Looking forward to Follow It. I love the soundtrack by Disasterpeace. He did the soundtrack for the game Fez. Love that lowfi shit. And I love me some creepy ass horror with chilling moments made possible by a nerve wracking pace. You're right that It Follows... follows you into your dreams. Like Freddy.

But... I'm not sure it was my favorite film, nor my favorite horror film of 2015. I really enjoyed the horror comedy Scout's Guide to the Zombie Apocalypse -- it had zombie boobies, zombie kitten paws under doorways; the entire theater exploded in various combinations of delight and disgust on multiple occasions, like monstrous audience-gasms. And it had a gorefest ending with scout crafted zombie killing machines reminiscent of the lawnmower scene in Peter Jackson's Braindead.

It is also my opinion that it was a more effective comedy than Kingsman. Scout's Guide had the audience roaring, which is such a great moment to experience in a theater. Laughter and screams? Top theater experience of the year. Better reactions than Star Wars even.

I don't know what I think about David Robert Mitchell (It Follows) or Chrisopher Landon (Scout's Guide to the Zombie Apocalypse) as directors. Each have created a single horror gem reminiscent of 1970/80s horror but for different reasons. I hope they keep making movies like these.

@ChaosEngine

if you are referring to the established political class,the pundit class and those with relative power and influence i would agree with your assertions.

which is pretty much what i am talking about.

if you look how ron paul was being treated by his own party and compare that treatment to sanders by the DNC,there are some glaring similarities.

while both paul and sanders have differing politics,they did align in a few areas i.e: audit the fed,citizens united,money in politics and restructuring the military to name a few.

they both had/have immensely popular grassroots support.ron paul garnering 20 million in small donations and sanders broke that record with 30 million.

they both held large rallies with high attendance.

they both had a populist flavor that appealed to their own political base.challenging the current corrupt power structures.

and they both have/had experienced a weird media blackout,even though they were/are incredibly popular with the voters.

now we can question WHY that is,but i don't think it too much a stretch to come to the conclusion that both candidates challenged the current power structures that dictate this countries dysfunctional and corrupt political system.add to that mix a paid propaganda pundit class that never challenges the current narrative,all put on display on corporate media which is owned by what? 5-6 entities? who just happen to be the biggest lobbyists in this country?

nader experienced pretty much the exact same treatment from the DNC in regards to media exposure and it went even further in his case with him being outright denied to some debates,or made to jump through almost insurmountable dictates to even get ON the debates.

so when i assert this is a well crafted and intentional practice by the parties,i do so with precedent.

because all three,nader,paul and sanders all had/have massive public support from the voters,but not their respective parties.

so when ron paul started to become a real thorn in the RNC,who did not want him anywhere near the nomination.they changed the tactic from ignoring or downplaying pauls message..to creating the "kook" myth.this was from his own party!!

nader received similar treatment,though in a different context.the establishment as a whole came out against him.

so what can we assume,based on previous tactics from these political parties in regards to sanders?when they can no longer ignore his popularity? his grassroots campaign donations? his rally attendances?

there will soon come a time when they can no longer ignore sanders and his grassroots success,and they will respond the exact same way they did with nader and paul.they will concoct a narrative that plays on peoples fears and biases and begin to portray sanders as an anti-capitalist "kook".that somehow him being a democratic socialist means the end of our civilization.just the word "socialist' makes many a republican wet their panties.

could i be wrong?
oh please god let me be wrong.
i happen to like much of what sanders is promoting,not everything,i have issues with some of what he proposes,but over-all i dig not only what he is saying but how he is going about conveying his message.

there is one huge problem if sanders gets the nod,and that is the support you mentioned.he has almost none in the legislature.which will make much of what he is trying to change in washington damn near impossible.

which will create it own political mess and just create fodder for the pundit class to ineffectually pontificate on,just so they can have a job.

i think it would be such a great thing for this country if sanders got the nomination,but the establishment has already made its intentions clear:they dont want sanders,they want hillary.the establishment does not play by the rules nor do they play nice.

playing by the rules and being decent is for the peasant class.

hope i am wrong.
i hope that every single point i made will never occur.
i hope that sanders gets the nod and things may change,because this country needs a fucking enema.
but my cynicism really struggles with that kind of hopeful optimism.

Naval law is clear, you have the mass, you have right of way. Period.

Also, that pleasure craft obviously didn't have an oar, if only to push off from the ship.

The director of the movie "You're Next" applauded this 'homage'.

So wonderful

The Simpsons’ couch gag has become a great place for innovative filmmakers and artists to show off their take on the iconic nuclear family and the many denizens of Springfield. From the creators of Rick And Morty, to Don Hertzfeldt, Guillermo Del Toro, John K., and many others, all have left their individual stamp on the opening of the classic show and its opening segment. Now another artist has thrown his hat in the ring, albeit unofficially, with a gruesome blending of The Simpsons with Adam Wingard’s film You’re Next.

