As dumb as the little law is, that's all this video is about. Some people breaking a dumb little law and being arrested for it.

Now if one of the cops had said, "Hey, you know what? This is AMERICA.. F the court's decission.. dance all you want!" that would have been awesome.. but in the end, this is not indicative of massive opression or anything. There is some dumb logic to this law (the keep it a place of tranquility.. as it reads in the court order), and the cops in this video didn't go around tazing everyone or being overtly rude or belligerent.

Infact the guy who pretended like he didn't know he was breaking any law annoys me. If you're going to break the law to make a statement, don't play ignorant when it's obvious you're perfectly aware of what you're doing. Weakens your stance, imo.

It's good to keep one's eyes open for stuff like this on a more broad scale, but as it stands this is a skirmish over one idea of what should be allowed in a specific public area vs another's.. and I can see both sides. I totally side with the dance freedom though myself.

Also this is a city-state, so I would bet federal judges like to flex their muscle here and there amongst DC.

Regarding whether or not the mission was to kill him... based on the information we've been fed, isn't the answer clearly yes? To accept that they would've taken him alive if possible, wouldn't we also have to also accept that this elite SEAL team was incapable of a non-lethal takedown? Tranquilizer dart, gas, taser, shoot him in the kneecaps, Vulcan neck pinch, whatever. It's not like he took cyanide at the first sign of trouble. They shot him in the head.

