Of course, it's not too early to start getting psyched up for the Mr. Rogers movie. Here's a good interview with the film maker :

http://radiowest.kuer.org/post/sundance-2018-wont-you-be-my-neighbor

Swiss Army Man debuted at this year's Sundance Film Festival, where it was described among attendees as "the one where Paul Dano rides a dead Daniel Radcliffe across the ocean using nothing more than the raw energy of the corpse's farts."
*promote *quality

Based on the reviews out of Sundance, it sounds like there's actually quite a bit more plot this time. More than one person has compared it to a martial arts version of the Godfather.

The reviews are nuts, too. Pretty much everyone is falling over themselves to praise it. Some are calling it one of the best action movies of ALL TIME. Like I wasn't excited enough. I think I may have to investigate putting myself in a medically induced coma.

Vimeo description:

Animated by Austin illustrator Divya Srinivasan, this animated video depicts three sleepy ghost kids following a heterochromic fox through a snowy twilight. When the group discovers an impromptu critter disco in a forest clearing, the spirits and strays dance in harmony until a cranky babushka bemoans the noise and breaks up the party. Thus, the spectral youths return to the astral plane... but not without a final farewell to their new found animal friends.

Divya Srinivasan has previously created animated videos for Spoon ("Everything Hits at Once"), They Might Be Giants, The Sundance Channel and Wonder Showzen, and worked on Richard Linklater's "Waking Life" feature film. Divya's illustration portfolio includes numerous pieces for the New Yorker magazine, as well as the album artwork for Sufjan Stevens' Illinois and This American Life's "Stories of Hope and Fear" collection.

"I Saw The Bright Shinies" is from The Octopus Project's album "Hello, Avalanche," released in 2007 on Peek-A-Boo Records. The "Bright Shinies" video appears on the "Golden Beds" enhanced CD EP released in 2009 on Peek-A-Boo Records.

peekaboorecords.com/octopusproject
theoctopusproject.com
myspace.com/theoctopusproject
pupae.com/portfolio

*length=4:10

Your video, Chasing Ice Trailer (2012) - Sundance Film Festival Movie HD, has made it into the Top 15 New Videos listing. Congratulations on your achievement. For your contribution you have been awarded 1 Power Point.

Chasing Ice Trailer (2012) - Sundance Film Festival Movie HD has been added as a related post - related requested by bareboards2 on that post.

>> ^shuac:
One question for you, Sarzy. You say this film is a milestone. I'm sure you're right. Can you tell me why this film is a milestone?


Because the fight choreography and direction are peerless; the film's fight scenes easily rival anything that I've ever seen, and I've seen my share of action movies.

Because the critical consensus is that it's an instant classic.

Because it's breaking through into the mainstream more than any martial arts film I can think of since Ong Bak.

Because it is awesome.

Some quotes from reviews:

David Fear -- Time Out: And in terms of beautifully coordinated film violence—the kind involving flying fists and feet, whizzing blades and ballistic superbattles—Gareth Evans’s insta-classic Indonesian crime flick is leagues above every kinetic bullet-ballet and martial arts epic of the past decade. Whether this 31-year-old Welsh director will eventually be mentioned in the same breath as legendary chaos orchestrators like Sam Peckinpah or John Woo remains to be seen. For now, Evans can take pride in the fact that he’s set the bar for cinemayhem impossibly high.

Andrew O'Hehir -- Salon: “The Raid” is a witty, pulse-pounding instant midnight classic, an immediate sensation at the Sundance and Toronto festivals that should appeal to cinema buffs, action freaks and a pretty large mainstream audience besides. It offers some of the best Asian martial-arts choreography of recent years and an electric, claustrophobic puzzle-palace atmosphere that’ll leave you wrung out and buzzed.

Ty Burr -- Boston Globe: Not yet 30, Evans is a master of visceral tension and release. “The Raid’’ repeatedly slows down, gathers force, and rushes forward using all the elements of filmmaking at a director’s disposal: editing’s ability to expand and contract time; the camera’s gift for revealing information through motion and light; a good musical score (by Joseph Trapanese and Linkin Park’s Mike Shinoda) that can cue audiences to respond or just play with their heads. At times, “The Raid’’ feels like pure cinema.