Lee Hardcastle is an experienced stop-motion animator that has applied his craft to a segment in The ABCs Of Death, a mash-up of Frozen and The Thing, and even a music video for the group Gunship. Now Hardcastle has brought that same off-kilter horror sensibility to his proposed couch gag for Springfield’s first family with a possibly NSFW-ish (due to clay violence and gore) and fairly disturbing short. Hardcastle’s couch gag opens serenely enough before devolving into a home invasion pastiche just like You’re Next—much to the appreciation and applause of Adam Wingard himself. It’s unclear although unlikely that Fox will actually use this couch gag on screen, but maybe it will help boost Hardcastle’s chances for crafting a Treehouse Of Horror intro/segment.

I love Elder Scrolls (back to Morrowind), and thought Fallout 3 was very good but not great, but I just cannot get into Fallout 4 at all.

Some of my reasons coincide with Yahtzee here, but a lot are different. It's clunky, the dog does a great job of heroically jumping in my line of fire to take bullets / melee blows for enemies that I am trying to fight, pathfinding is significantly worse than Skyrim (and it was rather poor there), the crafting seems WAY too obsessed with needing 1 or 2 "rare" bits like the screws mentioned in the video that should be in *everything*, etc. etc.

The city building as an upgrade to Hearthfires in Skyrim is pretty cool, but should be a back-burner *optional* thing that encourages you to check it out because it gives cool rewards rather than because the very first set of hobos that you run into want you to do everything for them.

...Take all of that with a grain or three of salt, because I only played for a few days before I got thoroughly annoyed with it and haven't been back since. Skyrim gets new mods that add fun content or make it look *way* better than Fallout 4 does all the time. And I like the setting and lore better, but that is a personal preference. But basically, even after playing through the main story and all of the factions many multiple times each, I still periodically find myself getting interested in another run through Skyrim with a new set of mods. Fallout 4 might get good once the community gets hold of the creation kit for it, but for now I have zero interest in even giving it a more thorough shot to catch my attention.

I see he's crafted the dragon-scale armor.

Acknowledging that you may be wrong does not mean you were not being incredibly condescending.

Will this be the next Citizen Kane? No. And no one is asking it to be. It has the potential to be a well crafted summer blockbuster. And no, a big budget blockbuster is not inherently inferior to a small indie movie like Moon. Duncan Jones did not base himself to make a movie for the masses. It's that kind of elitist attitude that is condescending.

And no, you cannot comment on the quality of the movie based on a 15 second teaser, so far before release. All it shows is that Duncan Jones respects the source material, at least visually.

And as for Warcraft not being known for its story? Well, they made a good movie out of a Disney theme park ride, so anything can happen.

@lucky760

never thought about it from that viewpoint.
i was focusing more on how well and detailed they guys laid out their ambush.they really put some thought into it and reveal a serious talent for realism.

never occurred to me just how horrifying this might actually be to stumble upon this well crafted and orchestrated scenario of blood and gore.

now i feel like a dick.

*discard.

This game is so painful. I really hope the SC team stops listening to the hate, I hope they can maintain their teams, maintain focus, creativity, I hope they have enough money to last another 5 years of development, I hope this game turns out great. I really hope this turns out to be better than Elite a game that I found unfortunately boring. Will revisit once Occulus comes out, smoke a fat one and go on a cosmic voyage.

SC was/is one centered around PC gaming and dreams - I spent $40.00 on this game, which isn't much in my opinion in order to help a dream, a dream that I also want to delve into. My hope is not diminished yet and I do not care about delving into the rumors, anger and frustration. It is just a motherfucking video game. One that we all hope will be unbelievably good...

Realistically, these guys have probably promised too much, hopefully all the different modules add up to something cohesive - even if they have to detract from open world shit. I don't mind if they scale back to focus on story & content as long as the crafts feel solid. The alpha the control of the ships suck ass. Hopefully, both the controls and FPS mode are tight. If they can't pull off a huge scale, open-world game... no worries, I think working it to something more linear if the game mechanics are fun. Open-world games have been shit mostly anyways, Witcher 3 is a masterpiece though.

Derek Smart is an OCD creep he can go fuck himself and his games are shit! I mean kudos to him for having a lot of talent to do it himself and get shit released even if the content sucks.

1. Kickstarter lies

Before Anita started her Kickstarter campaign she held a talk where she said she was being harassed by a organized group of 4chan members for months. She said these 4chan members subscribed to her channel so they would know when she released new videos so they could attack her. The type of comments she said she received were sexual insults, death threats & rape threats. She said sometimes she got together with a friend to read through the comments because it would get overwhelming. She says that she probably has the biggest block list on Youtube and anytime they leave any anti feminist, harassing, or threating comment they would be blocked. She said that she had gotten use to these kinds of comments. She said she monitored her Youtube comment section so the only comments that were allowed to be shown had to be approved by her.

She lunched her Kickstarter campaign and made a Youtube video for the campaign. She for the first time allowed comments on her video. she makes a post on her website entitled Harassment, Misogyny and Silencing on YouTube. She says this in the post.

"Here is a very small sample of the harassment I deal with for daring to criticize sexism in video games. Keep in mind that all this is in response to my Kickstarter project for a video series called Tropes vs. Women in Video Games (which I have not even made yet). These are the types of silencing tactics often used against women on the internet who dare to speak up. But don’t worry it won’t stop me!"

