>> ^KamikazeCricket:
>> ^Xax:

"The Palins have no intention of providing a ratings boost for David Letterman by appearing on his show," said Palin spokeswoman Meghan Stapleton. "Plus, it would be wise to keep Willow away from David Letterman."

The jokes were kind of douchey, and I wish Letterman had given a slightly less disingenuous apology. I believe that he intended the A-Rod joke to be about Bristol, but the fact of the matter is that 14-year-old Willow was the one who went to the game, so it's understandable that the Palins would construe it as an attack on her. It was Letterman's fuck-up and he should have acknowledged it instead of making it seem as if the Palins had arbitrarily decided to interpret the joke as if it were about Willow.

But the fact remains this is a late-night comedian making a tasteless (and, even worse, unfunny) joke, and I can't really get too worked up about that. Call me when you hear a similar joke from a Democratic presidential nominee ("Why is Chelsea Clinton so ugly? Because her father is Janet Reno." - John McCain) or the presumptive head of the Democratic party (Rush Limbaugh talking about Chelsea Clinton while displaying a picture of the White House dog).

>> ^Xax:

"The Palins have no intention of providing a ratings boost for David Letterman by appearing on his show," said Palin spokeswoman Meghan Stapleton. "Plus, it would be wise to keep Willow away from David Letterman."

"The Palins have no intention of providing a ratings boost for David Letterman by appearing on his show," said Palin spokeswoman Meghan Stapleton. "Plus, it would be wise to keep Willow away from David Letterman."

Did the pecker get in the pussy willows too?

...I'll just be going now.

Bristol. Piper. Track. Willow. Trig
After 5 kids and a moral certitude against contraception, Sarah Palin now only takes it in the ass, with the occasional facial.

OMFG, I took you seriously but tried to block it out of my mind. Time Magazine reconfirmed it. Insane.

This election's gonna be funny though. Much more interesting than our Canadian Federal election which just started and will be done before the US is done. Funny, that.

In reply to this comment by thinker247:
Her kids are named Track, Trig, Bristol, Willow and Piper. Ugh.

In reply to this comment by Krupo:
Wait, wait wait wait.

She named her daughter Bristol?

Her kids are named Track, Trig, Bristol, Willow and Piper. Ugh.

In reply to this comment by Krupo:
Wait, wait wait wait.

She named her daughter Bristol?

I'm gonna promote this very soon.. it's awesome!
From the youtube desciption:
FILMS:

00:00 Little shop of horrors
00:14 The Thing
00:16 Jurassic Park/ Poltergeist/ King Kong (1933)/ The return of the Jedi/ Aliens (Cameron)
00:17 Alien (Scott)
00:19 Jaws
00:20 King Kong (1933)
00:22 Ghostbusters
00:24 Godzilla, King of the Monsters (1956)
00:26 The Fellowship of the Ring
00:27 Anaconda
00:28 An American werewolf in London
00:29 Clash of the Titans
00:31 Beowulf
00:32 Ghostbusters
00:34 Dragonslayer
00:36 Predator
00:38 Alien (Scott)
00:40 Dune
00:42 Gremlins
00:44 The Fellowship of the Ring
00:46 Pan's Labyrinth
00:47 Clash of the Titans
00:49 Aliens (Cameron)
00:51 Beetlejuice
00:53 King Kong (1933)
00:55 Jurassic Park
00:56 Godzilla, King of the Monsters (1956)
00:59 Jurassic Park
00:59-01:00 Critters
01:01 Dragonslayer
01:03 Willow
01:05 Them!
01:07 Starship Troopers
01:08 Men in Black
01:09 Arachnophobia
01:10 Jaws
01:11 Tremors
01:12 The Empire strikes back
01:13 Beowulf
01:14 Harry Potter and the Chamber of Secrets
01:15 The Return of the Jedi
01:16 Dragonslayer
01:18 Gremlins
01:20 The Host
01:21 Ghostbusters
01:22 Bram Stoker's Dracula
01:23 Gremlins 2
01:24 King Kong (2005)
01:25 Tremors
01:26 Aliens (Cameron)
01:27 The Empire strikes back
01:27 Clash of the Titans
01:28 Hellboy
01:29 Lake Placid
01:30 The Fellowship of the Ring
01:31 An American werewolf in London
01:32 Alien (Scott)
01:33 From Dusk till Dawn
01:34 Krull
01:35 Jason and the Argonauts
01:36 Little Shop of Horrors
01:37 The Army of Darkness
01:38 The Fellowship of the Ring
01:39 Time Machine
01:40 The Attack of the Clones
01:41 Howard the Duck
01:43 End of days
01:44 Aliens (Cameron)
01:45 The Attack of the Clones
01:46 Jurassic Park
01:47 Clash of the Titans
01:48 The Relic
01:49 Pitch Black
01:49 Resident Evil
01:50 The Princess Bride
01:51 Beetlejuice
01:52 Jurassic Park
01:52 Ghostbusters
01:53 Evolution
01:54 Harry Potter and the Chamber of Secrets
01:55 Gremlins 2
01:55 Ewok adventure
01:56 Ghostbusters
01:57 Anaconda
01:58 Creature from the Black Lagoon
01:58 Starship Troopers
01:59 The Return of the King
02:00 The Fellowship of the Ring
02:01 The Blob (1988)
02:02 King Kong (2005)
02:03 Deep rising
02:04 Mimic
02:05 Little Shop of Horrors
02:06 Mars Attacks!
02:07 King Kong (2005)
02:08 Cloverfield
02:09 20000 leagues under the sea (1954)
02:10 Aliens (Cameron)
02:11 Beetlejuice
02:11 Anaconda
02:12 Bram Stoker's Dracula
02:12 Doom
02:13 Independence Day
02:14 Jeepers Creepers 2
02:14 Lake Placid
02:15 Clash of the Titans
02:15 An American werewolf in London
02:16 Cat people
02:17 Evil Dead 2
02:17 The Thing
02:18 The Fly (1986)
02:19 The Blob (1988)
02:20 The Thing
02:21 Legend
02:22 The Twilight Zone
02:23 Aliens (Cameron)
02:24 The Twilight Zone
02:24 Evil Dead II
02:25 The Descent
02:26 Poltergeist
02:27 Aliens (Cameron)
02:28 Pirates of the Caribbean: Dead Man's Chest
02:29 Beowulf
02:29 Jaws
02:30 The Return of the King
02:30 Deep Rising
02:31 The Faculty
02:32 The Host
02:33 Anaconda
02:36 Evolution
02:38 Cloverfield
02:40 Godzilla
02:41 The Two Towers
02:42 Cloverfield
02:43 Beowulf
02:45 King Kong (1933)
02:46 Howard the Duck
02:48 The Host
02:49 Jaws
02:51 The Return of the Jedi
02:53 Jurassic Park
02:55 Men in Black
02:56 Willow
02:58 King Kong (2005)
02:59 Deep Rising
03:01 Anaconda
03:02 Little Shop of Horros
03:05 Cloverfield

It's from mother to daughter:
"Death By Chocolate"

Death by chocolate is myth
This I know because I lived
I've been around for broken hearts and how
Lay your head in my hands little girl
This is only right now

Death by crying doesn't exist, though
The headaches feel a bit like it
You might explode
But you reach the end of the road
And you, little tree
I'm certain you will grow

Tears on your pillow will dry and you will learn
Just how to love again
Oh my weeping willow
Let your leaves fall and return
Oh darling the seasons are your friend

Death by anger this is true
Just let him go he can't hurt you
Oh little girl this is such a cruel cruel world
This is the first, of a million broken hearts

Tears on your pillow will dry and you will learn
Just how to love again
Oh my weeping willow
Let your leaves fall and return
Oh darling the seasons are your friend

Oh it won't be long you will grow strong
Up up and away

He's but a falling leaf, he's but a falling leaf, he's but a falling leaf

As soon as the song "Echoes" is played and the "Jupiter And Beyond The Infinite" title card pops up, a ping will sound. This pinging sound will ring once every few seconds for the first 1:20 or so. The music will slowly start to fade in after ten seconds or so. It is very eerie-sounding - as synthesizers slowly build, and eventually a mellow, slow guitar riff comes into play.