Nordling -- Ain't it Cool: Then, there are the action sequences, which are so exquisitely orchestrated that they build like a symphonic suite of pain and kickassocity. This movie builds and builds, each fight even bigger than the one before it. I can't imagine an audience that won't be on their feet for some of them - and the action choreography is damn near perfect, with cinematography to match. Sure, there's some shakycam, but it's only to build the intensity because Uwais and director Gareth Evans have planned each fight so well that it's never confusing, not once. The geography is flawless. The film wisely lays out the building early on, so that you unconsciously understand where everyone is in the building and even in the same room. I haven't seen such confident action direction since John Woo unleashed the doves in THE KILLER and, yeah, HARD BOILED.

>> ^Sylvester_Ink:

The book is also amazing. If you haven't read it, do so.


Agreed. Absolutely fantastic, and goes into much more depth than the movie. Written by William Goldman, who also wrote All the President's Men, Butch Cassidy & the Sundance Kid, Marathon Man and Chaplin.

>> ^Barseps:

I must admit that unless he's using a pseudonym, I'm VERY surprised not to see Shane Meadows' name in the credits.


Is that why you haven't voted?

This may interest you: http://videosift.com/video/Snowtown-film-trailer

In reply to this comment by blankfist:
'Take Shelter' Wins Top Prize at Critics Week (Cannes 2011)

The Michael Shannon-Jessica Chastain feature was named best film by a jury presided by Lee Chang-Dong.

CANNES – Jeff Nichols’ Take Shelter took the Grand Prize of the 50th annual Critics Week at a closing ceremony in Cannes on Thursday night.

The Sundance Competition title starring Michael Shannon and Jessica Chastain was named best film of the selection by a jury presided by Lee Chang-Dong.

Nichols also walked away with the SACD prize for best screenwriting. Sony Pictures Classics snagged the North American rights to the title earlier this year.

Justin Kurzel’s Snowtown earned a Special Mention by the President.

Pablo Giorgelli’s Las Acacias took home a double honor, winning both the OFAJ Young Critics Prize and the ACID (Association of Independent Cinema for its Distribution)/CCAS (Main Fund of Social Activities) award.

'Take Shelter' Wins Top Prize at Critics Week (Cannes 2011)

The Michael Shannon-Jessica Chastain feature was named best film by a jury presided by Lee Chang-Dong.

CANNES – Jeff Nichols’ Take Shelter took the Grand Prize of the 50th annual Critics Week at a closing ceremony in Cannes on Thursday night.

The Sundance Competition title starring Michael Shannon and Jessica Chastain was named best film of the selection by a jury presided by Lee Chang-Dong.

Nichols also walked away with the SACD prize for best screenwriting. Sony Pictures Classics snagged the North American rights to the title earlier this year.

Justin Kurzel’s Snowtown earned a Special Mention by the President.

Pablo Giorgelli’s Las Acacias took home a double honor, winning both the OFAJ Young Critics Prize and the ACID (Association of Independent Cinema for its Distribution)/CCAS (Main Fund of Social Activities) award.

From The Other 100 Best Movie Quotes of All Time
http://www.pajiba.com/guides/the-other-100-best-movie-quotes-of-all-time.php

