Man, Nabokov's prose could punch the balls off of anything Dickens ever wrote. You're seriously gonna hold up the language of Dickens as a shining example? The guy who wrote such memorable purplitudes as:
"And in this particular period, the skiey influences seem to tincture the animal life with their own mysterious and wayward spirit of change. The birds desert their summer haunts; an unaccountable inquietude pervades the brute creation; even men in this unsettled season have considered themselves, more (than at others) stirred by the motion and whisperings of their genius. And every creature that flows upon the tide of the Universal Life of Things, feels upon the ruffled surface, the mighty and solemn change, which is at work within its depths."

-Le Petit Prince by de Saint-Exupéry, because it permanently shaped the way I look at (and interact in) any and all attachments.
-Vinnie the Pooh, because in it's simplicity it provided unique and oh-so-valuable insights on social norms and the psychology of friendship.
-The Hobbit, or There and Back Again, because it gave me the final nudge to become a true bookworm. I like to boast - at age 5 or 6, I read it cover-to-cover in about 9 hours (refused lunch and dinner until I'd finished ).
-The Catcher in the Rye - I guess the most straightforward and requires no explanation.
-A Hero of our Time by Lermontov, because it presented me with a fatalist byronic hero and gave me a clear idea of someone I was very much like and I DID NOT want to become.

and last but definitely not least:
-The Lord of the Rings to which I practically exclusively owe my English skills - I started Book 1 in 1999, I think, with the thickest available dictionary in hand, which honestly, at first had to utilize for practically every sentence but finished Book 6 (not a month later) having clearly surpassed my English teacher in vocabulary and speech fluency.

It has happened before and it will happen again (I mean this kind of Sift Talk), so I guess it was just a matter of time before I participated.

I only stated the couple of books that actually altered my life somewhat (I'm saying this because I always somehow got the impression other people made their lists based on how artsy/fancy their titles sounded, which I really hope isn't true in most cases among Sifters).
Anyway, I guess it's also worth saying that I read every one of these before the age of 15, which helps explain why and how they have influenced my life to some extent.

It's funny though - by the time I was 16 I'd also read and re-read Hesse, Huxley, Orwell, Dostoyevsky, Nabokov, García Márquez, Rand, Joyce, Vonnegut, Fitzgerald, Kerouac, Burgess, Hemingway, Rushdie and other "classics", but most some of these managed was to entertain me mildly (Vonnegut, Hesse, Huxley, Joyce - yes, I really did enjoy reading Ulysses), while I actually hated having to finish some of them (Orwell, Rand, Burgess).

P.S. Oh and I think I speak for us all when I say - Sagemind - WHAT. THE. F*CK??

>> ^Sagemind:
I have to give two lists!

FICTION:
Clive Barker - Imagica
David Farland - Runelords
Dan Millman - Way of the the Peaceful Warrior
Frank Hurbert - Dune
John Fowles - The Magus
Alexander Dumas - The Count of Monte Cristo
L Ron Hubbard - Battlefield Earth
Jack L Chalker - Lilith: A snake in the grass
Jacqueline Carey - Kushiel’s Dart
Jack Kerouac - On the Road

Lolita, Nabokov. One of the most beautiful, funny, and profane books ever.

Heart of Darkness, Conrad. It's like a big poem.

Joseph Heller, "Catch-22"

most things by Vonnegut (esp. Breakfast of Champions, Slaughterhouse-5, and Deadeye Dick)

Cormac McCarthy, "The Road"

Ronald J. Glasser, "365 Days"

Richard Bach, "Stranger to the Ground" (and many others)

Honourable mentions: William Gibson, "Neuromancer" -- Murray Peden, "A Thousand Shall Fall" (w/ Google Books preview) -- Tim O'Brien, "The Things They Carried" -- John Irving, "A Prayer For Owen Meany" -- George Orwell, "1984" -- , Nick Hornby, "High Fidelity" / "About A Boy" -- Roald Dahl, "Skin" / "Over To You" / many others -- Paul Theroux, "The Mosquito Coast" / "Half Moon Street" -- James Howard Kunstler, "The Long Emergency" (preview) -- Vladimir Nabokov, "Lolita" -- many by Bill Bryson -- J.D. Salinger, "The Catcher In The Rye" -- Andy McNab, "Bravo Two Zero" -- Jonathan Safran Foer, "Extremely Loud & Incredibly Close" -- Alice Sebold, "The Lovely Bones" -- Miriam Toews, "A Complicated Kindness" -- Antoine de St-Exupery, "Wind, Sand, and Stars" -- LGen Roméo Dallaire, "Shake Hands With The Devil" -- Ernest K. Gann, "Fate Is The Hunter" -- (and to be continued most likely)

How Popular Culture Corrupted Nabokov's Little Girl

"Vickers helpfully frequently compares Nabokov's novel with what people made of it and especially its title character, showing where the modern Lolita -- especially in its most ridiculous tabloid incarnations (such as Long Island 'Lolita' Amy Fisher) -- differs entirely from what Nabokov had in mind."
http://www.complete-review.com/reviews/nabokovv/lolita8.htm

Gracias, Grubert

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