"These messages and comments have included everything from the typical sandwich and kitchen “jokes” to threats of violence, death, sexual assault and rape."

http://feministfrequency.com/2012/06/07/harassment-misogyny-and-silencing-on-youtube/

She says that all of these comments are because of her Kickstarter campaign because she dares to speak critically about video games. These statements completely contradict what she said before she started her Kickstarter campaign. Before her Kickstarter she said she was systemically being harassed by people on 4chan and that among the things they said to her were sexual insults, death threats & rape threats and sometimes it was so overwhelming she read them with a friend as a way to cope with it and she had gotten use to it by that point. So she leaves comments open on her youtube kickstarter video which is something she never did before and she was surprised by the negative comments but how can she be surprised by the same type of comments she was receiving long before she launched her Kickstarter. When she started her Kickstarter and left her comments open she knew exactly what the comments were going to be like because she been receiving them for months prior. So when she says during her Kickstarter that all of the negative comments were because of her Kickstarter campaign she's lying.

https://www.youtube.com/watch?v=KSoDEA6yw24

2. Other Lies

She says that Grand Theft Auto and Saint Row encourage players to kill women by giving players money for killing random female NPCs.

"some games explicitly incentive and reward this kind of behavior by having murdered women drop bundles of cash for the player to collect and add to their own stash"

The truth is money is dropped by any NPC that is killed in the games and has nothing to do with gender.

She says that the female stripper NPCs from Hitman Absolution were put their because the developer wanted players to kill them. The game discourages players from killing innocent civilians by taking away points. The whole point of the game is to sneak by people and keep unnecessary killing to a minimum while moving toward killing your intended target not to kill random strippers and lose points for doing so. The path to the strippers is one of two paths that the player can take. The path to the strippers is the harder of the two paths to take. The other path that the player can take is easier and doesn't involve coming near the strippers at all.

She also says this in her Background Decoration video.

"their status as disposable objects is reinforced by the fact that in most games discarded bodies will simply vanish into thin air a short time after being killed"

She tries to tie disappearing bodies as something that only happens to female NPCs but it has nothing to do with gender its just something that happens in a lot of games irregardless of gender because of limited ram capacity and not having the game slow down because of bodies pilling up.

http://tvtropes.org/pmwiki/pmwiki.php/Main/EverythingFades

shes a life long gamer
at a Santa Monica College in California back in early 2010 Anita says that she's not a fan of video games and she had to learn a lot about them. she says that she would love to play video games but she doesn't what to go around shooting people and ripping off their heads. During and after her Kickstarter she says that shes been playing video games since she was 5 years old and shes a life long gamer. How can she be a lifelong gamer if she said pre Kickstarter that she doesn't like video games specifically because she thinks that all games are violent. If she's a lifelong gamer than what has she been playing all of this time and why does she thinks all video games are violent. She obviously not a lifelong gamer and only said that as a way to try and give herself more credibility.

https://www.youtube.com/watch?v=TJj_7SVAIS4

In her damsel video she said Zelda was never a playable character in a console game. Zelda was playable in the CDI games Zelda: The Wand of Gamelon & Zelda's Adventure. I am not saying these are good games but they are console games where Zelda was the star of her own adventure.

She says that gaming is all boys club and women have until recently been barred from playing games. This is untrue their has never been anything stopping girls from playing games. Most game genres are not gender excluding. Racing, fighting, beat em up, real time strategy, role playing, puzzle, point and click, action adventure, platformers, MMO, Simulation, rhythm action.

Women have been involved in the making of games for years. Theirs been female programmers, artist, composers, designer, CEO, etc. Women have also been involved in the journalism side of things as well. This false narrative that Anita's trying to push that games have somehow excluded women until recently is a lie that she tells to try to push her gender base agenda.

The other thing that she tries to push is the ideal that man are trying to keep women from playing or criticizing games. Both things are false but she keeps to that script so she can fight against the imagery boogie man that she created and so she can justify the existences of her video series.

Anita omitted the fact that she has connections to the developer of the game sword and sworcery but I am sure that has noting to do with the reason why she chose that game's character as a positive female even though it contradicts her previous videos.

https://www.reddit.com/r/KotakuInAction/comments/315zh3/possible_ethics_issue_with_anitas_latest_video/.

3. Poor Research

In dismals in distress she said that peach was added to Mario 2 to fill a per existing gender role that existed in the original game Doki Doki Panic except for the fact that her own footage clearly shows that two females were playable in Doki Doki Panic. If she did further research like actually playing the game than she would know that it wasn't just one girl in Doki Doki Panic. The core concept that Anita doesn't understand about games is the fact that graphics assist can be replaced with anything. In fan made mods the cast of Super Mario Bros 2 have been replaced by numerous things like Star Wars ships, Pokemon, Transformers, Spider-Man villains, etc.