Georges Bataille
STORY OF THE EYE by Lord Auch Translated by Joachim Neugroschel
CITY LIGHTS BOOKS San Francisco
Originally published in France in 1928 as Histoire de l'oeil
© 1967 by Jean Jacques Pauvert, Paris © This translation Urizen Books, 1977 First City Lights Edition 1987
Cover photograph and design by Gent Sturgeon and Rex Ray
Library of Congress Cataloging-in-Publication Data
Bataille, Georges, 1897-1962. Story of the eye.
Translation of: Histoire de l'oeil. I. Title.
PQ2603 .A695H4813 1987 843'.912 87-9242 ISBN: 0-87286-209-7
City Lights Books are available to bookstores through our primary distributor: Subterranean Company.P.O. Box 160,265 S. 5th St., Monroe, OR 97456.541-847-5274. Toll-free orders 800-274-7826. FAX 541-847-6018. Our books are also available through library
jobbers and regional distributors. For personal orders and catalogs, please write to City Lights Books, 261 Columbus Avenue, San Francisco, CA 94133.
CITY LIGHTS BOOKS are edited by Lawrence Ferlinghetti and Nancy J.Peters and published at the City Lights Bookstore, 261 Columbus Avenue, San Francisco, CA 94133.
� Contents
Translator'snote .......................... vii Part One: THE TALE ....................... 1 Part Two: COINCIDENCES. . ................ 87 WC.-Preface to Story of the Eye
from Le Petit: 1943 . ..................... 97 Outline of a sequel ....................... 102
I Translator's Note
Story of the Eye was George Bataille's first novel, and there were four editions, the first in 1928. The other three, known as the "new version," came out in 1940, 1941, and 1967. The "new ver­ sion" differs so thoroughly in all details from the first edition that one can justifiably speak of two distinct books. Indeed, the Gallimard publication of the complete works includes both versions in its opening volume.
This American translation is based on the
vii
original version, but the "Outline for a Sequel" comes from the fourth edition.
Of all the editions, only the final, posthum- 0us one bore the author's name. The other three were credited to Lord Auch, a pseudonym ex­
plained in Bataille's short prose piece Le Petit (1943). (This section from Le Petit is included at the end of this volume.)
J.N.
� Part One THE TALE
viii
I CHAPTER ONE The Cat's Eye
I grew up very much alone, and as far back as I recall I was frightened of anything sexual. I was nearly sixteen when I met Simone, a girl my own age, at the beach in X. Our families being distantly related, we quickly grew intimate. Three days after our first meeting, Simone and I were alone in her villa. She was wearing a black pinafore with a starched white collar. I began realizing that she shared my anxiety at seeing her, and I felt even more anxious that day because I hoped she would be stark naked under the pinafore.
3
GEORGES BATAILLE
Story of the Eye
without even touching one another. But when her mother came home, I was sitting in a low armchair, and I took advantage of the moment when the girl tenderly snuggled in her mother's arms: I lifted the back of her pinafore, unseen, and thrust my hand under her cunt between her two burning legs.
I dashed home, eager to jerk off some more, and the next day there were such dark rings around my eyes that Simone, after peering at me for a while, buried her head in my shoulder and said earnestly: "I don't want you to jerk off any­
more without me."
Thus a love life started between the girl and myself, and it was so intimate and so driven that we could hardly let a week go by without meeting. And yet we virtually never talked about it. I realized that her feelings at seeing me were the same as mine at seeing her, but I found it difficult to have things
out. I remember that one day, when we were in a car tooling along at top speed, we crashed into a cyclist, an apparently very young and very pretty girl. Her head was almost totally ripped off by the wheels. For a long time , we were parked a few yards beyond without getting out, fully absorbed in the
sight of the corpse. The horror and despair at so much bloody flesh, nauseating in part, and in part very beautiful, was fairly equivalent to our usual impression upon seeing one another. Simone was tall and lovely. She was usually very natural; there
She had black silk stockings on covering her knees, but I was unable to see as far up as the cunt (this name, which I always used with Simone, is, I think, by far the loveliest of the names for the va­ gina). It merely struck me that by slightly lifting the pinafore from behind, I might see her private parts unveiled.
Now in the corner of a hallway there was a saucer of milk for the cat. "Milk is for the pussy, isn't it?" said Simone. "Do you dare me to sit in the saucer?"
"I dare you," I answered, almost breathless.
The day was extremely hot. Simone put the saucer on a small bench, planted herself before me, and, with her eyes fixed on me, she sat down without my being able to see her burning buttocks under the skirt, dipping into the cool milk. The blood shot to Ply head, and I stood before her awhile, immobile and trembling, as she eyed my stiff cock bulging in my pants. Then I lay down at her feet without her stirring, and for the first time, I saw her "pink and dark" flesh cooling in the white milk. We remained motionless, on and on, both of us equally overwhelmed . . . .
Suddenly, she got up, and I saw the milk dripping down her thighs to the stockings. She wiped herself evenly with a handkerchief as she stood over my head with one foot on the small bench, and I vigorously rubbed my cock through the pants while writhing amorously on the floor. We reached orgasm at almost the same instant
4
5
GEORGES BATAILLE
Story of the Eye
was nothing heartbreaking in her eyes or her voice. But on a sensual level, she so bluntly craved any upheaval that the faintest call from the senses gave her a look directly suggestive of all things linked to
deep sexuality, such as blood, suffocation, sudden terror, crime; things indefinitely destroying human bliss and honesty. I first saw her mute and absolute spasm (which I shared) the day she sat down in the saucer of milk. True, we only exchanged fixed stares at analogous moments. But we never calmed down or played except in the brief relaxed minutes
after an orgasm. I ought to say, nevertheless, that we waited a
long time before copulating. We merely took any opportunity to indulge in unusual acts. We did not lack modesty-on the contrary-but something urgently drove us to defy modesty together as immodestly as possible. Thus, no sooner had she asked me never to jerk off again by myself (we had met on top of a cliff), than she pulled down my
pants and had me stretch out on the ground. She tucked her dress up, mounted my belly with her back towards my face, and let herself go, while I thrust my finger, lubricated with my young jizm, into her cunt. Next, she lay down with her head under my cock between my legs, and thrusting her cunt in the air, she brought her body down towards me, while I raised my head to the level of that cunt:
her knees found support on my shoulders.
"Yes," I answered, "but with you like this, it'll get on your dress and your face."
, again, this time with fine white come.
Meanwhile, the smell of the sea mixed with the smell of wet linen, our naked bodies, and the come. Evening was gathering, and we stayed in that extraordinary position, tranquil and motion­ less, when all at once we heard steps crumpling the grass.
"Please don't move, please," Simone begged.
The steps halted, but it was impossible to see who was approaching. Our breathing had stopped together. Simone's ass, raised aloft, did strike me as an all-powerful entreaty, perfect as it was, with its two narrow, delicate buttocks and its deep crevice; and I never doubted for an instant that the unknown man or woman would soon give
in and feel compelled to jerk off endlessly while watching that ass. Now the steps resumed, faster this time, almost running, and suddenly a ravish­ ing blond girl loomed into view: Marcelle, the pur­ est and most poignant of our friends. But we were too strongly contracted in our dreadful positions to move even a hair's breadth, and it was our un­
happy friend who suddenly collapsed and huddled in the grass amid sobs. Only now did we tear loose from our extravagant embrace to hurl ourselves upon a self-abandoned body. Simone hiked up the
6
7
"ean't you pee up to my cunt?" she said.
"So what," she concluded. And I did as she said but no sooner was I done than I flooded her
I
GEORGES BATAILLE
Story of the Eye
skirt, ripped off the panties, and drunkenly showed me a new cunt, as lovely and pure as her own: I kissed it furiously while jerking off Simone, whose legs closed around the hips of that strange Mar­ celle, who no longer hid anything but her sobs.
"Marcelle," I exclaimed, "please, please don't cry. I want you to kiss me on the mouth . . . ." Simone, for her part, stroked the girl's lovely smooth hair, covering her body with fond
kisses.
Meanwhile the sky had turned quite thun­ dery, and with nightfall, huge raindrops began plopping down, bringing relief from the harshness of a torrid, airless day. The sea was loudly raging, outroared by long rumbles of thunder, while flashes of lightning, bright as day, kept brusquely revealing the two pleasured cunts of the now silent girls. A brutal frenzy drove our three bodies. Two young mouths fought over my ass, my balls, and my cock, but I still kept pushing apart female legs wet with saliva and come, splaying them as if writhing out of a monster's grip, and yet that monster was nothing but the utter violence of my movements. The hot rain was finally pouring down and streaming over our fully exposed bodies. Huge booms of thunder shook us, heightening our fury, wresting forth our cries of rage, which each flash accompanied with a glimpse of our sexual parts. Simone had found a mud puddle, and was smear­ ing herself wildly: she wasjerking off with the earth
and coming violently, whipped by the downpour, my head locked in her soil-covered legs, her face wallowing in the puddle, where she was brutally churning Marcelle's cunt, one arm around Mar­ celle's hips, the hand yanking the thigh, forcing
8
9
it open.
� CHAPTER TWO The Antique
Wardrobe
That was the period when Simone devel­ oped a mania for breaking eggs with her ass. She would do a headstand on an armchair in the par­ lor, her back against the chair's back, her legs bent
towards me, while I jerked off in order to come in her face. I would put the egg right on the hole in her ass, and she would skillfully amuse herself by shaking it in the deep crack of her buttocks. The moment my jizm shot out and trickled down her
eyes, her buttocks would squeeze together and she
would come while I smeared my face abundantly in her ass.
