It's Gao...not Goa. They may have been living there at the time but they are definitely singing in a Timbuktu dialect which I'm guessing is where they, or at least the singer, is from.

Al Hassidi Terrei is loosely translated 'Extremist People'

The songs lyrics are a bit difficult to take apart beause the music garbles them a bit and they are a mixture of basic West African French and the Songhai Timbuktu Dialect which I'm less familiar with then Gao dialect.

In short though "Al Hassidi Terrei mind your own business, ...then something about the meeting of life, love and wives (or generally women)....and then we're not tired (or poor/beaten down).

and repeat...

Christianity has spread in Timbuktu.
*money

I know I can
Be what I want to be
If I work hard at it
I'll be where I want to be
[Kids]
I know I can (I know I can)
Be what I want a be (be what I want a be)
If I work hard at it (If I work hard at it)
I'll be where I want a be (I'll be where I want a be)


Be, B-Boys and girls, listen up
You can be anything in the world, in God we trust
An architect, doctor, maybe an actress
But nothing comes easy it takes much practice
Like, I met a woman who's becoming a star
She was very beautiful, leaving people in awe
Singing songs, Lena Horn, but the younger version
Hung with the wrong person
got her strung on that heroin
cocaine sniffing up drugs all in her nose...
Coulda died, so young, now looks ugly and old
No fun cause now when she reaches for hugs people hold they breath
Cause she smells of corrosion and death
Watch the company you keep and the crowd you bring
Cause they came to do drugs and you came to sing
So if you gonna be the best, I'm a tell you how,
Put your hands in the air, and take a vow


I know I can (I know I can)
Be what I want a be (be what I want a be)
If I work hard at it (If I work hard at it)
I'll be where I want a be (I'll be where I want a be)


Be, B-Boys and girls, listen again
This is for grown looking girls who's only ten
The ones who watch videos and do what they see
As cute as can be, up in the club with fake ID
Careful, 'fore you meet a man with HIV
You can host the TV like Oprah Winfrey
Whatever you decide, be careful, some men be
Rapists, so act your age, don't pretend to be
Older than you are, give yourself time to grow
You thinking he can give you wealth, but so
Young boys, you can use a lot of help, you know
You thinking life's all about smoking weed and ice
You don't want a be my age and can't read and write
Begging different women for a place to sleep at night
Smart boys turn to men and do whatever they wish
If you believe you can achieve, then say it like this


Be, be, 'fore we came to this country
We were kings and queens, never porch monkeys
It was empires in Africa called Kush
Timbuktu, where every race came to get books
To learn from black teachers who taught Greeks and Romans
Asian, Arabs and gave them gold when
Gold was converted to money it all changed
Money then became empowerment for Europeans
The Persian military invaded
They heard about the gold, the teachings, and everything sacred
Africa was almost robbed naked
Slavery was money, so they began making slave ships
Egypt was the place that Alexander the Great went
He was so shocked at the mountains with black faces
Shot off they nose to impose what basically
Still goes on today, you see?
If the truth is told, the youth can grow
Then learn to survive until they gain control
Nobody says you have to be gangstas, hoes
Read more learn more, change the globe
Ghetto children, do your thing
Hold your head up, little man, you're a king
Young Princess when you get your wedding ring
Your man is saying "She's my queen"

Ali Ibrahim "Farka" Touré (October 31, 1939 in Timbuktu, Mali - March 6, 2006 in Bamako, Mali) was a Malian singer and guitarist, and one of the African continent's most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is in fact historically derived from the former is reflected in Martin Scorsese's often quoted characterization of Touré's tradition as constituting "the DNA of the blues."

http://en.wikipedia.org/wiki/Ali_Farka_Toure