chromophobia: the human spirit overcomes fascism (1966)

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Chromophobia, 1966

"Raoul Servais achieved international acclaim with his ground-breaking, anti-militarist fable on repression, perseverance, and the indomitability of the human spirit, Chromophobia, a compact, yet articulate parable of an aggressive, chromophobic army that marches into an idyllic kingdom and systematically terrorizes the population by erasing all traces of color within its periphery, until a little girl unexpectedly cultivates a lone, resilient red flower in her garden. Evoking the instinctual compositions of a more geometric Joan Miró, the film is particularly remarkable in Servais' illustration of resonant, iconic symbolism: a balloon that is converted into a ball and chain mirrors the town's spiritual captivity, the transformation of trees into gallows represents the corrupted interrelation between life and unnatural death in times of war, flowers emerging from the barrel of a rifle reflects a restoration of peace and gesture of renewed humanity."

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