You're right but at the same time I have quite enjoyed television movies and low budget films with that special someone in the cast. For example, I thought the Amityville Horror with Patty Duke (the 4th movie, I believe) was pretty interesting, and not even despite its low budget, because of it.

Besides you're not 100% correct about how the single star drains the pool of resources. Oftentimes these stars act as investment magnets, so people are more willing to help produce the film if it has a star such as Shirley MacClaine. Look at Reservoir Dogs -- did Harvey Keitel detract or attract from the success of the film, and the long term successes of Quentin Tarrantino, Steve Buscemi, Tim Roth and Chris Penn? Like international acclaim -- for a low budget flick from a nobody.

I'm always very curious about these types of films. It requires, for me, an almost scientific, socioeconomic evaluation of the film making process to fully appreciate, or just a curiosity of film and social interactions portrayed in film and around film sets and the bureaucracy of generating the funds and jerryrigging devices to fulfill smaller budget scenarios which drive such a project as this to fruition.

I'm very interested in seeing this movie because it looks like it could actually be good and not just a thing to pan because of the limitations.

I had a film professor who wrote a couple Jean Claude Van Damme direct to DVD movies and his view of film projects was that they are nearly impossible to complete objectives that require self sacrifice and a warrior spirit to fully realize.

Films remind me of how different societies growths are based upon resource allocation, so some societies become empires and some remain scattered tribes and disparate families. Same as in film; this is like a missing link. Strange and curious to behold but human.

Besides, you don't give a fuck about mermaid movies. This is being made for kids that like mermaids lol -- I grew up watching Disney's Little Mermaid, had every word of the film memorized, but I'm certain it didn't matter that it had a better staff and bigger budget because I also had a made for tv dinosaur movie's rap song memorized and written down in phonetic child sound language.

@Payback: Forgot to say, because I was on a Jean-Pierre Jeunet rant, but David Fincher directed Alien 3, so *thumbs up* -- it wasn't that boring of a film, with some strange elements of a monastic lifestyle among criminals. I thought it was more thought provoking than Prometheus.

I am a fan of Alien Rez, not because of Joss Whedon's patchwork script, but because at least it had the familiar comedic elements of Jean-Pierre Jeunet and his usual returning ensemble cast (Ron Pearlamn, Dominique Pinon), as well as Sigorney Weaver being a badass mother.

Just my opinion. I love all of Jeunet's films; as wild and varied as the genres, his film style and character driven stories transcend the genre. City of Lost Child, Amelie, Delcatessen, Micmacs -- really excellent track record. Cool bit of science fiction in all of his films, even if just sort of a chaotic sense of fate and surrealism.

Ridley Scott is hit or miss -- but then again, Ridley Scott has far more a prolific film career so it's like arguing the planetary distances versus the intergalactic distances, we can't fully comprehend the multitude of influences involved in making a film and the secret to making it a good film, so what does it matter if it's 1 astronomical unit, 2 light years, or 26 billion light years, it's all beautiful art.

My kindness aside, his last 5 films: Robin Hood, Prometheus, The Counselor, Exodus, The Martian -- typical and BORING blockbustery movies. 1492 and everything after have been epic suck fests. Even Hannibal was a let down. They're all movies you're sort of excited about, if it weren't for the fact that he drags them out and adds little element of noticeable flair. Like Spielberg, hidden in realism. I want the stylistic elements of Alien and Blade Runner and Legend that PULLED YOU OUT of the movie experience to say loudly: This is art.

The soundtracks especially -- Ridley Scott replaced the original scoring of his movie Legend, which was a dazzling score by Tangerine Dream -- he replaced it with Jerry Goldsmith in rerelease... which sort of makes it all come full circle when you listen to the awful, typically EPIC score of Prometheus, minus all the atmosphere that the original soundtrack provided.

Sweet, now that we dont need to wear jeans to make them look worn, could we have jeans that are dyed with something that will stick to it instead of everything else.

I've only done this once. I will never do it again. In 1994, I turned 21. During my party, a friend brought both Weed and Jack Daniels. I partook of both heavily.

For the first time ever, I was almost unable to move. I've been drunk. I've been high. Never before was I rendered nigh motionless. I would not have placed this on the "Never do again so help me" list if that was the end of the experience.

Later that night, a powerful nausea unlike any I had experienced before or since came upon me. I had barely regained my equilibrium and in the process of vainly trying to make it to the bathroom, I took out a wall in my friend's mobile home. Let me be clear, I am not in any way exaggerating when I said I took out a wall. I was a defensive lineman in school and I was still mostly the same size 3 years later.

I landed in a heap of broken plywood and 2x4's, my friend and his girlfriend awoke to the noise and noticed their bedroom had a new entry. They then were treated to projectile vomit which spewed about the room as I tried to get up and out to the bathroom. They freaked out, got up and tried to run out, forgetting that they were naked. I was able to get up finally, and stumbled back out of their room, where I blearily noticed that everyone who was still hanging about the party were gawking at us. Me, covered in puke, a glow in the dark OP T-shirt, and bleached jeans. My friend and his girl covered in puke alone.

Puke glows oddly under blacklight, let me tell you. Anyhow, we all got cleaned up, I changed clothes, and then my future wife took me home. I went back a week later, after the shame had worn off a bit, to get my clothes. My friend had moved, his rented trailer was padlocked, and I never heard from him again.

If by some miracle you are reading this, Ricky, apologies bud.

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so this is between 3 and days of future past? or older than days but in the current universe without the sentinel uprising?


I was hoping they would jump right on to the end of wolverine 2 since we left him with an adamantium bullet in his head. I kind of doubt jeans touch in apocalypse cured him of that.

Finally, some hope: http://www.politico.eu/pro/belgian-regional-government-set-to-block-eu-canada-trade-deal/

In a sign of increasing frustration on the Canadian side, the normally cheery Prime Minister Justin Trudeau warned Thursday that not signing CETA would issue a “deplorable” message that Europe is heading towards an “unproductive path” post-Brexit.

Deplorable, you say?

The fact that power over trade — one of the EU’s core negotiating competences — has shifted to Europe’s 38 national and regional parliaments is a major embarrassment for Commission President Jean-Claude Juncker. In July, he was pushed by French and German Socialists into designating CETA as a “mixed agreement” requiring ratification in national and regional assemblies.
(...)
The decision was highly controversial, because Juncker and his chief lawyers believed this wasn’t necessary from a legal point of view, but was a gesture of political goodwill.

A gesture of political goodwill. Or as we call it: a Hail-Mary attempt at keeping it alive, because both the French and the German government are facing serious domestic pressure on this issue. If they hadn't acknowledged parliament's vote on this, CETA might have been taken out back and shot in the head already, like it fucking should be.

Comment hidden because you are ignoring dag. (show it anyway)

Remember this. It was a segment on Captain Kangaroo. I have my suspicions about Mr. Green Jeans too.

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