http://www.romhacking.net/?page=hacks&game=749

https://youtu.be/t8bub0B1-wk?t=6m15s

In Women as Background Decoration Anita says this

"In order to understand how this works lets take a moment to examine how video game operate as playgrounds for player engagement. Games ask us to play with them. Now that may seem obvious but bear with me. game developers set up a series of rules and then within those rules we are invited to test the mechanics to see what we can do and what we can't do. We are encouraged to experiment with how the system will react or respond to our inputs and discover which of our actions are permitted and which are not. The play comes from figuring out the boundaries and possibility within the gamespace. So in many of the titles we've been discussing the game makers have setup a series of possible scenarios involving vulnerable eroticized female characters. Players are than invited to explore and exploit those situations during their play through. The player cannot help but treat these female bodies as things to be acted upon. Because they were designed constructed and placed in the environment for that singular purpose. Players are meant to derive a perverse pleasure from desecrating the bodies of unsuspecting virtual female characters. Its a rush streaming from a carefully concocted mix of sexual arousal connected to the act of controlling and punishing representations of female sexuality."

Theirs two basic concepts that she doesn't understand. The first one is that games are interactive so players can do things that developers never intended players to be able to do. The second is the fact that games have bugs in them which also allows players to do things that the developers never intending for them to do.

For example in Halo 2 players can do button combos. Button combo is a sequence of buttons that, when pressed in order, results in the execution of an exploit. Typical button combos take advantage of unforeseen attributes of certain actions. Some actions, such as meleeing, can disrupt animations for firing and reloading weapons, performing melees, etc. By chaining these and other actions, players can perform special tricks, such as automatic Plasma Grenade sticks and instant close-range kills. However, many players disapprove of such "cheap" exploitations, and Bungie has declared these combos all as cheating and therefore banworthy

http://halo.wikia.com/wiki/Cheating

Another example is in early versions of arcade Mortal Kombat 2. Players figured out how to hit babies after performing Babalitys.

http://bbh.marpirc.net/mk2/

By Anita's logic midway endorses child abuse because players tested the bounders of the game and were able to interact with the objects (babies) in the game that were put their by the developer. So that clearly means that the developer supports any action the players can do in the game including hitting babies. Or it can just mean that games are interactive and filled with glitches and just because a player can do something in a game doesn't automatically mean that the developer endorsed it or even meant for player to be able to do it.

In her Bayonetta video she complains about Bayonetta clothes coming off when she summons demons. she doesn't acknowledge or knows that Bayonetta's hair is also her cloths so that's why her cloths disappears when she summons demons. She also makes the claim that Bayonetta is fighting demons when in fact Bayonetta is actually fighting angles. She also says that Bayonetta has a child except for the fact that Bayonetta doesn't have any children. She claims that Bayonetta is a "choose your own patriarchal adventure porno fantasy." Lets take a second to look at what the word Patriarchy means. Patriarchy is a social system in which males hold primary power, predominate in roles of political leadership, moral authority, social privilege and control of property. So how is Bayonetta a game in which players play as a strong women who is always in control of a situation and is more powerful than any man in the game enforcing ideals of Patriarchy. Bayonetta is not a choose your own adventure type game nor is it a porno.

She says this in a tweet

"Everything about Bayonetta's design, mechanics and characterization is created specifically for the sexual pleasure of straight male gamers"

Bayontta was design by a women

http://platinumgames.com/2009/04/17/designing-bayonetta/

http://soulcalibur.wikia.com/wiki/Mari_Shimazaki

McIntosh said this on twatter about the Witcher.

"Geralt from Witcher 3 is emotionally deficient in the extreme. Never cries or laughs. Never expresses grief, fear, sadness or vulnerability."

Witchers are unable to express emotions on their faces because of the training that is involed to become a Witcher. Taken in as children, Witchers-to-be are subjected to intense alchemical processes, consumption of mutagenic compounds and relentless physical and magical training to make them dangerous and highly versatile against their vast array of opponents.

http://witcher.wikia.com/wiki/Witcher

http://www.forbes.com/sites/erikkain/2015/05/31/why-feminist-frequency-is-dead-wrong-about-the-witcher-3/

"In the beginning of “Women as Background Decoration: Part 2,” Sarkeesian references a scene from Dragon Age’s City Elf Origin story, in which a group of guards make disturbing sexual comments over the player character’s dead female companion. Sarkeesian implies that BioWare’s narrative is built on the “brutalization of women’s bodies,” using dead women “as an indicator of just how harsh, cruel, and unforgiving their game worlds are.”

"However, the female elf’s treatment is better understood as a thematic commentary on systematic misogynistic violence. Both women and elves are confined to strict socioeconomic roles within the origin story, as the brutal city government uses institutional force in order to keep women and elves oppressed. Essentially, the game explores the use of sexual violence as a form of violent oppression within a misogynistic institutional structure. Yet, Sarkeesian and McIntosh misread this moment – ignoring a critical look at misogynistic oppression within Dragon Age’s narrative."

