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spawn-the return of nyx-shortfilm

poolcleaner says...

Is this part of a series of fan shorts? I love how they depict Spawn. Chilling and truly demonic. I do, however, wish there was more solidity, like a feeling of more weight, once Spawn solidified from his demon essence.

I spent some time pouring over a couple trades when I was a kid, but never really got into him. Art style is mesmerizing for sure. But... all of my friends who were REALLY into Spawn (like really) into Spawn when the comics first started making the buzz -- all of these super Spawn fans were also really into Insane Clown Posse. So... they had the Violator action figures, you know the demonic clown villain.

I just didn't get why they identified with that guy. They secretly wanted Spawn to fail? Laughing inside about that poor soul never seeing his wife again...

Jurassic World - Official Super Bowl Spot

kceaton1 says...

Jurassic Park when it came out was simply: a phenomenon. I've never seen movie theaters packed for two weeks straight--no matter the time--for the same show. Everyone had seen the show over and over again. It was simply too amazing--it was the first show to PERFECTLY nail CGI--and it picked one of the best topics for CGI that you could... Who can ever forget the first time you saw and heard that T-Rex step out into the clearing and roar. It was mesmerizing (I do feel bad for those of you that hated it; there will always be haters, for any movie, or any book...but I think those of us that liked it all got the same sense of wonderment from that show...those scenes; which IS why we kept going back). It reminded me of the similar feeling you get from amusement park rides (pick your ride that fits what I'm describing).

The first time I saw that, I had to do a double take. Nothing, EVER, had been even remotely close to being that good. I mean nothing. Seeing the "gigantic" Brachiosaurus (as there have been sauropods found that, unlike the "brachi" @ 26m--length wise, is utterly dwarfed by ones like the Amphicoelias Fragillimus, that could be as long as 60m) was just amazing (this IS the movie that made CGI a reality for movies and mainstreamed it).

It helped that I saw the movie on a screen that was as big as an IMAX. One of those old-fashioned ones with a balcony and decorations. Torn down and replaced by a screen half it's size, but still fit just as many people (ah, what greed does to us)...

It was the T-Rex scene that left us awe struck and electrified--it truly felt like a dinosaur had come back to life...and yes, it was a bit terrifying. Add in the great music, well done sound (who can forget our *THX* openings), and something so well done that it basically was something new--the CGI--it was a hit that people saw so many times.

Jurassic Park did for CGI, what Star Wars did for extended special effects and the company(s) that created it. Both jump started a new generation of movies. Avatar tried to bring us into the 3D realm (which I DO like, and I would say it "worked" for as much as it possibly could...as I have a 3D HDTV and quite a collection of shows...but...), but 3D has too many issues left for it to "change" things *yet*. Sound is another place that can change things (along with many other aspects and ideas that deal with including or adding onto the sensory perception of a movie; maybe we just have to wait until we can connect almost directly neurally).

I hope this movie will be worth watching (I hope it can end up being much more than that), but it merely looks like a huge money grabbing scheme (plus Jurassic Park was at least based on a pretty good book; which BTW is worth reading even if you saw the movie). The fact that the new huge "T-Rex/Velociraptor" seems impervious to a 30mm machine gun makes me want to just...laugh; then add in the swarm of flying dinosaur people snatchers.

star wars prequel-nostalgia critic gets owned by Mr plinkett

Xaielao says...

How much can this be repeated? The saber fights in the OT were FAR more realistic. The new ones they are barely paying attention, flipping and twisting and spinning and twirling their weapons around in a flashy, showy obviously choreographed dance.In the OT they fought much more slowly but with precision, focus and skill. Each blow had purpose beyond pretty colors flashing on screen. Nobody EVER turned their back on their opponent or (for fuck sake) leaped over them. It helps that the sabre fighting was choreographed by the legendary Bob Anderson who coached Errol Flynn and played Vader in the sabre fights himself.

I know, in this day in age everything in the movies has to be fast, showy and mesmerizing but those original Star Wars sabre duels are so memorable because they were raw and realistic. You think when life or death hangs in the balance you ever actually turn your back to your opponent? Or swirl your weapon flashily? No you make every strike, country, parry and guard a deliberate action. It's about outmaneuvering and out thinking your opponent, not how many blows you get in per second.

nock (Member Profile)

mintbbb (Member Profile)

Ceramic Masters

oritteropo (Member Profile)

bareboards2 says...

There is that tutting again, in a modern dance context. The second couple -- I don't know what was going on, but they sure did.

Have you had that experience ever? Of watching something that you don't really understand, but the artists do, down to their bones, and so they are mesmerizing?

Contrasted with artists who are deliberately obscure because I am a mere plebe and can't understand -- or whatever the motivation or execution. My inability to understand sometimes gets me mad at the artist.

I find it an interesting difference.

oritteropo said:

Often not, but that one worked just fine, and thanks

I would certainly have shared that one with you if I'd found it first.

mintbbb (Member Profile)

oritteropo (Member Profile)

Yosemite HD II

Chicago Timelapse Project - Windy City Nights

Chicago Timelapse Project - Windy City Nights

Chicago Timelapse Project - Windy City Nights

WORLD ORDER "Welcome to TOKYO"

shatterdrose says...

@pumpkinandstorm you always find the most interesting videos.

It's such a weird look into their culture when looking from the outside. Everyone with a camera it seems, the mens wearing funny looking hats and short shorts, tight ones too, the absolute nonchalance about people street performing and the fun people have in watching. I imagine of course they've cut out all the photo bombs we come to expect from something out of the US, but it's still pretty interesting to watch.

Not to mention, holy hell that's a lot of practice to get it that perfect. Their timing, to my untrained eye, seemed perfect and totally mesmerizing.

But is this a viral commercial for the olympics? Trying to one up Marry Poppin's and the attack of Lincoln look-alikes?

The Amazing 8-bit Corset



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