>> ^charliem:
Those tits are way too big.


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Tags for this video have been changed from 'nathan fillion, aria giovanni, hot sex, hot acting, hot hot hot' to 'PG porn, nathan fillion, aria giovanni, hot sex, hot acting, hot hot hot' - edited by calvados

Your video, Little Boy in Lederhosen Sings Soprano Aria, has made it into your personal Highest Rated Videos listing. Congratulations on a job well done. For you contribution you have been awarded 1 Power Point.

Yeah I heard this back around 1997, but come on Ishkur still no Ricardo Villalobos or Richie Hawtin under Minimal techno?

This was how I fell in love with Detroit techno, I heard Jeff Mill's the bells on this and a few years later I saw Jeff Mills playing at Aria in Montreal

PS: I hardly understand or use musical labels

According to Wikipedia, http://en.wikipedia.org/wiki/Lucia_di_Lammermoor#Trivia, it's been used in;

The "Lucia Sextet" (Chi mi frena in tal momento?) was recorded in 1908 by Enrico Caruso, Marcella Sembrich, Antonio Scotti, Marcel Journet, Barbara Severina, and Francesco Daddi, (Victor single-sided 70036) and released at the price of $7.00, earning it the title of "The Seven-Dollar Sextet". The film The Great Caruso incorporates a scene featuring a performance of this sextet.

The "Lucia Sextet" melody is best known to some from its use by the American slapstick comedy team the Three Stooges in their short films Micro-Phonies and Squareheads of the Round Table, sung in the latter with the lyrics "Oh, Elaine, can you come out tonight...." But the melody is used most dramatically in Howard Hawks' gangster classic "Scarface": Tony Camonte (Paul Muni) whistles "Chi mi frena?" in the film's opening sequence, as he guns down a ganglord boss he has been assigned to protect.

It has also been used in Warner Brothers cartoons: Long-Haired Hare, sung by the opera singer (Bugs Bunny's antagonist); Book Revue, sung by the wolf antagonist; and in Back Alley Oproar, sung by a choir full of Sylvesters, the cat.

The "Lucia Sextet" melody also figures in two scenes from the 2006 film The Departed, directed by Martin Scorsese. In one scene, Jack Nicholson's character is shown at a performance of "Lucia di Lammermoor", and the music on the soundtrack is from the sextet. Later in the film, Nicholson's cell phone ringtone is the sextet melody.

The Sextet is also featured during a scene from the 1986 comedy film, The Money Pit.

In the children's book "The Cricket in Times Square," Chester Cricket chirps the tenor part to the "Lucia Sextet" as the encore to his farewell concert, literally stopping traffic in the process.

An aria from the "mad scene," "Il dolce suono" (from the 3rd Act), was re-popularized when it was featured in the film The Fifth Element in a performance by the alien diva Plavalaguna (voiced by Albanian soprano Inva Mula-Tchako and played onscreen by French actress Maïwenn Le Besco). A loose remake of this film version of the song was covered by Russian pop singer Vitas.

The "mad scene" was also used in the first episode of the anime series Gankutsuou (in place of L'Italiana in Algeri which was the opera used in that scene in The Count of Monte Cristo).

The "mad scene" aria, as sung by Inva Mula-Tchako, was used in an episode of Law & Order: Criminal Intent involving the murder of a young violinist by her opera singer mother (who performs the song right after the murder).

The "mad scene" was released as a music video by Russian male soprano Vitas in 2006.

Among other selections from the opera, the "mad scene", "Verranno a te sull'aure", and "Che facesti?" feature prominently in the 1983 Paul Cox film Man of Flowers, especially "Verranno a te sull'aure," which accompanies a striptease in the film's opening scene.

The opera is mentioned in the novels The Count of Monte Cristo, Madame Bovary and Where Angels Fear to Tread and was reputedly one of Tolstoy's favorites.

"Regnava nel silenzio" accompanies the scene in Beetlejuice in which Lydia (Winona Ryder) composes a suicide note.

A portion of the opera is also used in a key scene of the film The Fifth Element, written and directed by Luc Besson.

Fan-freaking-tastic! Bravo! She looks like she's having so much fun. Opera can be amazingly sexual and the look on her face when the aria finishes... priceless.

Since Morgan Freeman didn't know I can tell anyone interested that the duet is from "The Marriage of Figaro". It's called "Sull'aria? Che soave zeffiretto" and is preformed by the characters of Susanna and the Countess in Act III, scene X, in which the Countess is dictating a loveletter for Susanna to give to the Count.

Der Hölle Rache translates as Hell's Vengeance, not the magic flute, and it's the name of the Aria. The Opera is Die Zauberflöte.