"Sarkeesian has criticized the postmodern video game Hotline Miami for utilizing the “Damsel in Distress” trope. However, Feminist Frequency’s analysis completely erases the game’s subversion of the trope – as the narrative’s “damsel” seems to be held hostage by the player, and avenging her death produces no reward. Indeed, writers such as Maddy Myers have dissented from Sarkeesian and McIntosh’s analysis – praising Hotline Miami as a postmodern exploration of hypermasculinity which subverts the “damsel” trope."

http://gamemoir.com/lgbt-gender/frequency-anita-sarkeesians-strengths-weaknesses/

4. Things taking out of context

She shows footage of Fallout New Vegas where a womens body is being dragged around with psychic powers and says that games often permits women to be knockout, pickup, carried and thrown around. All of these things can be done to male NPCs as well. She also says that assault, mutilating & murder can be done to women in games but all of those same things can be done to male NPCs as well. She tries to use these things as examples of sexism towards women but its not sexism if the same thing can be done to male NPCs.

She claims that the objectification of female NPCs is terrible.

"Unlike other NPCs that exist for purposes outside of their sexuality, Non-Playable Sex Objects have little to no individual personality or identity to speak of. since these women are just objects there's no need or reason for players to have any emotional engagement with them. meaningful relations or interactions are not even possible. Their programming simply does not allow for it."

She tries to say this is unique to female NPCs. The lack of deep personalities, non emotional engagement or meaningful relations is true of all Pedestrian NPCs male or female.

"when assaulted by the player non playable sex objects might scream. but regardless of their canned automated reaction they are will designed to be expendable to be used and then tossed out."

Same thing is true for male NPCs as well.

In background decoration she talks about female character being objectified while showing footage of the main protagonist from Watch Dogs in the process of shutting down a human trafficking ring.

In her background decoration video she said this.

"In the realm of interactive media I use the term "instrumentailty" to refer to the practice of using virtual women as tools or props for the players own purposes. Courtesans in the Assassins Creed series, for instance, are available to be "rented" and used to help you "blend in" to the environment. Once acquired, they can be ordered to flirt with guards to distract them. Allowing the protagonist to slip by undetected. "

The courtesans were one of the four factions allied to the Assassin Order, with the other three being the thieves, mercenaries and Romanies. They usually aided the Order by collecting information from clients, or by acting as distractions and allowing allies to slip into restricted areas.

The player can also hire male thieves & mercenaries to aid them with blending into a environments and killing. So is using man as Tools bad as well or is it only bad when it happens to women in Assassin Creed.

http://assassinscreed.wikia.com/wiki/Courtesans

Anita and mcintosh purposely says controversial things on tweeter to provoke a negative reaction from people so they can use the response to prove Anita's continued harassment. mcintosh even admits to purposely provoking gamers with his comments.

https://youtu.be/Xi5qQ3GIbD0?t=7m50s

Here's an example of Anita provoking a reaction from people and using the response as a example of her continued harassment to coincide with a Kickstarter update.

You only have to watch the first 3 minutes.
https://www.youtube.com/watch?v=PLD8gHkaqLc&index=21&list=PLbGeY5L25KBr_OtPsRJWfKoNslm2UZA6a

Lets take a look at some of these comments.

"A few months ago I started posting deliberately provocative tweets whenever I'd see the angry gamer mod launch a harassment raid on someone"

"I'd only post things I basically agreed with, but I did it in an overtly antagonizing way designed to enrage these specific hateful gamers"

"The goal was to see if I could draw some of their fire & distract them a bit from their usual targets. It worked like a charm. It still is"

"Its shockingly easy to drive these bozos into frothing fits of rage. Simply tweet critically about their beloved Ico, MGS or Bayonetta"

ANITA

"not a coincidence it's always men and boys committing mass shootings. the pattern is connected to ideas of toxic masculinity in our culture"

"manhood, not guns or mental illness should be central in newtown shooting must read 2012 article by @ jacksontkatz huffingtonpost.com"

"mass shootings are one of tragic consequence of a culture that perpetuates toxic ideas of masculinity. this is how patriarchy can harm men too"

"there's no such thing as sexism against men. that's because sexism is prejudice + power. men are the dominant gender with power in society"

"games press: allowing unmoderated comments contributes to the culture of sexism and harassment. you can't be neutral on a moving train"

"Absolutely brilliant article by @janelarejones discussing the amazing levels of sexism in BBC #sherlock's irene adler"

"I finally watched the 1st season of Mad Men & i was HORRIFIED, it is not interesting or subversive to watch uncontested sexism & racism"

"I'll be discussing the reasons Bayonetta is so pernicious in my Fighting Fuck Toy video. Bayonetta is a quintessential example of the trope"

"Everything about Bayonetta's design, mechanics and characterization is created specifically for the sexual pleasure of straight male gamers"

"Disappointed to see most major Bayonetta 2 reviews completely ignore or even praise its shameless sexism and flagrant use of the male gaze"

"I have to say, I really don't like going into comic book stores because everywhere i turn i face misogyny and sexism"

"the US bombed them back to traditional values. feminism does not exist in Japan. while I don't like judging an entire culture, that does not excuse them"

"I've played a ton of awful sexist video games but God of War 3 really is one of the most brazenly misogynist titles ever produced"

"GTA5 is in the news this week because of its horrendous violence against women. Watch our episode on the issue here:"

"A favorite harassment tactic of online abusers is to send me gameplay footage or still images of the degradation of women in video games"

"Rockstar: when gameplay from your product is regularly used to harass women it might be a sign you're contributing to a hostile environment"

"time after new GTA launch before fans started harassing me with gameplay of the use & murder of prostitutes? 86 mins"

Shows a picture of her holden Metroid Other M and comments
"About to replay this monstrosity. The things I do for you people...#cringe

"Anime is the most disgusting, sexist, and misogynistic form of media to ever come out of Japen. Anime defiles women and caters to perverts and losers. those cartoons are corrupting teenagers and promoting rape culture.