100. “I love my dead gay son. —Heathers
99. “Where was ya, Wang? We was worried.” — Murder by Death
98. “Tell your girlfriend to shut up before I fuckstart her head.” —The Way of the Gun
97. “How am I not myself?” — I Heart Huckabees
96. “Welcome to Debbie Country.” — Singles
95. “I feel like I’m taking crazy pills!”- - Zoolander
94. “Well, this piece is called ‘Lick My Love Pump.’” — Spinal Tap
93. “This is the guy behind the guy behind the guy.” — Swingers
92. “I hate you, and I hate your ass face!” — Waiting for Guffman
91. “Back and to the left.” — JFK
90. “No, I said ‘allo,’ but that’s close enough.” — Labyrinth
89. “That’s bee-YOU-tee-ful, what is that, velvet?” — Coming to America
88. “It’s a moral imperative.” —Real Genius
87. “Go do that voodoo that you do so well!” — Blazing Saddles
86. “No dice, soldier.” —Brick
85. “To crush your enemies, see them driven before you, and to hear the lamentation of their women.” — Conan the Barbarian
84. “Take this quarter, go downtown, and have a rat gnaw that thing off your face! Good day to you, madam.” — Uncle Buck
83. “Do you concur?” “Damnit! Why didn’t I concur?!” — Catch Me If You Can
82. “The place where a U.S. soldier goes to defecate, relieve himself, open his bowel, shit, fart, dump, crap, and unload, is called the latrine. The la-trine, from the French.” — Biloxi Blues
81. “Big bottoms, big bottoms, talk about mudflaps, my girls got ‘em.” — Spinal Tap
80. “My life is as good as an Abba song. It’s as good as Dancing Queen.” — Muriel’s Wedding
79. “Guns are for show. Knives are for pros.” — Lock, Stock, and Two Smoking Barrels
78. “I shall call him Squishy. And he shall be mine. And he shall be MY Squishy.” — Finding Nemo
77. “I’ll sleep with you for a meatball.” —Victor/Victoria
76. “Follow me, or perish, sweater monkeys.” — Bring it On
75. “What’s a nubian?” — Chasing Amy
74. “Hokey religions and ancient weapons are no match for a good blaster by your side, kid.” — Star Wars
73. “You’ve got red on you.” — Shaun of the Dead
72. “I touched the earth, and he loved me back.” — Secretary
71. “Not you, fat Jesus.” — The Hangover
70. “This pile of shit has a thousand eyes.” — Stand By Me
69. “Oh God, not another fucking beautiful day.” —White Mischief
68. “She’s been fucked more times than she’s had a hot meal.” — Kiss Kiss, Bang Bang
67. “I can’t believe I just gave my panties to a geek.” — Sixteen Candles
66. “It’s a veg-e-ta-ble.” —My Blue Heaven
65. “Goddammit, I’d piss on a spark plug if I thought it’d do any good! ” — War Games
64. “I killed the president of Paraguay with a fork. How have you been?” — Grosse Pointe Blank
63. “Now, you’ve got a corpse in a car, minus a head, in a garage. Take me to it.” — Pulp Fiction
62. “Ever since I can remember I always wanted to be a gangster.” — Goodfellas
61. “Wolfman has nards!” — Monster Squad
60. “He’s an angel. He’s an angel straight from heaven!” — Raising Arizona
59. “Those who are tardy do not get fruit cup.” — High Anxiety
58. “Somebody’s got to go back and get a shitload of dimes.” — Blazing Saddles
57. “You idiots! These are not them! You’ve captured their stunt doubles!” — Spaceballs
56. “Bratwurst? Aren’t we the optimist?” —10 Things I Hate About You
55. “Sabrina, don’t just stare at it, eat it.” — American Psycho
54. “I take your fucking bullets!” - -Scarface
53. “I’m kind of a big deal.” — Anchorman
52. “Sometimes you win, sometimes you lose, and sometimes it rains.” — Bull Durham
51. “We deal in lead, friend.” — The Magnificent Seven
50. “I don’t know, I mostly just hurt people.” —Alien Resurrection
49. “Go that way, really fast. If something gets in your way, turn.” — Better Off Dead
48. “All every woman really wants, be it mother, senator, nun, is some serious deep-dickin’.” — Chasing Amy
47. “Let’s shag ass.” —The Royal Tenenbaums
46. “That’s atomized colloidal silver. It’s being pumped through the building’s air conditioning system, you cock-juggling thundercunt!” — Blade: Trinity
45. “I don’t understand. All my life I’ve been waiting for someone and when I find her, she’s … she’s a fish.” — Splash
44. “Demented and sad, but social.” — The Breakfast Club
43. “This is so bad it’s gone past good and back to bad again.” — Ghost World
42. “GOONIES NEVER SAY DIE!” — The Goonies
41. “Beautiful, naked, big-titted women just don’t fall out of the sky, you know.” — Dogma
40. “They’ve done studies, you know. Sixty percent of the time, it works every time.” — Anchorman
39. “Richie, would you do me a favor and eat my pussy for me… please?” — From Dusk til Dawn
38. “I’m hungry. Let’s get a taco.” — Reservoir Dogs
37. “They’re coming to get you, Barbara!” — Night of the Living Dead
36. “Maybe you’re the plucky comic relief.” — Galaxy Quest
35. “We were frightened of being left alone for the rest of our lives. Only people of a certain disposition are frightened of being alone for the rest of their lives at the age of 26…we were of that disposition.” — High Fidelity
34. “I used to fuck guys like you in prison” — Roadhouse
33. “Are you crazy? The fall will probably kill you.” — Butch Cassidy and the Sundance Kid
32. “Strikeouts are boring. Besides that, they’re fascist.” — Bull Durham
31. “Gentlemen, you can’t fight in here! This is the War Room! — Dr. Strangelove
30. “Shut the fuck up, Donny.” — The Big Lebowski
29. “If God did not want them shorn, he would not have made them sheep.” — The Magnificent Seven
28. “He was always a rather stupidly optimistic man. I mean, I’m afraid it came as a great shock to him when he died.” — Clue
27. “Nobody fucks with the Jesus.” — The Big Lebowski
26. “Meet me in Montauk.” — Eternal Sunshine of the Spotless Mind
25. “Did you have a brain tumor for breakfast?” — Heathers
24. “That’s just the way it crumbles … cookie wise.” - The Apartment
23. “Winners go home and fuck the prom queen.” — The Rock
22. “Why didn’t somebody tell me my ass was so big? — Spaceballs
21. “I aim to misbehave.” — Serenity
20. “People are so stupid I can’t bear to be around them anymore.” —Imaginary Heroes
19. “Fuck my cock!” — Wet Hot American Summer
18. “I mean, say what you like about the tenets of National Socialism, Dude, at least it’s an ethos.” — The Big Lebowski
17. “The swan ate my baby!” — Drop Dead Gorgeous
16. “I’m gonna punch you in the ovary, that’s what I’m gonna do. A straight shot, right to the babymaker.” — Anchorman
15. “My grammy never gave gifts. She was too busy getting raped by Cossacks.” — Annie Hall
14. “The Hammer is my penis.” — Dr. Horrible’s Sing-Along Blog
13. “The only true currency in this bankrupt world is what you share with someone else when you’re uncool.” — Almost Famous
12. “SQUIRREL!” — Up
11. “Excuse me stewardess, I speak jive.” — Airplane
10. “Inconceivable!” — The Princess Bride
9. “I’ve been listening to my gut since I was 14 years old, and frankly speaking, I’ve come to the conclusion that my guts have shit for brains.” — High Fidelity
8. “My God. I haven’t been fucked like that since grade school.” — Fight Club
7. “You’re killin’ me Smalls!” — The Sandlot
6. “I was born a poor black child.” — The Jerk
5. “Ray, next time someone asks you if you’re a god, you say YES!” — Ghostbusters
4. “Hope is a good thing, maybe the best of things, and no good thing ever dies.” — The Shawshank Redemption
3. “I want my two dollars!” — Better Off Dead
2. “Son, you got a panty on your head.” — Raising Arizona
1. “It ain’t white boy day is it?” — True Romance