Very soon, of course, her mother, who might enter the villa parlor at any moment, did catch us in our unusual act. But still, the first time this fine woman stumbled upon us, she was con­ tent, despite having led an exemplary life, to gape wordlessly, so that we did not notice a thing. I sup­ pose she was too flabbergasted to speak. But when we were done and trying to clean up the mess, we noticed her standing in the doorway.
"Pretend there's no one there," Simone told me, and she went on wiping her ass.
And indeed, we blithely strolled out as though the woman had been reduced to a family portrait.
A few days later, however, when Simone was doing gymnastics with me in the rafters of a gar­ age, she pissed on her mother, who had the misfor­ tune to stop underneath without seeing her. The sad widow got out of the way and gaped at us with such dismal eyes and such a desperate expression that she egged us on, that is to say, simply with Simone bursting into laughter, crouching on all fours on the beams and exposing her cunt to my face, I uncovered that cunt completely and jerked off while looking at it.
More than a week had passed without our seeing Marcelle, when we ran into her on the street one day. The blonde girl, timid and naively pious,
10
11
Story of the Eye
GEORGES BATAILLE
Story of the Eye
blushed so deeply at seeing us, that Simone embraced her with uncommon tenderness.
"Please forgive me, Marcelle," she mur­ mured. "What happened the other day was absurd, but that doesn't mean we can't be friends now. I promise we'll never lay a hand on you again."
Marcelle, who had an unusual lack of will­ power, agreed to join us for tea with some friends at our place. But instead of tea, we drank quanti­ tites of chilled champagne.
The sight of Marcelle blushing had com­ pletely overwhelmed us. We understood one an­ other, Simone and I, and we were certain that from now on nothing would make us shrink from achiev­ ing our ends. Besides Marcelle, there were three other pretty girls and two boys here. The oldest of the eight being not quite seventeen, the beverage soon took effect; but aside from Simone and myself, they were not as excited as we wanted them to be. A phonograph rescued us from our predica­ ment. Simone, dancing a frenzied Charleston by
herself, showed everyone her legs up to her cunt, and when the other girls were asked to dance a solo in the same way, they were in too good a mood to require coaxing. They did have panties on, but the panties bound the cunt laxly without hiding much. Only Marcelle, intoxicated and silent, refused to dance.
Finally, Simone, pretending to be dead drunk, crumbled a tablecloth and, lifting it up, she offered to make a bet.
"I bet," she said, "that I can pee into the tablecloth in front of everyone."
It was basically a ridiculous party of mostly turbulent and boastful youngsters. One of the boys challenged her, and it was agreed that the winner would fix the penalty . . . . Naturally, Simone did not waver for an instant, she richly soaked the
tablecloth. But this stunning act visibly rattled her to the quick, so that all the young fools started gasping.
"Since the winner decides the penalty," said Simone to the loser, "I am now going to pull down your pants in front of everyone."
Which happened without a hitch. When his pants were off, his shirt was likewise removed (to keep him from looking ridiculous). All the same, nothing serious had occurred yet: Simone had scarcely run a light hand over her young friend, who was dazzled, drunk, and naked, yet all she
could think of was Marcelle, who for several mo­ ments now had been begging me to let her leave.
"We promised we wouldn't touch you, Mar­ celle. Why do you want to leave?"
"Just because," she replied stubbornly, a violent rage gradually coming over her.
All at once, to everyone's horror, Simone fell upon the floor. A convulsion shook her harder and harder, her clothes were in disarray, her ass stuck in the air, as though she were having an epi­ lectic fit. But rolling about at the foot of the boy she
12
13
GEORGES BATAILLE
Story of the Eye
had undressed, she mumbled almost inarticulately: "Piss on me . . . Piss on my cunt . . ." she
repeated, with a kind of thirst. Marcelle gaped at this spectacle: she blushed
again, her face was blood-red. But then she said to me, without even seeing me, that she wanted to take off her dress. I half tore it off, and hard upon it, her underwear. All she had left was her stockings and belt, and after I fingered her cunt a bit and kissed her on the mouth, she glided across the room to a large antique bridal wardrobe, where she shut herself in after whispering a few words to Simone .
She wanted to j erk off in the wardrobe and was pleading to be left in peace.
I ought to say that we were all very drunk and completely bowled over by what had been going on. The naked boy was being sucked by a girl. Simone, standing with her dress tucked up, was rubbing her bare cunt against the wardrobe, in wh ich a girl was audibly j e rking off with b rutal gasps. All at once, something incredible happened, a strange swish of water, followed by a trickle and a stream from under the wardrobe door: poor Mar­ celle was pissing in her wardrobe while jerking off. But the explosion of totally drunken guffaws that ensued rapidly degenerated into a debauche of tumbling bodies, lofty legs and asses, wet skirts and come. Guffaws emerged like foolish and involun-
tary hiccups but scarcely managed to interrupt a brutal onslaught on cunts and cocks. And yet soon we could hear Marcelle dismally sobbing alone, louder and louder, in the makeshift pissoir that was
now her prison.
Half an hour later, when I was less drunk, it dawned on me that I ought to let Marcelle out of her wardrobe: the unhappy girl, naked now, was in a dreadful state. She was trembling and shivering feverishly. Upon seeing me, she displayed a sickly but violent terror. After all, I was pale, smeared with blood, my clothes askew. Behind me, in
unspeakable disorder, ill bodies, brazenly stripped, were sprawled about. During the orgy, shards of glass had left deep bleeding cuts in two of us. A young girl was throwing up, and all of us had exploded in such wild fits of laughter at some point or other that we had wet our clothes, an armchair, or the floor. The resulting stench of blood, sperm, urine, and vomit made me almost recoil in horror,
but the inhuman shriek from Marcelle's throat was far more terrifying. I must say, however, that Simone was sleeping tranquilly by now, her belly up, her hand still on her beaver, her pacified face almost smiling.
Marcelle, staggering wildly across the room with shrieks and snarls, looked at me again. She flinched back as though I were a hideous ghost in a
14
15
GEORGES BATAILLE
nightmare, and she collapsed in a jeremiad of howls that grew more and more inhuman.
Astonishingly, this litany brought me to my I senses. People were running up, it was inevitable. But I never for an instant dreamt of fleeing or les­ sening the scandal. On the contrary, I resolutely strode to the door and flung it open. What a spec­ tacle, whatjoy! One can readily picture the cries of dismay, the desperate shrieks, the exaggerated threats of the parents entering the room! Criminal
court, prison , the guillotine were evoked with fiery yells and spasmodic curses. Our friends themselves began howling and sobbing in a delirium of tearful screams; they sounded as if they had been set afire as live torches. Simone exulted with me!
And yet, what an atrocity! It seemed as if nothing could terminate the tragicomical frenzy of these lunatics, for Marcelle, still naked, kept ges­ ticulating, and her agonizing shrieks of pain expressed unbearable terror and moral suffering; we watched her bite her mother's face amid arms vainly trying to subdue her.
Indeed, by bursting in, the parents man­ aged to wipe out the last shreds of reason, and in the end, the police had to be called, with all the neighbors witnessing the outrageous scandal.
16
CHAPTER THREE
Marcelle's Smell
My own parents had not turned up that evening with the pack. Nevertheless, I judged it prudent to decamp and elude the wrath of an awful father the epitome of a senile Catholic general. I
enter�d our villa by the back door and filched a certain amount of money. Next, quite convinced they would look for me everywhere but there, I took a bath in my father's bedroom. Finally, by around ten o'clock, I was out in the open countr�,
having left the following note on my mothers night table: "I beseech you not to send the pol�ce after me for I am carrying a gun, and the fIrst
17
GEORGES BATAILLE
StoryoftheEye
bullet will be for the policeman, the second for myself. "
I have never had any aptitude for what is known as striking a pose, and in this circumstance in particular, I only wished to keep my family at bay, for they relentlessly hated scandal. Still, hav­ ing written the note with the greatest levity and not without laughing, I thought it might not be such a bad idea to pocket my father's revolver.
I walked along the seashore most of the night, but without getting very far from X because of all the windings of the coast. I was merely trying to soothe a violent agitation, a strange, spectral delirium in which, Willy-nilly, phantasms of Simone and Marcelle took shape with gruesome expres­ sions. Little by little, I even thought I might kill myself, and, taking the revolver in hand, I man­ aged to lose any sense of words like hope or des­ pair. But in my weariness, I realized that my life had to have some meaning all the same, and would have one if only certain events, defined as desirable, were to occur. I finally accepted being so extraordinarily haunted by the names Simone and Marcelle. Since it was no use laughing, I could keep going only by accepting or feigning to imagine a phantastic compromise that would confusedly link my most disconcerting moves to theirs.
I slept in a wood during the day, and at nightfall I went to Simone's place: I passed through
the garden by climbing over the wall. My friend's bedroom was lit, and so I cast some pebbles through the window. A few seconds later she came down and almost wordlessly we headed towards
the beach. We were delighted to see one another again. It was dark out, and from time to time I lifted her dress and took hold of her cunt, but it didn't make me come-quite the opposite. She sat down and I stretched out at her feet. I soon felt that
I could not keep back my sobs, and I really cried for a long time on the sand.
"What's wrong?" asked Simone.
And she gave me a playful kick. Her foot struck the gun in my pocket and a fearful bang made us shriek at the same time. I wasn't wounded but I was up on my feet as though in a different world. Simone stood before me, frighteningly pale.
That evening we didn't even think ofjerking each other off, but we remained in an endless embrace, mouth to mouth, something we had never done before.
This is how I lived for several days: Simone and I would come home late at night and sleep in her room, where I would stay locked in until the following night. Simone would bring me food. Her mother, having no authority over her (the day of