"Dying Light has a damsel in distress storyline. Dear game developers, its 2015 aren't you embarrassed by this yet?"

"The Witcher 3 does to Ciri what Arkham City did to Catwoman Thugs yell "bitch" and "whore" and sexually harass both women as you play them"

"Welp, I guess we could just use The Witcher 3 to illustrate the rest of our #tropevswomen series because it includes all the sexist tropes"

"Also the "it's realistic for enemies to sexually harass female characters” excuse is nonsense in fantasy games filled with ghouls & wraiths"

"Dear gaming industry: If you want to appeal to women maybe consider not having your game yell "bitch" and "whore" at us while we're playing"

"Enemies in Witcher 3 yall gendered insults at the playable female character but insults thrown at the make lead are decidedly not gendered"

"Enemies call Geralt "freak" & "mutant" due to fictional prejudice against magic. When they call Ciri "cunt" it's rooted in real life sexism"

"Games like The Witcher 3 use sexism & sexual violence for "gritty world-building, presenting it as regrettable but natural and inevitable"

"In fact, Witcher 3 is a particularly egregious example of this problem. The game repeatedly uses brutal sexual violence as window dressing."

"This level of extreme violence shouldn't be considered normal. Its not an excuse to say it's expected because DOOM. Thats the problem #BE3"

"Its really troubling (and depressing) that the #BE3 audience is enthusiastically cheering for bodies being ripped apart"

"Only a few minutes into the Bethesda press conference and it's wall to wall glorification of grotesque violence. I can barely watch #BE3"

"If the games industry truly wants to mature it's going to have to focus much more on creative and humanizing interactions #E32015"

"The #Fallout4 crafting system is cool imagine how much cooler it could be if it wasn't SO focused on building stuff to kill other stuff"

A bit sad that #Dishonored2 didn't make the leap to an exclusively female lead but really pleased they're using Emily in marketing #BE3

"Saints Row is not a satire of sexism, it's sexist satire. Same goes for the Grand Theft Auto franchise"

"Like the myth of reverse racism, reverse sexism only exists if you happen to have a time machine"

"Portraying women of color as exotic, hypersexual and animalistic like the succbi in the Witcher 3 is part of a very long racist tradition"

"It makes me profoundly sad that mainstream pop culture now interprets feminism to mean "women can drive fast and stoically kill people too!"

MCINTOSH

"San Francisco is full of repugnant white dudes who believe capitalism and their personal technology idea will save the poor brown people"

"probably not super productive to tell random techie dudes that their business model is both evil and racist. but damn it they had it coming"

"dear silicon valley tech startups: there is no such thing as altruistic capitalism. you can't get rich while "helping" impoverished people."

"They are 100% sincere in their belief that their form of "altruistic techie capitailsm" is god's gift to the world"

"capitalism as an economic system and the continuous growth it requires is impossible to sustain. that's not ideology. that's math #ows"

"the games industry has a problem. Tens of thousands of people construct their identity around its products than act like hateful sociopaths"

"#JeNeSuisPasCharlie because I don't use my free speech to mock and deride the most marginalized and vulnerable in society like Charlie Habdo"

"Extremist vigilante shooters kill 3 in Los Vegas. meanwhile game developers at #E3 continue to glorify extreme vigilante violence"

"Gaming could be a perfect medium to help re-learn values of empathy and compassion but sadly it's most often used to permote the opposite"

"I'm not ashamed of being a man. Quite the contrary, I work to change toxic cultural ideas of what "being a man" means"

"so many toxic assumptions about violent masculinity here. You could write a thesis just about this game setting menu"

"Things that are not oppression:3) Pointing out extremely toxic sexism in hobbyist communities. 4) Criticism of video games"

"It's not a few bad apples. Gamer culture itself is absolutely steeped in extremely toxic ideals about masculinity"

"Each day a bunch of helpful gamer dudes helpfully tweet at me to help prove gamer culture is deeply sexist and toxic"

"Dear clueless gamers replying to me: The point of Male protagonist Bingo is not to win, the point is to illustrate limiting toxic patterns"

"Many promote a culture of aggressive toxic masculinity. So you just helped answer your own question there buddy"

"I’ve seen some mention the abundant sexism in The Witcher 3 but I’ve yet to see any real discussion of its toxic depiction of masculinity."

"Geralt of Rivia is the perfect embodiment of hegemonic masculinity. #TheWitcher3"

"@Scottcoeditor Rage and anger are two of the only emotions men are really allowed to express in patriarchy (which is super unhealthy)."

