Whereas, breakbeats have been the missing link connecting the diasporic
community to its drum woven past
Whereas the quantised drum has allowed the whirling mathematicians to
calculate the ever changing distance between rock and stardom.
Whereas the velocity of the spinning vinyl, cross-faded, spun backwards, and
re-released at the same given moment of recorded history , yet at a
different moment in time's continuum has allowed history to catch up with
the present.

We do hereby declare reality unkempt by the changing standards of dialogue.
Statements, such as, "keep it real", especially when punctuating or
anticipating modes of ultra-violence inflicted psychologically or physically
or depicting an unchanging rule of events will hence forth be seen as
retro-active and not representative of the individually determined is.

Furthermore, as determined by the collective consciousness of this state of
being and the lessened distance between thought patterns and their secular
manifestations, the role of men as listening receptacles is to be increased
by a number no less than 70 percent of the current enlisted as vocal
aggressors.

Motherfuckers better realize, now is the time to self-actualize
We have found evidence that hip hops standard 85 rpm when increased by a
number as least half the rate of it's standard or decreased at ¾ of it's
speed may be a determining factor in heightening consciousness.

Studies show that when a given norm is changed in the face of the
unchanging, the remaining contradictions will parallel the truth.

Equate rhyme with reason, Sun with season

Our cyclical relationship to phenomenon has encouraged scholars to erase the
centers of periods, thus symbolizing the non-linear character of cause and
effect
Reject mediocrity!

Your current frequencies of understanding outweigh that which as been given
for you to understand.
The current standard is the equivalent of an adolescent restricted to the
diet of an infant.
The rapidly changing body would acquire dysfunctional and deformative
symptoms and could not properly mature on a diet of apple sauce and crushed
pears
Light years are interchangeable with years of living in darkness.
The role of darkness is not to be seen as, or equated with, Ignorance, but
with the unknown, and the mysteries of the unseen.

Thus, in the name of:
ROBESON, GOD'S SON, HURSTON, AHKENATON, HATHSHEPUT, BLACKFOOT, HELEN,
LENNON, KHALO, KALI, THE THREE MARIAS, TARA, LILITHE, LOURDE, WHITMAN,
BALDWIN, GINSBERG, KAUFMAN, LUMUMBA, GHANDI, GIBRAN, SHABAZZ,
SIDDHARTHA,
MEDUSA, GUEVARA, GUARDSIEFF, RAND, WRIGHT, BANNEKER, TUBMAN, HAMER,
HOLIDAY,
DAVIS, COLTRANE, MORRISON, JOPLIN, DUBOIS, CLARKE, SHAKESPEARE,
RACHMNINOV,
ELLINGTON, CARTER, GAYE, HATHOWAY, HENDRIX, KUTL, DICKERSON, RIPPERTON,
MARY, ISIS, THERESA, PLATH, RUMI, FELLINI, MICHAUX, NOSTRADAMUS, NEFERTITI,
LA ROCK, SHIVA, GANESHA, YEMAJA, OSHUN, OBATALA, OGUN, KENNEDY, KING,
FOUR
LITTLE GIRLS, HIROSHIMA, NAGASAKI, KELLER, BIKO, PERONE, MARLEY, COSBY,
SHAKUR, THOSE STILL AFLAMED, AND THE COUNTLESS UNNAMED

We claim the present as the pre-sent, as the hereafter.
We are unraveling our navels so that we may ingest the sun.
We are not afraid of the darkness, we trust that the moon shall guide us.
We are determining the future at this very moment.
We now know that the heart is the philosophers' stone
Our music is our alchemy
We stand as the manifested equivalent of 3 buckets of water and a hand full
of minerals, thus realizing that those very buckets turned upside down
supply the percussion factor of forever.
If you must count to keep the beat then count.
Find you mantra and awaken your subconscious.
Curve you circles counterclockwise
Use your cipher to decipher, Coded Language, man made laws.
Climb waterfalls and trees, commune with nature, snakes and bees.
Let your children name themselves and claim themselves as the new day for
today we are determined to be the channelers of these changing frequencies
into songs, paintings, writings, dance, drama, photography, carpentry,
crafts, love, and love.
We enlist every instrument: Acoustic, electronic.
Every so-called race, gender, and sexual preference.
Every per-son as beings of sound to acknowledge their responsibility to
uplift the consciousness of the entire fucking World.
Any utterance will be un-aimed, will be disclaimed - two rappers slain
Any utterance will be un-aimed, will be disclaimed - two rappers slain

>> ^rottenseed:
btw, that wasn't Bob Marley, it was Peter Tosh POSSIBLY playing with the Wailers.