the scandal, she had gone for a walk the instant she heard the shrieks), accepted the situation without even trying to fathom the mystery. As for the ser­ vants, money had for some time been ensuring
18
19
GEORGES BATAILLE
Story of the Eye
their devotion to Simone. In fact,
cumstances of Marcelle's confinement and even the name of the sanitarium. From the very first day, ness,
getting to her, day, brusquely slipped away:
taken with a violent desire to fuck. But we no longer thought it could be done without Marcelle, whose piercing cries kept grating our ears, were linked to our most violent desires. Thus it was that our sexual dream kept changing into a night­ mare. Marcelle's smile,
sense of shame that made her redden and, fully red, lovely blond buttocks to impure hands, mouths,
made her lock herself in the wardrobe to jerk off with such abandon that she could not help pissing-all these things warped our desires, that they endlessly racked us. Simone,
duct during the scandal had been more obscene than ever (sprawled out, herself, Simone could not forget that the unforeseen orgasm provoked by her own brazenness,
celle's howls and the nakedness of her writhing limbs, had ever managed to picture before. And her cunt would not open to me unless Marcelle's ghost,
ing, zenness overwhelming and far-reaching, sacrilege were to render everything generally dreadful and infamous.
At any rate, (nothing resembles them more than the days of flood and storm or even the suffocating gaseous
all we wo the lonel
when I tr
but dreamy
"
, '
Marcelle!" "What are you talking about?" I asked,
appOinted, She came back affectionately and said in a
gentle, when she sees us . . . making it."
,
Obviously Simone and I were sometimes
"Listen,
20
21
"You're totally insane, I m not interested-here,
a housewife and mother! I'll only do it with
legs, watered her body, to the unchaste and faintly murmuring spurt on her skin. After thus flooding her cunt,
jizm all over her face. Full of muck, in a liberating frenzy. She deeply inhaled our pun­ gent and happy odor: "You smell like Marcelle " she buoyantly confided after a hefty climax, nose under my wet ass.
and when
I felt a hot,
GEORGES BATAILLE
eruptions of volcanoes, and they never turn active except, like storms or volcanoes, with something of catastrophe or disaster)-those hearbreaking re­ gions, like Simone, in an abandon presaging only violence, allowed me to stare hypnotically, were I nothing for me now but the profound, subterra­
CHAPTER FOUR
nean empire of a Marcelle who was tormented in prison and at the mercy of nightmares. There was only one thing I understood: how utterly the orgasms ravaged the girl's face with sobs inter­ rupted by horrible shrieks.
And Simone, for her part, no longer viewed the hot, acrid come that she caused to spurt from my cock without seeing it muck up Marcelle's mouth and cunt.
"You could smack her face with your come," she confided to me, while smearing her cunt-"till it Sizzles," as she put it.
A Sunspot
Other girls and boys no longer interested us. All we could think of was Marcelle, and already we childishly imagined her hanging herself, the
secret burial, the funeral apparitions. Finally, one evening, after getting the precise information, we took our bicycles and pedaled off to the sanitarium where our friend was confined. In less than an hour, we had ridden the twenty kilometers separat­
ing us from a sort of castle within a walled park on an isolated cliff overlooking the sea. We had learned that Marcelle was in Room 8, but obviously
22
23
.:
1
we would have to get inside the building to find her. Now all we could hope for was to climb in her window after sawing through the bars, and we were at a loss how to identify her window among thirty others, when our attention was drawn to a strange apparition. We had scaled the wall and were now in the park, among trees buffeted by a violent gust, when we spied a second-story window opening and a shadow holding a sheet and fastening it to one of the bars. The sheet promptly smacked in the gusts, and the window was shut before we could recog­ nize the shadow.
It is hard to imagine the harrowing racket of that vast white sheet caught in the squall. It greatly outroared the fury of the sea or the wind in the trees. That was the first time I saw Simone racked by anything but her own lewdness: she huddled against me with a beating heart and gaped at the huge phantom raging in the night as though dementia itself had hoisted its colors on this lugu­ brious chateau.
We were motionless, Simone cowering in my arms and I half-haggard, when all at once the wind seemed to tatter the clouds, and the moon, with a revealing clarity, poured sudden light on something so bizarre and so excruciating for us that an abrupt, violent sob choked up in Simone's throat: at the center of the sheet flapping and banging in the wind, a broad wet stain glowed in the translucent moonlight . . .
A few seconds later, new black clouds plunged everything into darkness again, but I stayed on my feet, suffocating, feeling my hair in the wind, and weeping wretchedly, like Simone herself, who had collapsed in the grass, and for the first time, her body was quaking with huge, child­ like sobs.
It was our unfortunate friend, no doubt about it, it was Marcelle who had opened that light­ less window, Marcelle who had tied that stunning signal of distress to the bars of her prison. She had obviouslyjerked off in bed with such a disorder of her senses that she had entirely inundated herself, and it was then that we saw her hang the sheet from the window to let it dry.
As for myself, I was at a loss about what to do in such a park, with that bogus chateau de plaisance and its repulsively barred windows. I walked around the building, leaving Simone upset and sprawling on the grass. I had no practical goal, I just wanted to take a breath of air by myself. But then, on the side of the chateau, I stumbled upon an unbarred open window on the ground floor; I felt for the gun in my pocket and I entered cau­ tiously: it was a very ordinary parlor. An electric flashlight helped me to reach an antechamber; then a stairway. I could not distinguish anything, I did not get anywhere, the rooms were not num­ bered. Besides, I was incapable of understanding
anything, as though I were hexed: at that moment,
GEORGES BATAILLE
Story of the Eye
24
2S
_
I i
,,
'I
I could not even understand why I had the idea of removing my pants and continuing that anguish­ ing exploration only in my shirt. And yet I stripped off my clothes, piece by piece, leaving them on a chair, keeping only my shoes on. With a flashlight in my left hand and the revolver in my right hand, I wandered aimlessly, haphazardly. A rustle made me switch off my lamp quickly. I stood motionless, whiling away the time by listening to my erratic breath. Long, anxious minutes wore by without my hearing any more noise, and so I flashed my light back on, but a faint cry sent me fleeing so swiftly that I forgot my clothes on the chair.
I sensed I was being followed: so I hurriedly climbed out through the window and hid in a garden lane: but no sooner had I turned to observe what might be happening in the chateau than I spied a naked woman in the window frame; she
jumped into the park as I had done and ran off towards a thorn bush.
Nothing was more bizarre for me in those utterly thrilling moments than my nudity against the wind on the path of that unknown garden. It was as if I had left the earth, especially because the squall was as violent as ever, but warm enough to suggest a brutal entreaty. I did not know what to do with the gun which I still held in my hand, for I had no pockets left; by charging after the woman who had run past me unrecognized, I would obviously be hunting her down to kill her. The roar of the wrathful elements, the raging of the trees and the
26
sheet, also helped to prevent me from discerning anything distinct in my will or in my gestures.
All at once, I halted, out of breath: I had reached the bushes where the shadow had disap­ peared. Inflamed by my revolver, I began looking about, when suddenly it seemed as if all reality were tearing apart: a hand, moistened by saliva, had grabbed my cock and wasjerking it, a slobber­ ing, burning kiss was planted on the root of my ass,
the naked chest and legs of a woman pressed against my legs with an orgasmic jolt. I scarcely had time to spin around when come burst in the face of my wonderful Simone: clutching my revolver, I was swept up by a thrill as violent as the storm, my teeth chattered and my lips foamed, with twisted arms I gripped my gun convulsively,
and, willy-nilly, three blind, horrifying shots were fired in the direction of the chateau.
Drunk and limp, Simone and I had fled from one another and raced across the park like dogs; the squall was far too wild now for the gun­ shots to awake any of the sleeping tenants in the chateau, even if the bangs were heard on the inside. But when we instinctively looked up at Mar­ celle's window above the sheet slamming the wind, we were greatly surprised to see that one of the bullets had left a star-shaped crack in one of the
panes. The window shook, opened, and the shadow appeared a second time.
Dumbstruck, as though about to see Mar-
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GEORGES BATAILLE
Story of the Eye
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GEORGES BATAILLE
Story of the Eye
celIe bleed and fall dead in the windowframe we remained standing under the strange, ne�rlY motionless apparition. Because of the furious wind we were incapable of even making ourselves heard�
"What did you do with your clothes?" I asked Simone an instant later. She said she had been looking for me and, unable to track me down, she had finally gone to search the interior of t�e chateau; but before clambering through the wIndow, she had undressed, figuring she "would feel more free." And when she had come back out after me, terrified by me, she found that the wind had c�rried off her dress. Meanwhile, she kept observIng Marcelle, and it never crossed her mind to ask me why I was naked.
The girl in the window disappeared. A moment that seemed immense crawled by: she switched on the light in her room. Finally, she came back to breathe the open air and gaze at the ocean. Her sleek, pallid hair was caught in the wind, we could make out her features: she had not changed, but now there was something wild in her eyes, something restless, contrasting with the still childlike simplicity of her features. She looked thir­ teen rather than sixteen. Under her nightgown we could distinguish her thin but full body, firm' u�ob­ trusive, and as beautiful as her fixed stare.
When she finally caught sight of us, the sur- prIse seemed to restore life to her face. She called, but we couldn't hear. We beckoned. She blushed up to her ears. Simone, weeping almost, while I lov-