"Anger and rage are the only real emotional expressions male game protagonists are allowed. Needless to say that's a toxic message for men."

"Mass media narratives, especially games, are often constructed in ways that justify and exonerate men for their angry and violent outbursts."

"Reminder that both Bayonetta games include boss attack animations by Rodin which strongly imply Bayonetta has just been raped."

"If anyone needed further proof that Bayonetta is not any kind of feminist icon. RT @SJWIlluminati: hahahahahahahaha "

"We've fallen so far in critical discourse that I now regularly have to start debates with “You do know Bayonetta isn't a real person right?"

"@TheQuinnspiracy It also has a lot to do with control. They can control Bayonetta’s actions but can’t control human women, so they lash out."

"Don’t think Bayonetta is designed & marketed specifically for horny straight dudes? Nintendo partnered with Playboy. "

"Lollipop Chainsaw, BloodRayne, Dead or Alive and Bayonetta are ALL designed in the same way, as hyper-sexualized fantasies for straight men."

"Precisely. RT @mercurypixel: @radicalbytes Welp, they talk about Bayonetta like she's a freaking real human being, so... don't expect much."

"Bayonetta was created by Hideki Kamiya as his “ideal woman”. He also said "all women outside should dress like her" for his viewing pleasure"

"Bayonetta was created by Kamiya as his "ideal woman" RT @Brostalgia In fact Mari was told by her male boss to male a sexy fighting character"

"Amazed to see sexist gamer dudes now adopting feminist terminology to defend jiggle physics. We can thank Bayonetta 2 reviews for that one."

"Media literacy 101: Bayonetta’s creators make their fictional character do poses for the game camera specifically for the player’s benefit."

"No it’s really not. Bayonetta’s game camera is the most transparent use of the male gaze in video games I’ve ever seen."

"Actual comment. Doesn't understand fiction is constructed. "Stop sluts-haming Bayonetta. She fights and does sexy poses for her own benefit”

"I shouldn’t have to point this out but there is no actual sex in Bayonetta or Tomb Raider etc. Objection to the male gaze is not anti-sex."

"@a_man_in_black Bayonetta’s body/sexuality is specifically presented and displayed as a reward for successful actions taken by the player."

"@a_man_in_black Might account for the "i/her" dissonance if straight male players both self-project into & are sexually aroused by Bayonetta"

"@a_man_in_black Partly has to do with gender. Bayonetta is designed for straight male players but we’re not meant to truly identify with her"

"The special “naked” attacks essentially turn Bayonetta into a hypersexualized puppet designed to thrill the puppeteer."

"For male gaze in Bayonetta 2, pay attention to things outside of the character’s control like the cutscene camera & player directed attacks."

"Looks like most Bayonetta 2 reviews fail to mention the hyper-sexualized male gaze of the cutscene camera and player directed strip attacks."

"When Bayonetta 2 reviews come out we’ll very quickly see who actually cares about issues of sexual objectification & exploitation in gaming."

"Endlessy amused at some gamers complete inability to do even the most basic textual analyses of their favorite games. # MaleProtagonistBingo"

"For those who keep bringing up Sonic as a counterexample for Male Protagonist Bingo. I'll just leave this right here"

"The core value of patriarchal masculinity is control. It's not a coincidence that control is central to many video game mechanics & stories"

"Fascination that you somehow don't think there're any messages in Smash Bros. Start with violence solves conflicts"

"Amused to see so many hateful #gobbledygate user list aspiring game developer in their bio. Yeah good luck with that. You're gonna need it"

Beautiful product and good to see another example of pride in a craft (even though these are really just ads ; ).

Hell, if ads were more like this, I'd probably still watch commercial TV.

Er.. massive skill, but from what I saw some of his pieces are really awful conceptually. Craft fair stuff. Then others were very good. I wonder if it's commissioned ("I want a wolf, howling at the moon, with a big ferocious eagle spreading her wings above...").

I was providing a more "technology tailored" way to fool us and how it might create a great magic trick. I also love magic tricks that make use of self-created "magical" devices (his vest counts towards what I'm talking about).

As I mentioned there are probably quite a few ways to do this trick and I wholeheartedly agree with you that the most likely way the majority of this was done was via misdirection and cues. As it is true with almost everything, the simplest answer usually is the truth.

I however, became interested with he kept moving his hands (and the "cards") to the same spots or moving them, repeating, the same movement over and over again right before the "change" or flip occurred (with other things as well like the smoke--and yes, I know it was more than likely misdirection--but, sometimes smoke is just smoke ).

That is what made me think of a scanner (mostly because I'm a computer/engineering/physics hippie and I have seen scanners that can be made to look exactly like that mat; but I also have learned a bit of magic, with that instead of becoming an amateur magician I instead learned about magic and it's history instead). But, like you said and I also said above in my comment, this all can/could be done through many various schemes. Using differing ways of that same scheme/idea, the same mechanics and/or devices, with sleight of hand and a lot of misdirection (very well done too, simply because there was so very much of it needed--which Penn & Teller commended him on in their own way).

