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BeatBots: Socially Rhythmic Robots For Children

SiftBot *Save Strike (Sift Talk Post)

Celia Cruz & Fania All Stars live in Kinshasa, Zaire (1974)

plastiquemonkey says...

fania all stars and celia cruz were part of the music festival organized in kinshasa zaire to go along with the boxing fight between muhammed ali and george foreman. this was filmed by leon gast, who later used music filmed at this festival (including james brown) in his documentary, "when we were kings".

fania all stars were the fania (record label) "superband" that included so many of the stars of salsa music from new york at that time.

Here's some skinny on the Warner Bros. HooHah-

choggie says...

Burn em' as they run, no quarter, this is why the world is headed towards the brink.....is it really necessary, that the all un-mighty dollar, should be the be-all end-all??

Like James Brown said so eli-quant-lee

"You've got the power!"

James Brown - Rare Vintage Clips Live! Volume 1 (& 2 inside)

Make It Funky (excellent Japanese documentary, part 1 of 6)

benjee says...

An incredible Japanese documentary on the history of Funk (voice over & subtitles in Japanese, interviews etc in English) - obviously firstly focusing on it's godfather...James Brown, and then:

Part Two - Bootsy Collins
Part Three - Sly & The Family Stone plus
Part Four - Marvin Gaye & P-Funk
Part Five - The Bluenotes, David Bowie!? & Jackson 5
Part Six - Donna Summer, P-Funk's Mothership! & Public Enemy

Plus: prizes for any Sifter who can find James Browns' Funky Drummer...my favourite (and what I was originally looking for when finding all these Funky Sifts!)

James Brown - Rare Vintage Clips Live! Volume 1 (& 2 inside)

Dj q bert & Mix Master Mike - 1995 DMC World Finals Showcase

djsunkid says...

awwwwwwwwwwwwwwwwwww yeah!

.... i thought i had more to add, but no.

Oh yeah, if anybody can find the video where DJ Swamp shatters a rare and valueable James Brown record during his DMC World Championship bout and cut his chest open with it.. please post!

Eddie Murphy as James Brown

Live Funk from Japan - Osaka Monaurail

James Brown on TAMI show: Please Please Please (+ Prisoner)

R.I.P. James Brown (Ed Sullivan Show, 1966)

R.I.P. James Brown (Ed Sullivan Show, 1966)

mlx says...

Legendary Singer James Brown Dies at 73
By GREG BLUESTEIN 12.25.06, 3:10 AM ET

James Brown, the dynamic, pompadoured "Godfather of Soul," whose rasping vocals and revolutionary rhythms made him a founder of rap, funk and disco as well, died early Monday, his agent said. He was 73.

Brown was hospitalized with pneumonia at Emory Crawford Long Hospital on Sunday and died around 1:45 a.m. Monday, said his agent, Frank Copsidas of Intrigue Music. Longtime friend Charles Bobbit was by his side, he said.

Copsidas said Brown's family was being notified of his death and that the cause was still uncertain. "We really don't know at this point what he died of," he said.

Along with Elvis Presley, Bob Dylan and a handful of others, Brown was one of the major musical influences of the past 50 years. At least one generation idolized him, and sometimes openly copied him. His rapid-footed dancing inspired Mick Jagger and Michael Jackson among others. Songs such as David Bowie's "Fame," Prince's "Kiss," George Clinton's "Atomic Dog" and Sly and the Family Stone's "Sing a Simple Song" were clearly based on Brown's rhythms and vocal style.

If Brown's claim to the invention of soul can be challenged by fans of Ray Charles and Sam Cooke, then his rights to the genres of rap, disco and funk are beyond question. He was to rhythm and dance music what Dylan was to lyrics: the unchallenged popular innovator.

"James presented obviously the best grooves," rapper Chuck D of Public Enemy once told The Associated Press. "To this day, there has been no one near as funky. No one's coming even close."

<ahref="http://www.forbes.com/business/services/feeds/ap/2006/12/25/ap3281366.html">More from AP

For all lovers of Ethiopian Jazz: Mulatu Astatqe (HYPNOTIQ)

rickegee says...

Musically trained in London and schooled in the club scene of mid-'60s New York, Mulatu Astatke stands as the exceptional musical innovator of the Ethiopian groove. Starting in 1969, he created the first bands independent of the military, which had previously dominated the country's music scene. Having immersed himself in Caribbean music, funk, jazz and Latin grooves during his lengthy stint abroad, Mulatu returned to his native land to give rise to a brand new sound.

An album of instrumentals, Ethiopiques Volume 4 is a case study in the inventive blending of influences that comprised the Ethiopian groove. Strains of funk and reggae timings permeate the thick and chunky bass lines, which are pushed prominently forward in the mix. Multiple saxophones swirl with the hypnotic, snake-charming sounds of the East, while at the same time resonating with jazzy tones reminiscent of John Coltrane and Lester Young. Guitar is a main ingredient here, growling with funky distorted wah-pedaled fuzz riffs that sound like they were lifted straight out of an early '70s black-exploitation flick. Drums and percussion combine the punchy funk of James Brown and the Meters with the heavy Latin rhythms of Mongo Santamaria and Willie Bobo. Fusing all of these elements together, Mulatu unleashes a potent brew of afro-jazz grooves that pull you in and leave you in a mystical trance-like state.

From http://either-orchestra.org/mulatu.html

Lock, Stock and Two Smoking Barrels: Big Chris, Little Chris



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