ingly caressed her forehead, sent her kisses, to which she responded without smiling. Next, Simone ran her hand down her belly to her beaver. Marcelle imitated her, and poising one foot on the
sill, she exposed a leg sheathed in a white silk stocking almost up to her blond cunt. Curiously, she was wearing a white belt and white stockings, whereas black-haired Simone, whose cunt was in my hand, was wearing a black belt and black
stockings. Meanwhile, the two girls were jerking off
with terse, brusque gestures, face to face in the howling night. They were nearly motionless, and tense, and their eyes gaped with unrestrained joy. But soon, some invtsible monstrosity appeared to be yanking Marcelle away from the bars, though
her left hand clutched them with all her might. We saw her tumble back into her delirium. And all that remained before us was an empty, glowing window, a rectangular hole piercing the opaque night, showing our aching eyes a world composed of
lightning and dawn.
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Story of the Eye
stream of light and blood, for Marcelle could climax only by drenching herself, not with blood, but with a spurt of urine that was limpid and even illuminated for me, at first violent and jerky like hiccups, then free and relaxed and coinciding with an outburst of superhuman happiness. It is not
t astonishing tha the bleakest and most leprous
aspects of a dream are merely an urging in that direction, an obstinate waiting for totaljoy, like the vision of that glowing hole, the empty window, for example, at the very moment when Marcelle lay sprawling on the floor, endlessly inundating it.
But that day, in the rainless tempest, Simone and I, our clothing lost, were forced to leave the chateau, fleeing like animals through the hostile darkness, our imaginations haunted by the despondency that was bound to take hold of Mar­ celle again, making the wretched inmate almost an embodiment of the fury and terror that kept driv­ ing our bodies to endless debauchery. We soon found our bicycles and could offer one another the irritating and theoretically unclean sight of a naked though shod body on a machine. We pedalled rapidly, without laughing or speaking, peculiarly satisfied with our mutual presences, akin to one another in the common isolation of lewd­ ness, weariness, and absurdity.
Yet we were both literally perishing of fatigue. In the middle of a slope, Simone halted, saying she had the shivers. Our faces, backs, and
I,
,!
� CHAPTER FIVE A Trickle ofBlood
Urine is deeply associated for me with salt­ peter; and lightning, I don't know why, with an antique chamber pot of unglazed earthenware, lying abandoned one rainy autumn day on the zinc roof of a provincial wash house. Since that first night at the sanitarium, those wrenching images
were closely knit, in the obscurest part of my brain, with the cunt and the drawn and dismal expression I had sometimes caught on Marcelle's face. But then, this chaotic and dreadful landscape of my imagination was suddenly inundated by a
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legs were bathed in sweat, and hands over one another, our soaked and burning bodies; despite a more and more vigorous massage, flesh and clattering teeth. I stripped off one of her stockings to wipe her body, odor recalling the beds of sickness or debauchery.
Little by little, more bearable state, and lips as a token of gratitude.
I was still extremely agitated. We had ten more kilometers to go,
we obViously had to reach X by dawn. I could barely keep upright and despaired of ever reaching the end of this ride through the impossible. We had abandoned the real world,
of dressed people, was already so remote as to seem almost beyond reach. Our personal hallucination now developed as boundlessly as perhaps the total nightmare of human society, atmosphere .
A leather seat clung to Simone's bare cunt, which was inevitablyjerked by the legs pumping up and down on the spinning pedals. Furthermore, the rear wheel vanished indefinitely to my eyes, not only in the bicycle fork but virtually in the
crevice of the cyclist's naked ass: the rapid whirling of the dusty tire was also directly comparable to both the thirst in my throat and my erection,
which ultimately had to plunge into the depths of the cunt sticking to the bicycle seat. The wind had died down somewhat, was visible. And it struck me that death was the sole outcome of my erection,
killed, sonal vision was certain to be replaced by the pure stars, realizing in a cold state, detours, my sexual licentiousness: a geometric incandes­ cence (among other things, the life and death, fulgurating.
Yet, contradiction of a prolonged state of exhaustion and an absurd rigidity of my penis. Now it was difficult for Simone to see this rigidity, because of the darkness, swift rising of my left leg, stiffness by turning the pedal. Yet I felt I could see her eyes, stantly, p o i n t o f m y b o d y, more and more vehemently on the seat, pincered between her buttocks. Like myself, she had not yet drained the tempest evoked by the shamelessness of her cunt, husky moans; she was literally torn away by joy, and her nude body was hurled upon an embank­ ment with an awful scraping of steel on the pebbles
GEORGES BATAILLE Story ofthe Eye
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GEORGES BATAILLE
and a piercing shriek.
I found her inert, he head hanging down, a thin trickle of blood running from the corner of her mouth. Horrified to the limit of my strength, I pulled up one arm, but it fell back inert. I threw myself upon the lifeless body, trembling with fear, and as I clutched it in an embrace, I was overcome with bloody spasms, my lower lip drooling and my teeth bared like a leering moron.
Meanwhile, Simone was slowly coming to: her arm touched me in an involuntary movement, and I quickly returned from the torpor overwhelm­ ing me after I had besmirched what I thought was a corpse. No injury, no bruise marked the body, which was still clad in the garter belt and a single stocking. I took her in my arms and carried her down the road, heedless of my fatigue; I walked as fast as I could because the day was just breaking, but only a superhuman effort allowed me to reach the villa and happily put my marvelous friend alive in her very own bed.
The sweat was pissing from my face and all over my body, my eyes were bloody and swollen, my ears screeching, my teeth chattering, my tem­ ples and my heart drumming away. But since I had
just rescued the person I loved most in the world, and since I thought we would soon be seeing Mar­ celle, I lay down next to Simone's body just as I was, soaked and full of coagulated dust, and soon I drifted off into vague nightmares.
I
CHAPTER SIX
Simone
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35
the period following Simone's minor accident, which only left her ill. Whenever her mother came, I would step into the bathroom. Usually, I took
the first time the woman tried to enter, she was immediately stopped by her daughter:
man in there." missed before long, and I would take my place
One of the most peaceful eras of my life was
advantage of these moments to piss or even bathe;
"Don't go in," she said, "there's a naked Each time, however, the mother was dis-
GEORGES BATAILLE
again in a chair next to the sickbed. I smoked cigarettes, went through newspapers, and if there were any items about crime or violence, I would read them aloud. From time to time, I would carry a feverish Simone to the bathroom to help her pee and then I would carefully wash her on the bidet: She was extremely weak and naturally I never stroked her seriously; but nevertheless she soon delighted in having me throw eggs int� the toilet bowl, hard-boiled eggs, which sank, and shells sucked �ut in v�rious degrees to obtain varying
levels of ImmerSIon. She would sit for a long time gazing at the eggs. Then she would settle on th� toilet to view them under her cunt between the parted thighs; and finally, she would have me flush the bowl.
Another game was to crack a fresh egg on the edge of the bidet and empty it under her: sometimes she would piss on it, sometimes she had me strip naked and swallow the raw egg from the bottom of the bidet. She did promise that as soon as she was well again, she would do the same for me and also for Marcelle.
At that time, we imagined Marcelle, with her dress tucked up, but her body covered and her feet shod: we would put her in a bath tub filled with fresh eggs, and she would pee while crushing them Simone also daydreamed about my holding Mar� celle, this time with nothing on but her garter-belt and stockings, her cunt aloft, her legs bent, and
Story of the Eye
36
her head down; Simone herself, in a bathrobe drenched in hot water and thus clinging to her body but exposing her bosom, would then get up on a white enameled chair with a cork seat. I would arouse her breasts from a distance by lifting the tips on the heated barrel of a long service revolver that had been loaded and just fired (first of all, this would shake us up, and secondly, it would give the barrel a pungent smell of powder). At the same time, she would pour a jar of dazzling white creme fraiche on Marcelle's gray anus, and she would also urinate freely in her robe or, if the robe were ajar, on Marcelle's back or head, while I could piss
on Marcelle from the other side (I would certainly piss on her breasts). Furthermore, Marcelle herself could fully inundate me if she liked, for while I held her up, her thighs would be gripping my neck. And she could also stick my cock in her mouth, and what not.
It was after such dreams that Simone would ask me to bed her down on blankets by the toilet, and she would rest her head on the rim of the bowl and fix her wide eyes on the white eggs. I myself settled comfortably next to her so that our cheeks and temples might touch. We were calmed by the long contemplation. The gulping gurgle of the flushing water always amused Simone, making her
forget her obsession and ultimately restoring her high spirits.
At last, one day at six, when the oblique
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sunshine was directly lighting the bathroom, a half-sucked egg was suddenly invaded by the water, and after filling up with a bizarre noise, it was ship­ wrecked before our very eyes. This incident was so extraordinarily meaningful to Simone that her body tautened and she had a long climax, virtually drinking my left eye between her lips. Then, with­ out leaving the eye, which was sucked as obsti­ nately as a breast, she sat down, wrenching my head toward her on the seat, and she pissed noisily on the bobbing eggs with total vigor and satisfaction.