His jacket for example is obviously HIS engineered creation. It has a lot of hidden and secret functionality; in fact it may have been the underlying foundation that allowed the whole trick to work so well (you never know just what exactly is the magician's biggest helper in many tricks). That is what I love, personally, about magic is the engineering and love--the workmanship--that can go into it. Every great magician definitely has that engineering facet to their personality; they all know how to create a device that gives them just what they need. I've seen so many magical devices and how they were used and how they're made as well and I must say, it is a terribly interesting thing to learn about and see done. Sometimes you have devices made just to perform one extremely small function, just to add that little bit of "panache" to a trick...

Every magician--good and average--however do have or need one thing in common no matter what, and this refers to what you talk about (and this magician may be leagues ahead of others, making all tricks completed in that same manner seem simple and mundane compared to what he can accomplish with the exact same, extremely fundamental, aspect to magic; pulling off tricks that almost all magicians would believe to be impossible using such a standard fare of abilities and methods): agility and sleight of hand. With this comes the uses for that "god-like" speed and manipulation. Use that with engineered tools (not necessarily what I mentioned--the scanner, printer, and ink method--but, things easier to craft and more likely to be used like his vest) and it can suddenly make any of the simplest tasks (or even tricks that other magicians perform) we do everyday, extraordinary if not miraculous.

I thought I'd add my idea, because I like to figure these tricks out as well; as I'm sure many of you are as well.

Overall, if I was Penn and Teller, I'd be most impressed with his ability to keep his showmanship intact while obviously needing great concentration on the trick at the same time--not to mention he keeps showing superb sleight of hand the whole time.

So many magicians are just amazing to watch. The tools they create (which can be so complicated that you'd never believe that someone would create such a thing or something fairly complicated to complete one very easy task) sometimes never let their presence be known--if done right. But in other cases you know there is "something" helping the magician, but you can't begin to imagine what exactly he has created or what exactly it is accomplishing for him.

I do wish they'd give us a general idea how these tricks are performed, without destroying the "magic" involved. Just tell us general things, like "misdirection and a magical device", etc... They don't need to explain it into it's minutiae.

I'll always love magic and the amazing use of the mind and the body to create illusions grand and small (or "magic" that just tests the limits OF the mind or the body; feats, as it were).

When the body and mind work together in perfect unison to create such wonderful uses of sleight of hand, feats, and "magical" devices...these are the type of people that will continue--hopefully for as long as humans exist--to create magic as real as it can get. Waking up the child inside us all!

/length

"People choose to be polygamous" means people what polygamy? A-they are born that way? B-it just happens? Or C-Hrm, lets see...they must LEARN it. You specifically compared it with being born gay versus choosing (ie., learning something and then choosing it.) Whether this was intentional or not is...irrelevant...

Second, most of the stuff was meant to be irrelevant to the content but also explaining why I hate moral connotations from judgmental assholes. You twist that as though I related it to the video or used it directly against your argument--which I did not. If you didn't understand this, I am not sure how to spell out something so obvious, especially to someone as well-learned as you Chaos. Even if you didn't twist it, your constant poking at it was irrelevant to the argument, and makes your argument seem very petty.

Furthermore, the definition of monogamy is crafted in the best possible light for those "practicing it." They can sugar coat the shit all they want, but it's still shit. Basically they took the most convenient definition they could find and applied it. Remember, I said, "You could argue that boning, fucking, sucking, dating people until you decide it is convenient to settle down is monogamy, and that's fine." Keyword, "that's fine." So yeah, I agreed in a way that the common definition accepted by others is as you said--don't correct bullshit that didn't need correcting.

Lastly, Rome was an example of how history affects perception. Nothing paranoid about that. I think its bullshit, but it happens. It would be like saying that people hate persecution of Jews because of Nazis. In fact Israel can abuse Palestinians these days exactly because of the past. @newtboy was damn right about child rape and didn't need to use sarcasm. Yeah, Rome/Greece had some good and bad, absolutely. But all in all they were hated as a greedy, mass-murdering peoples who brought hell to their vanquished.

0.8 degree increase in 100 years. We've come from the 1915 and WW1 days when cars and planes where futuristic dreams, and not dying from tetanus or basic infections was a major concern. Today 100 years later we are thriving by comparison, in spite of the 0.8 degree increased temperature. IPCC best estimates for 2100 are about 1.5 degree increase, so another hundred years and increase that is about twice as bad. Of course, it's twice as bad as what we saw the last 100 yeas and not only survived, but thrived under. It's a problem to be sure, but it's also no catastrophe either. Switching to electric cars within 20 years will reduce emissions alot and is likely inevitable no matter what. Adopting non-emitting power is possible today if people accept nuclear as France did years ago, and would be a good idea if we could only sell environmentalists on the idea. Barring that we are waiting another 20-40 years for alternatives like solar, wind and hopefully Fusion to undercut the costs of running on coal. That said, without any special moral or government mandate we should be cutting our CO2 emissions radically long before 2100 of our own accord.

Bottom line, don't panic, it's a manageable problem and we got this. In the last 100 years we've come from not having cars or planes or space craft or computers or modern medicine to taking all those things entirely for granted. It's really hard to say that 100 years from now our descendants will be crying for their inability to cope.