As all this psychedellic, mellow music builds up the images on the screen are of the monolith floating around in space while the outstanding special effects show the planets in the background. The sense of limitless space is evident, and the music only enhances that feeling.

LYRICS/IMAGES/INTERPRETATIONS:

The lyrics begin at 2:57. Here is a line-by-line breakdown and my own personal interpretations.

LYRICS: "Overhead the albatross hangs motionless upon the air" IMAGE: The camera pans across the vast space background. INTERPRETATION: Obviously the albatross represents the monolith - which is, as the song says, hanging motionless.

LYRICS: "And deep beneath the rolling waves/In labyrinths of coral caves/The echo of a distant time/Comes willowing across the sand" IMAGES: The monolith continues to float around in space as the camera pans towards the Discovery ship. INTERPRETATION: The references to the ocean might be a comparison of the vastness of the ocean and the even more vastness of space. "The echo of a distant time" might refer to the monolith - as we know the monoliths have been appearing to Earthlings since evolutionary times. "Willowing across the sand" seems to symbolize the tiny little spaceship slithering across the vastness of space like a worm through sand.

LYRICS: "And Everything is green and submarine" IMAGE: The Discovery. INTERPRETATION: "submarine" is obviously the spaceship Discovery - as a submarine explores the water, this machine explores space.

LYRICS: "And no one showed us to the land/And no on knows the where or whys" IMAGE: images of the monolith and Bowman's pod heading for it. INTERPRETATION: The lines might be something that the humans who discovered the monolith might say - "whoever put these monoliths here didn't tell us why, but we're figuring it out."

LYRICS: "But something stirs and something tries/And starts to climb towards the light" IMAGES: The monolith flying upward while the camera pans over to the Discovery. INTERPRETATION: Could mean two things simultaneously: 1) The monolith (not sure what it is, which is why it is referred to as "something") begins to gain momentum and moves from the bottom of the screen to top, and continues to move. The light it's moving to might be the light show that soon occurs. 2)Symbolic of how insignificant Bowman and his pod is (just "something"), and it is heading towards the monolith - as a subject might approach its savior and/or like a moth to a lightbulb.

LYRICS: "Strangers passing in the street/By chance two seperate glances meet/And I am you and what I see is me" IMAGE: Bowman's pod heading straight towards the camera. INTERPRETATION: The monolith and Bowman might be the two strangers who have just happened to run into each other. There's so many people in the world that the huge population and all the individual traits each person has might be compared with the vastness of space. "And I am you..." - I'm positive this is a reference to the later section of the film in which Bowman sees himself as an old man in the "hotel room," however, I believe that somehow this second verse was switched with the fifth verse. The "Through the window... a million bright ambassadors" lines would seem more appropriate at this time. Either way, this still is a thoughful, poetic line.

LYRICS: "And do I take you by the hand/And lead you through the land/And help me understand the best I can" IMAGE: The monolith disappears. INTERPRETATION: "Take you by the hand" - what the monolith might be saying to Bowman - to take him on a tour of the monolith's home land. "And help me understand...." what both the monolith and Bowman might say to each other - to learn more about each other. As Bowman was sent to study the monolith, the monolith is a tool to study Earth and its people.