As of now she could be regarded as cured, and she demonstrated her joy by speaking to me at length about various intimate things, whereas ordinarily she never spoke about herself or me. Smiling, she admitted that an instant ago, she had felt a strong urge to relieve herself completely, but had held back for the sake of greater pleasure. Truly, the urge bloated her belly and particularly made her cunt swell up like a ripe fruit; and when I passed my hand under the sheets and her cunt gripped it firm and tight, she remarked that she was still in the same state and that it was inordinately pleasant. Upon my asking what the word urinate reminded her of, she replied: terminate, the eyes, with a razor, something red, the sun. And egg?A calf's eye, because of the color of the head (the calf's head) and also because the white of the egg was the white of the eye, and the yolk the eyeball.
The eye, she said, was egg-shaped. She asked me to promise that when we could go outdoors, I would
38
Story of the Eye
fling eggs into the sunny air and break them with shots from my gun, and when I replied that it was out of the question, she talked on and on, trying to reason me into it. She played gaily with words, speaking about broken eggs, and then broken eyes, and her arguments became more and more unreasonable.
She added that, for her, the smell of the ass was the smell of powder, a jet of urine a "gunshot seen as a light;" each of her buttocks was a peeled hard-boiled egg. We agreed to send for hot soft­ boiled eggs without shells, for the toilet, and she promised that when she now sat on the seat, she would ease herself fully on those eggs. Her cunt was still in my hand and in the state she had described; and after her promise, a storm began brewing little by little in my innermost depth-I was reflecting more and more.
It is fair to say that the room of a bedridden invalid is j ust the right place for gradually rediscov­ ering childhood lewdness. I gently sucked Simone's breast while waiting for the soft-boiled eggs, and she ran her fingers through my hair. Her mother was the one who brought us the eggs, but I didn't even turn around, I assumed it was a maid, and I kept on sucking the breast contentedly. Nor was I ultimately disturbed when I recognized the voice, but since she remained and I couldn't pass up even one instant of my pleasure, I thought of pulling
down my pants as for a call of nature, not ostenta­ tiously, but merely hoping she would leave and
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GEORGES BATAILLE
delighted at going beyond all limits. When she finally decided to walk out and vainly ponder over her dismay elsewhere, ering,
bathroom. Simone settled on the toilet, each ate one of the hot eggs with salt. With the three that were left, ing them between her buttocks and thighs, slowly dropped them into the water one by one. Finally, white, seeing them peeled, her beautiful cunt), sion with a plopping noise akin to that of the soft­ boiled eggs.
But I ought to say that nothing of the sort ever happened between us again, exception, no further eggs ever came up in our conversations; nevertheless,
notice one or more, when our eyes met in a silent and murky in terrogation .
At any rate, thistale, thatthis
without an answer indefinitely, this unexpected answer is necessary for measuring the immensity of the void that yawned before us, without our knowledge, tainments with the eggs.
and
I
CHAPTER SEVEN
Marcelle aft and
By a sort of shared modesty, had always avoided talking about the most impor­ tant objects of our obsessions. That was why the word egg was dropped from our vocabulary, never spoke about the kind of interest we had in one another, to us. We spent all of Simone's illness in a bed­ room, to Marcelle, the end of the last class in school, talked about was the day we would return to the
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GEORGES BATAILLE
StoryoftheEye
chateau. I had prepared a small cord, a thick, knot­ ted rope, and a hacksaw, all of which Simone examined with the keenest interest, peering atten­ tively at each knot and section of the rope. I also managed to find the bicycles, which I had con­ cealed in a thicket the day of our tumble, and I meticulously oiled the various parts, the gears, ball bearings, sprockets, etc. I then attached a pair of toe-clips to my own bicycle so that I could seat one of the girls in back. Nothing could be easier, at least for the time being, than to have Marcelle living in Simone's room secretly like myself. We would simply be forced to share the bed (and we would inevitably have to use the same bathtub, etc.).
But a good six weeks passed before Simone could pedal after me reasonably well to the sanitar­ ium. Like the previous time, we left at night: in fact, I still kept out of sight during the day, and this time there was certainly every reason for remain­ ing inconspicuous. I was in a hurry to arrive at the place that I dimly regarded as a "haunted castle," due to the association of the words sanitarium and castle, and also the memory of the phantom sheet and the thought of the lunatics in a huge silent dwelling at night. But now, to my surprise, even though I was ill at ease anywhere in the world, I felt at bottom as if I were going home. And that was indeed my impression when we jumped over the park wall and saw the huge building stretching
out ahead beyond the trees: only Marcelle's win­ dow was still aglow and wide open. Taking some pebbles from a lane, we threw them into her chamber and they promptly summoned the girl, who quickly recognized us and obeyed our gesture of putting a finger on our lips. But of course we also held up the knotted rope to let her understand what we were doing this time. I hurled the cord up to her with the aid of a rock, and she threw it back after looping it around a bar. There were no diffi­ culties, the big rope was hoisted by Marcelle and fastened to the bar, and I scrambled all the way up.
Marcelle flinched when I tried to kiss her. She merely watched me very attentively as I started filing away at a bar. Since she only had a bathrobe on, I softly told her to get dressed so she could come with us. She simply turned her back to pull flesh-colored stockings over her legs, securing them on a belt of bright red ribbons that brought out an ass with a perfect shape and an exception­ ally fine skin. I continued filing, bathed in sweat because of both my effort and what I saw. Her back still towards me, Marcelle pulled a blouse over long, flat hips, whose straight lines were admirably terminated by the ass when she had one foot on a chair. She did not slip on any panties, only a pleated, gray woolen skirt and a sweater with very tiny black, white, and red checks. After stepping into flat-heeled shoes, she came over to the window
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GEORGES BATAILLE
Story of the Eye
and sat down close enough to me so that my one hand could caress her head, her lovely short hair, so sleek and so blond that it actually looked pale. She gazed at me affectionately and seemed touched by my wordless j oy at seeing her.
"Now we can get married, can't we?" she finally said, gradually won over. "It's very bad here, we suffer . . . ."
At that point, I would never have dreamt for even an instant that I could do anything but devote the rest of my life to such an unreal apparition. She let me give her a long kiss on her forehead and her eyes, and when one of her hands happened to touch my leg, she looked at me wide-eyed, but before withdrawing her hand, she ran it over my clothes absent-mindedly.
After long work, I succeeded in cutting through the filthy bar. I pulled it aside with all my strength, which left enough space for her to squeeze through. She did so, and I helped her des­ cend, climbing down underneath, which forced me to see the top of her thigh and even to touch it when I supported her. Reaching the ground, she snuggled in my arms and kissed my mouth with all her strength, while Simone, sitting at our feet, her
eyes wet with tears, flung her hands around Mar­ celle's legs, hugging her knees and thighs. At first, she only rubbed her cheek against the thigh, but
then, unable to restrain a huge surge of joy, she finally yanked the body apart, pressing her lips to the cunt, which she greedily devoured.
However, Simone and I realized that Marcelle grasped absolutely nothing of what was going on and she was actually incapable of telling one situa­ tion from another. Thus she smiled, imagining how aghast the director of the "haunted castle" would be to see her strolling through the garden with her husband. Also, she was scarcely aware of Simone's existence; mirthfully, she at times mis­ took her for a wolf because of her black hair, her silence, and because Simone's head was docilely rubbing Marcelle's thigh, like a dog nuzzling his master's leg. Nonetheless, when I spoke to Marcelle about the "haunted castle," she did not ask me to explain; she understood that this was the building where she had been wickedly locked up. And when­
ever she thought of it, her terror pulled her away from me as though she had seen something pass through the trees. I watched her uneasily, and since my face was already hard and somber, I too frightened her, and almost at the same instant she asked me to protect her when the Cardinal returned.
We were lying in the moonlight by the edge of a forest. We wanted to rest a while during our trip back and we especially wanted to embrace and
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GEORGES BATAILLE
stare at Marcelle. "But who is the Cardinal?" Simone asked
her.
"The man who locked me in the wardrobe," said Marcelle. �
"But why is he a cardinal?" I cried.
She replied: "Because he is the priest of the guillotine."
I now recalled Marcelle's dreadful fear when she left the wardrobe, and particularly two details: I had been wearing a blinding red carnival novelty, a Jacobine liberty cap; furthermore, because of the deep cuts in a girl I had raped, my face, clothes, hands-all parts of me were stained with blood.
Thus, in her terror, Marcelle confused a cardinal, a priest of the guillotine, with the blood­ smeared executioner wearing a liberty cap: a bizarre overlapping of piety and abomination for priests explained the confusion, which, for me, has remained attached to both my hard reality and the horror continually aroused by the compulsiveness of my actions.
CHAPTER EIGHT
.j I
The Open Eyes of t h e De adwom an
For a moment, I was totally helpless after this unexpected discovery; and so was Simone. Marcelle was now half asleep in my arms, so that we didn't know what to do. Her dress was pulled up, exposing the gray beaver between red ribbons
at the end of long thighs, and it had thereby become an extraordinary hallucination in a world so frail that a mere breath might have changed us into light. We didn't dare budge, and all we desired was for that unreal immobility to last as long as
possible, and for Marcelle to fall sound asleep. My mind reeled in some kind of exhausting
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GEORGES BATAILLE
StoryoftheEye
vertigo, have been if Simone, cheted between my eyes and Marcelle's nudity, not made a sudden, her thighs, hold back any longer.