@NetRunner. I'm not sure what you base your arguments on, but I've already admitted I think these pro-social messages are insidious. Teamwork is fine, if that's all the cartoons were showing, but to me this sounds more like social engineering than anything else, but I never said I had evidence for it. I just juxtaposed his comments with a personal anecdote about Sundance I thought was similar in its devious nature to shape the opinions of large groups through entertainment. I think to an average person they'd seem comparative, so I'm not sure what you're going on and on about if not to just stretch out an already belabored discussion about nothing at this point.

I bet you wish you played that evidence card before you made this comment, huh? You're adorable.

@NetRunner. You're always looking for a tidy solution.

The solution is exactly what I'm doing. I'm just talking about it. It's a furthering of exposition. What else could we do? You can't end propaganda, you can only expose it for the dirty, disingenuous thing that it is.

If enough people are incensed about it then maybe major networks won't want their cartoons to be influenced by parent groups anymore. That would be a good thing.

And there is a such thing as pro-modern liberal propaganda, and my story about Sundance above was a sliver of that. You mean to tell me it doesn't exist?

Now, imagine how influential you were as a kid, and remember how much those cartoons meant to you and how invested you were within each of them. I do believe there's a disingenuous plot afoot, although I'm sure to some degree it sounds vaguely conspiratorial.

I read with my own eyes a letter from Sundance Film Festival, which was a reply to a letter from a filmmaker asking why he wasn't accepted, and it essentially said in so many words that if you do not have a name actor or you are not an established director then the only way into Sundance (outside of a comedy for their after midnight screenings) is to include an agenda with the film that emboldens modern liberal beliefs such as global warming or, I suppose now, heath care reform. Whatever is the political push button topic of the moment will get you noticed.

That's insidious because they pretend to be a festival discovering and promoting new filmmakers, but the truth is they have an agenda and they want to promote that.

Think for a second about that process. A pro-collective, anti-individual message in all your cartoons, then as your tastes become more sophisticated you start taking an intellectual liking to independent films. Somewhere along the way, the koolaid seems to go down somewhat easily as if it always tasted good and right.