LYRICS: "And no one calls us to move on/And no one forces down our eyes/And no one speaks and no one tries/And no one flies around the sun" IMAGE: The camera pans up and the light show begins just as the last word of the last line is sung. INTERPRETATION: "no one calls us to move on... forces down our eyes" - sounds like something two children might say who are so excitied about something and can't stop doing what they're doing (as Bowman and the monolith are about to embark on a fantastic journey). "no one tries.... no one flies around the sun" - open to interpretation, could mean just about anything.

Singing ends for the time being as the music becomes more mellow as the light show continues. The sound of the music seems to perfectly match the mood the lightshow induces - exactly like any other movie uses a pop song during any kind of montage.

At the 7 minute point the music changes and becomes driven by organs and drums, just as the light show becomes a series of starry images - the swirling galaxies, the images that look like embryos, the dancing diamonds. The music continues to match the images and mood on-screen until....

At the 10:30 point the music fades out and an extremely eerie, freaky sequence of sound effects is faded in. This transition occurrs as the transitition on the screen is made from the starry images to the ultraviolet images of the alien planet. The sound is no longer rock, but strictly psychedellic, much like the "eeeee"- choir-sung sound on the film's actual soundtrack. Some of the background sounds on the CD seem to synch with the images on screen such as wind, waves crashing, and seagulls as we are shown what looks like the alien planet's ocean.

The eerie sonic sequence lasts until 14:20 when Bowman finds himself in the bizarre "hotel room." The music starts to fade out as synthesizers slowly start to build in the background. It is at this time that Bowman begins to slowly walk around and try to figure out where he is. The sound and music continues to build and the eerie sequence fades out. The pinging noise also occurs. The music comes to a climax around 17:06 when Bowman sees himself in the other room as an old man eating.

At 18:00 Bowman gets out of the chair and looks around. At 18:14 the guitars kick back in as he turns around and returns to the table.

At 19:11 the lyrics come back.

LYRICS: "Cloudless everyday you fall upon my waking eyes/Inviting and inciting me to rise" IMAGE: Bowman walks from the door to the table. INTERPRETATION: This might be something Bowman, as an old man, might be thinking. Perhaps he has been stuck in that room for decades as the aliens' guinea pig?

LYRICS: "And through the window in the wall/Come streaming in on sunlight wings/A million bright ambassadors of morning" IMAGE: Bowman sits down at the table. INTERPRETATION: I believe all three lines refer to the rays of light which brough Bowman from our reality to the reality he is in now. It is possible this entire verse was switched with the second verse.

LYRICS: "And no one sings me lullabies/And no one makes me close my eyes/And so I throw the windows wide/And call to you across the sky" IMAGE: Bowman eats his meal. INTERPRETATION: "lullabies" and "close my eyes" might be something Bowman would say since it seems he has been alone for years in just a few seconds. The latter two lines might refer to the monolith - calling to it to do something.

Music continues much like it did during the light show sequence. At 21:18 the music quickly fades out just as the old, dying Bowman points to the monolith in front of him. The music at this point is keyboard-driven, very mellow - as if someone was trying to put somene to sleep (i.e. Bowman dying).

At 22:10 a strange sound, like a jet engine in the distant, starts to fade in, along with the pinging sound again. The image on screen is of the embryonic Bowman. Eventually the music fades out to just the eerie sound effects as the "Star Child" looks at the camera.

Both the song and the movie then end AT THE EXACT SAME TIME.

Credits/Thanks:
Chad Polenz

I am a devil. Throughout grade school I had many a nun tell me just that.

In reply to this comment by critttter:
You little devil! I had a hunch you'd be familiar with this one...
In reply to this comment by kronosposeidon:
*promote

You little devil! I had a hunch you'd be familiar with this one...
In reply to this comment by kronosposeidon:
*promote

Tags for this video have been changed from 'morning after' to 'morning after, revalation, movie, willow, george, lucus, not' - edited by Zonbie

I totally meant to put that in the tags. Thx for reminding me!

In reply to this comment by swampgirl:
"Outta the way, peck!"