Peter Tosh was in the Wailers which was the original name of the band (cf. Bob Marley & the Wailers). Tosh was the man behind the man: he actually taught Bob how to play the guitar. Some argue that he was the strongest creative force in the collaboration (there are four men with songwriting credits from the band), and that Marley was simply the better vocalist and more savvy of the zeitgeist. See Tosh's wiki if you care. I can't vouch for its accuracy, though.

btw, that wasn't Bob Marley, it was Peter Tosh POSSIBLY playing with the Wailers.

Thanks for fixing it, I added it to my playlist

In reply to this comment by J-Rova:
Thanks for catching that. It should be fixed now if you want to check it out...

In reply to this comment by kulpims:
*dead

Thanks for catching that. It should be fixed now if you want to check it out...

In reply to this comment by kulpims:
*dead

Tags for this video have been changed from 'snl, catholics, protest, rebellion, censorsh' to 'snl, catholics, protest, rebellion, censorship, pope, bob marley' - edited by rottenseed

I've definitely smoked out more than one pizza guy. And the bob marley flag is 'obvious' because they really ARE everywhere.

I'd say it's from the 70's since it looks like the same gig as "No woman, no cry". At Wembley 1975 maybe? Marley died on May 11, 1981. His last concert appearance was on September 23, 1980.

oh man, either it's totally fake or he is totally stupid.
i will go for the former.
something about the trademark in the title and the bob marley flag is just a bit OBVIOUS

hi i just wathed the bob marley pimpers paradise video and i was wondering if you have any more footage as ive been wantin to see more for many many years thanx brill vid

hahahaha, with Bob Marley playing in the background. But its really poorly encoded, and the film is spead up.

Are you not familiar with Bob Marley? He's one of the most political 'pop stars' that ever lived. His race and religion are prominent parts of his music - and I believe both are political forces?

Plus, Jamming's lyrics:

Ooh, yeah! all right!
Were jammin:
I wanna jam it wid you.
Were jammin, jammin,
And I hope you like jammin, too.

Aint no rules, aint no vow, we can do it anyhow:
Ini will see you through,
cos everyday we pay the price with a little sacrifice,
Jammin till the jam is through.

Were jammin -
To think that jammin was a thing of the past;
Were jammin,
And I hope this jam is gonna last.

No bullet can stop us now, we neither beg nor we wont bow;
Neither can be bought nor sold.
We all defend the right; jah - jah children must unite:
Your life is worth much more than gold.

Were jammin (jammin, jammin, jammin)
And were jammin in the name of the lord;
Were jammin (jammin, jammin, jammin),
Were jammin right straight from yah.

Yeh! holy mount zion;
Holy mount zion:
Jah sitteth in mount zion
And rules all creation.

Yeah, were - were jammin (wotcha-wa),
Wotcha-wa-wa-wa, were jammin (wotcha-wa),
See, I wanna jam it wid you
Were jammin (jammin, jammin, jammin)
Im jammed: I hope youre jammin, too.

Jams about my pride and truth I cannot hide
To keep you satisfied.
True love that now exist is the love I cant resist,
So jam by my side...

One of my favourite Bob Marley songs - to the point I'd say it's even my theme tune (BenJammin'!) - now if I could only have this play everytime I walk into a room...

There's also the Music Video (partly from this live recording) and an Alternative Live Performance for your viewing pleasure...

