'Battle Of Algiers' - Great Moments in Cinema

Farhad2000says...

The Battle of Algiers (in Italian, La Battaglia di Algeri) is a 1966 black-and-white film by Gillo Pontecorvo based on the Algerian War of Independence from 1954 until 1962 against the French occupation. The film has been critically acclaimed for it's realistic and evenhanded portrayal of both sides of the conflict. It remains as one of the best cinematic discourses on struggles for independence.

In 2003, the film again made the news after the US Directorate for Special Operations and Low-Intensity Conflict at The Pentagon offered a screening of the film on August 27, regarding it as a useful illustration of the problems faced in Iraq. A flyer for the screening read:

"How to win a battle against terrorism and lose the war of ideas. Children shoot soldiers at point-blank range. Women plant bombs in cafes. Soon the entire Arab population builds to a mad fervor. Sound familiar? The French have a plan. It succeeds tactically, but fails strategically. To understand why, come to a rare showing of this film."


According to the Defense Department official in charge of the screening, "Showing the film offers historical insight into the conduct of French operations in Algeria, and was intended to prompt informative discussion of the challenges faced by the French." The 2003 screening lent new currency to the film, coming only months after U.S. President George W. Bush's May 1, 2003 "Mission Accomplished" speech proclaiming the end of "major hostilities" in Iraq. Opponents of President Bush cited the Pentagon screening as proof of a growing concern within the Defense Department about the growth of an Iraqi insurgency belying Bush's triumphalism. One year later, the media's revelations regarding the Abu Ghraib torture and prisoner abuse scandal lead critics of the war to compare French torture in the film and "aggressive interrogation" of prisoners in Abu Ghraib prison.

Journalist: M. Ben M'Hidi, don't you think it's a bit cowardly to use women's baskets and handbags to carry explosive devices that kill so many innocent people?

Ben M'Hidi: And doesn't it seem to you even more cowardly to drop napalm bombs on defenseless villages, so that there are a thousand times more innocent victims? Of course, if we had your airplanes it would be a lot easier for us. Give us your bombers, and you can have our baskets.

Journalist: The law's often inconvenient, Colonel.

Col. Mathieu: And those who explode bombs in public places, do they respect the law perhaps? When you put that question to Ben M'Hidi, remember what he said? We aren't madmen or sadists, gentlemen. Those who call us Fascists today, forget the contribution that many of us made to the Resistance. Those who call us Nazis, don't know that among us there are survivors of Dachau and Buchenwald. We are soldiers and our only duty is to win. Should we remain in Algeria? If you answer "yes," then you must accept all the necessary consequences.

Farhad2000says...

Most of the people in the film are not however actors, they were people selected carefully by Gillo Pontecorvo, he knew that the story would and should be told through the faces of the people portraying this struggle... Steven Sodenbergh mentions this on the DVD, talking how each character speaks volumes, he said that he could direct an entire film based on the Algerian bomb maker because of the careful nature of his performance.

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