Four hell kittens on the run
They're young...
They're beautiful...
They're killers !
No one can tames their desires !

A shocking spectacle of decadence
Tempted by trouble
Driven by depravity
Four girls trapped in a town...
With a terrifying past

An orgy of sex and brutality
All the heat
All the violence
All the way !

Caroline Macy as "Dynell Destructa"
Kara Scobey as "Dola Bartone"
Aria Pullman as "Bellatrix Hardy"
Ty Brennman as "Tawny Disaster"
and Todd Beeson as "The Colonel"
See how bad these good girls can get

3's and 7's

http://en.wikipedia.org/wiki/3%27s_%26_7%27s#Music_Video

I have decided to buy her CD today for a better quality copy of this aria. Still the most beautiful thing i've ever heard.

In reply to your comment:
“Great promote djsunkid!

In reply to your comment:
“*promote””

Am I the only one thinking that this was a terrible delivery? I was frowning the whole time I was watching this clip. Ugh!

I've seen better talents in this show than this guy, and they get sent off. Why is everyone cheering? Oh yea, for an amateur, it's amazing. And yes, Opera is refreshing apart from whatever the hell they're singing about. But tears? TEARS? Those hicks MOCK OPERA SINGERS!!!!

I'm no 'expert' on classical music or anything, but at least I can call myself a dilettante. And I must say, if you think that was 'moving', you guys should CLEAN OUT YOUR EARS, and really learn to appreciate opera with the REAL stuff.

Sumi Jo - The Magic Flute - Queen of the Night - Hell's vengeance boils in my heart
http://www.youtube.com/watch?v=_qn5PH7MC4g
http://www.youtube.com/watch?v=njgzI0T7hBI

Luciano Pavarotti - Caruso from DallAmeriCaruso by Lucio Dalla
http://www.youtube.com/watch?v=I8A61eY1Efg

Andrea Bocelli - Con Te Partiro (Time to say goodbye)
http://www.youtube.com/watch?v=Qhh8MaRnzMc

Angela Gheorgheiu - Habanera from Carmen by Georges Bizet
http://www.youtube.com/watch?v=axvhEUyVfX0

Te Kanawa & Cotrubas - Marriage of Figaro - Duettino - Sull'Aria
http://www.youtube.com/watch?v=gaVIwwNhocg

Te Kanawa - O mio Babbiono caro
http://www.youtube.com/watch?v=XUE2zG3R-hc


Yes, it's good to see people appreciating opera for a change. But it also seems like the audience is so ignorant when it comes to arias, serenade and operas that they seem to love anything that sounds remotely 'opera-like'.

It really disgusts me how some people were 'moved' by this mediocre performance. It really does.

Upvote! I love a well-crafted pop song.

"MMMBop" was a number-one hit worldwide. It was also one of the biggest debut singles of all time; in Australia it became only the second debut single to enter the ARIA charts at the number one position. It was voted the best single of the year in The Village Voice Pazz & Jop critics poll, while also topping critics' polls from such media as Rolling Stone, Spin, and VH1. "MMMBop" was nominated for two Grammys at the 40th Annual Grammy Awards in February 1998."

http://en.wikipedia.org/wiki/MMMBop

Jeff Mills is an influential African-American Techno DJ and producer from Detroit. His albums and EPs are mostly separate tracks of his compositions, which Mills would mix into the live DJ sets for which he became a legend. Mills has been credited for his exceptional turntable skills. Tracks are almost chopped to bits to showcase the strongest fragments for his relentless sound collages.

Three decks, a Roland 909 drum-machine and seventy records in one hour: at breakneck speed Mills manipulates beats and basslines, vinyl and frequencies. The live album Mix-Up Volume 2 is a highly-regarded example of Mills' 1990's stage show (recorded at the Liquid Room in Tokyo). For a later live show (in 2004) try the 'Exhibitionist' album, of which this is a live mix.

I heard the Bells years ago from AudioGalaxy, and 2 years back I saw him live at Aria in Montreal for the first time and he totally blew my mind. One of my fav. Techno DJs.

The Exhibitionist Mix Part 2
<ahref="http://www.youtube.com/watch?v=aj3utHFMhA4">The Exhibitionist Mix Part 3

- More @ <ahref="http://en.wikipedia.org/wiki/Jeff_Mills">Wikipedia

More Goldberg Variations. A veritable hen's tooth!

See more here: http://www.videosift.com/video/glenn-gould-plays-bachs-goldberg-variations-26-30-aria

This is a short low-res extract with the famous "aria". For the whole sequence, see http://www.youtube.com/watch?v=FyNMcrXqe4g