On 3 October 1992, the Irish rock singer Sinead O'Connor was the musical guest on Saturday Night Live. For her first song, Sinead performed the title track from her most recent album, Am I Not Your Girl? with a full backing band. For her second, she went with "War," a song by Bob Marley that had once been banned for its apparent advocacy of violence. In a very risky move, musically speaking, Sinead performed the song a capella. Dressed all in white, surrounded by candles and (as usual) shaven-headed, she was a riveting sight. With NBC-TV's cameras focused in-tight on her, Sinead ended her "War" by crying for another one to begin. "Fight the real enemy!" she called, and, out of nowhere, produced a copy of a photograph of Pope John Paul II, which she ripped into pieces. There was stunned silence, and then the station went to a commercial.

The NBC switchboard was immediately inundated by complaints (supposedly 4,484 in all) called in by outraged viewers. Denunciations of Sinead's "blasphemy" poured forth from all kinds of religious figures and celebrities, including Frank Sinatra, who was quoted as saying he wanted to "punch" the singer "right in the mouth." NBC was eventually fined $2.5 million dollars by the Federal Communications Commission (FCC), which had never before fined the network for content aired on Saturday Night Live.

In the meantime, Sinead herself said nothing about what she'd done or why she'd done it. (Simply changing one of Marley's lines so that it referred to "sexual abuse" instead of "racial injustice," as Sinead had done in mid-song, hadn't been sufficient explanation and so the press was filled with lurid denunciations of her.) When she returned to the United States on 16 October 1992 to perform at a birthday concert for Bob Dylan at Madison Square Garden in New York, Sinead was greeted by a weird mixture of cheers and boos. Despite the severely divided response to her presence, she once again sang an a cappella version of "War." Once she was done, she staggered offstage, where she was comforted by Kris Kristofferson. Shortly thereafter, Sinead O'Connor permanently retired from the "pop" entertainment industry.

Eventually, Sinead O'Connor made her peace with the Pope. On 22 September 1997, in an interview with the Italian weekly newspaper Vita, she asked the Holy Father to forgive her. She claimed that her attack on the photo had been "a ridiculous act, the gesture of a girl rebel," which she did "because I was in rebellion against the faith, but I was still within the faith." Quoting St. Augustine, she went on to add, "Anger is the first step towards courage." Another courageous step Sinead took in the late 1990s was to join the congregation of the controversial Irish Bishop Michael Cox, who eventually ordained Sinead as a priest. Lacking a sense of humor, the Vatican has refused to recognize Sinead's membership in the priesthood, which the Pope considers "bizarre." This is a case of the pot calling the kettle black, but the Pope is right: Sinead's story is a bizarre one.

And NBC? In the informative and relatively even-handed biography of the singer that airs on VH1 as part of the cable TV station's on-going "Behind the Music" series, it's said that, "even to this day," NBC refuses to allow the photo-ripping scene to be re-broadcast by anyone. VH1 itself had to settle with a blurry shot of Sinead in mid-rip that was published by one of New York's tabloid newspapers. You can catch a glimpse, but you can't actually see what Sinead did that night in 1992: you can only hear about it, thanks to the Vatican's clout and NBC's cowardice.

This would seem a good point to talk about censorship. But it isn't -- not yet.

The Comedy Channel shows back episodes of Saturday Night Live several times a day. In early August 2001, I happened to see the episode in which Sinead O'Connor is the musical guest. Everything goes as it should -- dressed all in white, Sinead performs "War" a capella as her second number -- until the end of the song. There is no war cry, no identification of "the real enemy." Sinead doesn't hold up a picture of the Pope, but a picture of a cute little black boy, instead. And then the song is over, and Sinead stands, smiling, holding the picture behind her back, as the crowd applauds and cheers.

It took a while for it to sink in that NBC hadn't simply blacked out or removed the photo-ripping scene. Instead, NBC had gone beyond mere censorship and either had replaced the Pope-ripping sequence with another one (the song as it was performed in rehearsal?) or had digitally altered the broadcast so that there was apparently nothing in "the original" to black out or remove in the first place. Why would anyone want to block or cut out Sinead's impassioned plea for the children? In times of war, don't we tend to forget about the children, especially the cute little black ones? Nice bullshit, but it wasn't Sinead's.

Like the authors of textbooks on Soviet history, who had to keep changing the past so that it would conform with Stalin's latest purges, NBC has created its own Sinead O'Connor and is now passing her off as the original.