stop finding your face in their faces, all rearranged
and angry like you never were;

And I ease us back into traffic
Dusk comes on and I wonder
Why I'm always remembering you
at civil twilight

For the most part I think about golfing and constantly calculate
all the seconds left in the minutes, and so on, etcetera
Or recite the names of provinces and Hollywood actors;
Oh, Ontario! Oh, Jennifer Jason Leigh!
This part of the day bewilders me

Streets slow down and ice over,
Dusk comes on and I struggle to stop,
To stop to stop thinking of you
at civil twilight

Hey, every other hour I pass that house,
Where you told me that you had to go
I wonder if the landlord has fixed the crack
That I stared at, instead of staring back at you;

My chance to say something seemed so brief
It wasn't. Now I know I had plenty of time
Between the sunset and certified darkness
Dusk comes on and I follow the exhaust from memory up to the end

At civil twilight
At civil twilight
At civil twilight
At civil twilight

I'm not sure if I like how they eliminated the syncopes in the bridge, but it was quite interesting.

Here's another, rather different cover version of the same song:
http://www.videosift.com/video/Hellsongs-Symphony-of-Destruction

Tags for this video have been changed from 'Oizo, USSR, syncopation, Flat Beat Guy, great beat' to 'Oizo, USSR, syncopation, Flat Beat Guy, french, beat, sheep, phonograph, funky, 00s, disco' - edited by Eklek