She soaked her dress in a long convulsion that fully denuded her and promptly made me spurt a wave ofjizm in my clothes.
I stretched out in the grass,
large, the milky way, and heavenly urine across the cranial vault formed by the ring of constellations: that open crack at the summit of the sky, cal vapors shining in the immensity (in empty space, where they er's crow in total silence), eye, rock, ity. The nauseating crow of a rooster in particular coincided with my own life, that Cardinal, discordant shrieks he provoked in the wardrobe, and also because one cuts the throats of roosters.
To others, because decent people have gelded eyes. That is why they fear lewdness. They are never frightened
by the crowing of a rooster or when strolling under a starry heaven. In general, sures of the flesh" only on condition that they be insipid .
But as of then, did not care for what is known as "pleasures of the flesh" because they really are insipid; I cared only for what is classified as "dirty." On the other hand, I was not even satisfied with the usual debauchery, because the only thing it dirties is debauchery itself, lime and perfectly pure is left intact by it. My kind of debauchery soils not only my body and my thoughts, course, which merely serves as a backdrop.
I associate the moon with the vaginal blood of mothers,
Sickening stench . . . . I loved Marcelle without mourning her. If
she died, if I sometimes locked myself up in a cellar for hours at a time preCisely because I was thinking ab out Marcelle, pared to start all over again, ing her hair, she is dead, trophes that bring me to her at times when I least expect it. Otherwise, the least kinship now between the dead girl and
and
sa
flat ro
or my o bounci
be
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GEORGES BATAILLE
Story ofthe Eye
myself, which makes most of my days inevitably dreary.
will merely report here that Marcelle hanged herself after a dreadful incident. She rec­ ognized the huge bridal wardrobe, and her teeth started chattering: she instantly realized upon looking at me that I was the man she called the Cardinal, and when she began shrieking, there was no other way for me to stop that desperate howling than to leave the room. By the time Simone and I returned she was hanging inside the wardrobe . . . .
I cut the rope, but she was quite dead. We laid her out on the carpet. Simone saw I was get­ ting a hard-on and she startedjerking me off. I too stretched out on the carpet. It was impossible to otherwise; Simone was still a virgin, and I fucked her for the first time, next to the corpse. It was very painful for both of us, but we were glad precisely because it was painful. Simone stood up and gazed at the corpse. Marcelle had become a total stranger, and in fact, so had Simone at that moment. I no longer cared at all for either Simone or Marcelle. Even if someone had told me it was I who had just died, I would not even have been astonished, so alien were these events to me. I observed Simone, and, as I precisely recall, my only pleasure was in the smutty things Simone was doing, for the corpse was very irritating to her, as though she could not bear the thought that this
creature, so similar to her, could not feel her any­ more. The open eyes were more irritating than anything else. Even when Simone drenched the face, those eyes, extraordinarily, did not close. We were perfectly calm, all three of us, and that was the most hopeless part of it. Any boredom in the world is linked, for me, to that moment and, above all, to an obstacle as ridiculous as death. But that won't prevent me from thinking back to that time with no revulsion and even with a sense of com­ plicity. Basically, the lack of excitement made everything far more absurd, and thus Marcelle was closer to me dead than in her lifetime, inasmuch as absurd existence, so I imagine, has all the prerogatives.
As for the fact that Simone dared to piss on the corpse, whether in boredom or, at worst, in irritation: it mainly goes to prove how impossible it was for us to understand what was happening, and of course, it is no more understandable today than back then. Simone, being truly incapable of con­ ceiving death such as one normally considers it, was frightened and furiOUS, but in no way awe­ struck. Marcelle belonged to us so deeply in our isolation that we could not see her as j ust another corpse. Nothing about her death could be mea­ sured by a common standard, and the contradic­ tory impulses overtaking us in this circumstance neutralized one another, leaving us blind and, as it were, very remote from anything we touched, in a
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rI
world where gestures have no carrying power, like voices in a space that is absolutely soundless.
52
� CHAPTER NINE LewdAnimals
To avoid the bother of a police investiga­ tion, we instantly took off for Spain, where Simone was counting on our disappearing with the help of a fabulously rich Englishman, who had offered to support her and would be more likely than anyone else to show interest in our plight.
The villa was abandoned in the middle of the night. We had no trouble stealing a boat, reach­ ing an obscure point on the Spanish coast, and burning up the craft with the aid of two drums of gasoline we had taken along, as a precautionary
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measure, from the garage of the villa. Simone left me concealed in a wood during the day and went to look for the Englishman in San Sebastian. She only came back at nightfall, but driving a magnifi­ cent automobile, with suitcases full of linen and rich clothing.
Simone said that Sir Edmond would join us in Madrid and all day long he had been plying her with the most detailed questions about Marcelle's death, making her draw diagrams and sketches. Finally he had told a servant to buy a wax manne­ quin with a blonde wig; he had then laid the figure out on the floor and asked Simone to urinate on its face, on the open eyes, in the same position as she had urinated on the eyes of the corpse: during all that time, Sir Edmond had not even touched her.
However, there had been a great change in Simone after Marcelle's suicide-she kept staring into space all the time, looking as if she belonged to something other than the terrestrial world, where almost everything bored her; or if she was still attached to this world, then purely by way of orgasms, that were rare, but incomparably more violent than before. These orgasms were as differ­ ent from normal climaxes as, say, the mirth of sav­ age Africans from that of Occidentals. In fact, though the savages may sometimes laugh as mod­ erately as whites, they also have long-lasting jags,
with all parts of the body in violent release, and
GEORGES BATAILLE
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Story of the Eye
they go whirling willy-nilly, flailing their arms about wildly, shaking their bellies, necks, and chests, and chortling and gulping horribly. As for Simone, she would first open uncertain eyes, at some lewd and dismal sight . . . .
For example, Sir Edmond had a cramped, windowless pigsty, where one day he locked up a petite and scrumptious streetwalker from Madrid; wearing only cami-knickers, she collapsed in a pool of liquid manure under the bellies of the grunting swine. Once the door was shut, Simone had me fuck her on and on, in front of that door, with her ass in the mud, under a fine drizzle of rain, while Sir Edmond jerked off.
Gasping and slipping away from me, Simone grabbed her own ass in both hands and threw back her head, which banged violently against the ground; she tensed·breathlessly for a few seconds, pulling with all her might on the fingernails buried in her ass, then tore herself away at one swoop and thrashed about on the ground like a headless chicken, hurting herself with a terrible bang on the
door fittings. Sir Edmond gave her his wrist to bite on and allay the spasm that kept shaking her, and I saw that her face was smeared with saliva and blood.
After these huge fits, she always came to nestle in my arms; she settled her little ass comfort­ ably in my large hands and remained there for a
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Story of the Eye
long time without moving or speaking, huddled like a little girl, but always somber.
Sir Edmond deployed his ingenuity at pro­ viding us with obscene spectacles at random, but Simone still preferred bullfights. There were actu­ ally three things about bullfights that fascinated her: the first, when the bull comes hurtling out of the bullpen like a big rat; the second, when its horns plunge all the way into the flank of a mare; the third, when that ludicrous, raw-boned mare gallops across the arena, lashing out unseasonably and dragging a huge, vile bundle of bowels between her thighs in the most dreadful wan colors, a pearly white, pink, and gray. Simone's heart throbbed fastest when the exploding bladder dropped its mass of mare's urine on the sand in one quick plop.
She was on tenterhooks from start to finish at the bullfight, in terror (which of course mainly expressed a violent desire) at the thought of seeing the toreador hurled up by one of the monstrous lunges of the horns when the bull made its endless, blindly raging dashes at the void of colored cloths.
And there is something else I ought to say: When the bull makes its quick, brutal, thrusts over and over again into the matador's cape, barely grazing the erect line of the body, any spectator has that feeling of total and repeated lunging typical of the game of coitus. The utter nearness of death is also
felt in the same way. But these series of prodigious passes are rare. Thus, each time they occur, they unlease a veritable delirium in the arena, and it is well kn own that at such thrilling instants th e women jerk off by merely rubbing their thighs together.
Apropos bullfights, Sir Edmond once told Simone that until quite recently, certain virile Spaniards, mostly occasional amateur toreadors, used to ask the caretaker of the arena to bring them the fresh, roasted balls of one of the first bulls to be killed. They received them at their own seats, in the front row of the arena, and ate them while watching the killing of the next few bulls. Simone took a keen interest in this tale, and since we were attending the first major bullfight of the year that Sunday, she begged Sir Edmond to get her the balls of the first bull, but added one condition: they had to be raw.
"I say," objected Sir Edmond, "w?atever d� you want with raw balls? You certaInly don t intend to eat raw balls now, do you?"
"I want to have them before me on a plate," concluded Simone.
56
57
� CHAPTER TEN Granero'8 Eye
On May 7, 1922, the toreadors La Rosa, Lalanda, and Granero were to fight in the arena of Madrid; the last two were renowned as the best matadors in Spain, and Granero was generally considered superior to L

*promote

The poem is very odd, but I think it's about one man's tranquility and peace gained when he has some time to himself to do things (if others saw) some might consider repugnant and distasteful. He is able to meditate into an "alternate" state to appreciate the small bit of quietness gained from the "loneliness".

In this instance he likes to dance naked, in the morning when his household is at peace (all is well). Though others and himself find his body ugly to look at, he is able to see past this and appreciate form and function (he is a doctor after all). But, he hides it still as the curtains are "drawn".

But, he knows what a simple thing this is and it gives him comfort. He knows what solace is for a person and why he needs it; from time, to another time... But, the (his) darkside and loneliness is there. Is he scared of losing his family? Loneliness is a form of solace, BUT without Kathleen & the baby...them...sleeping in that room -- it's madness not solace; the dance is over.

The song seems to be a counterpoint in some ways to this in that their (Hurt or the writer of the song) solace IS being with who they love.

Thomas Jefferson was hardly left and mostly revolutionary. These inconvienent facts are as clear as day. The United States is meant to be Secular. Meaning wholly and unequivocally neutral on religion; "thus building a wall of separation between Church & State."

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

-The First

I contemplate with sovereign reverence that act of the whole American people which declared that their legislature should 'make no law respecting an establishment of religion, or prohibiting the free exercise thereof,' thus building a wall of separation between Church & State."[1]

-Thomas Jefferson in a letter to the Danbury Baptists Association.

The above which as I understand it was then interpreted by the Supreme Court to mean exactly that, a Wall of Separation between church and state. I shouldn't have to link specific cases but to name a few; Torcaso v Watkins 1961, McCollum v. Board of Education Dist. 71, Stone v. Graham, and of course Lemon v. Kurtzman.

As the Government of the United States of America is not, in any sense, founded on the Christian religion; as it has in itself no character of enmity against the laws, religion, or tranquillity, of Mussulmen; and, as the said States never entered into any war, or act of hostility against any Mahometan nation, it is declared by the parties, that no pretext arising from religious opinions, shall ever produce an interruption of the harmony existing between the two countries.[47]

-Treaty of Tripoli Article 11.

http://en.wikipedia.org/wiki/Establishment_Clause_of_the_First_Amendment
http://en.wikipedia.org/wiki/Separation_of_Church_and_State
http://en.wikipedia.org/wiki/Separation_of_church_and_state_in_the_United_States

All this was for @quantumushroom.

Tranquilizer darts? Nah, let's use a hose!
"Then I'll jam my thumb up his bum, that'll REALLY piss him off!"

Good idea tranquilizing it before you chuck it in the stew.

You have been awarded 1 Power Point for fixing the embed code for Dead Pool video Old School - Tranquilizer Gun scene. Thank you for helping maintain VideoSift's reliability.

"Art. 11. As the Government of the United States of America is not, in any sense, founded on the Christian religion,—as it has in itself no character of enmity against the laws, religion, or tranquility, of Mussulmen,—and as the said States never entered into any war or act of hostility against any Mahometan nation, it is declared by the parties that no pretext arising from religious opinions shall ever produce an interruption of the harmony existing between the two countries."
- Treaty of Tripoli, November 4, 1796

Who is re-writing history exactly?

"It is of great importance in a republic not only to guard the society against the oppression of its rulers, but to guard one part of the society against the injustice of the other part."
- Federalist No. 51

They were well aware of the pitfalls this country would likely fall in when they founded it.

Now this is amazingly beautiful. The music fits it perfectly. Its almost like one of those things that you see and its see i don’t know so simple and different that it just makes you stop and think. It’s so strange yet just simply tranquil and serene. Sharm El Sheikh Sightseeing *sigh* I love it probably could say it is one of my all time favorite videos if not my favorite. Its as if for a time you get to fly over what would normally be dry land.

EDWARD R. MURROW

RTNDA Convention
Chicago
October 15, 1958

This just might do nobody any good. At the end of this discourse a few people may accuse this reporter of fouling his own comfortable nest, and your organization may be accused of having given hospitality to heretical and even dangerous thoughts. But the elaborate structure of networks, advertising agencies and sponsors will not be shaken or altered. It is my desire, if not my duty, to try to talk to you journeymen with some candor about what is happening to radio and television.

I have no technical advice or counsel to offer those of you who labor in this vineyard that produces words and pictures. You will forgive me for not telling you that instruments with which you work are miraculous, that your responsibility is unprecedented or that your aspirations are frequently frustrated. It is not necessary to remind you that the fact that your voice is amplified to the degree where it reaches from one end of the country to the other does not confer upon you greater wisdom or understanding than you possessed when your voice reached only from one end of the bar to the other. All of these things you know.

You should also know at the outset that, in the manner of witnesses before Congressional committees, I appear here voluntarily-by invitation-that I am an employee of the Columbia Broadcasting System, that I am neither an officer nor a director of that corporation and that these remarks are of a "do-it-yourself" nature. If what I have to say is responsible, then I alone am responsible for the saying of it. Seeking neither approbation from my employers, nor new sponsors, nor acclaim from the critics of radio and television, I cannot well be disappointed. Believing that potentially the commercial system of broadcasting as practiced in this country is the best and freest yet devised, I have decided to express my concern about what I believe to be happening to radio and television. These instruments have been good to me beyond my due. There exists in mind no reasonable grounds for personal complaint. I have no feud, either with my employers, any sponsors, or with the professional critics of radio and television. But I am seized with an abiding fear regarding what these two instruments are doing to our society, our culture and our heritage.

Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or color, evidence of decadence, escapism and insulation from the realities of the world in which we live. I invite your attention to the television schedules of all networks between the hours of 8 and 11 p.m., Eastern Time. Here you will find only fleeting and spasmodic reference to the fact that this nation is in mortal danger. There are, it is true, occasional informative programs presented in that intellectual ghetto on Sunday afternoons. But during the daily peak viewing periods, television in the main insulates us from the realities of the world in which we live. If this state of affairs continues, we may alter an advertising slogan to read: LOOK NOW, PAY LATER.

For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities which must be faced if we are to survive. I mean the word survive literally. If there were to be a competition in indifference, or perhaps in insulation from reality, then Nero and his fiddle, Chamberlain and his umbrella, could not find a place on an early afternoon sustaining show. If Hollywood were to run out of Indians, the program schedules would be mangled beyond all recognition. Then some courageous soul with a small budget might be able to do a documentary telling what, in fact, we have done--and are still doing--to the Indians in this country. But that would be unpleasant. And we must at all costs shield the sensitive citizens from anything that is unpleasant.

I am entirely persuaded that the American public is more reasonable, restrained and more mature than most of our industry's program planners believe. Their fear of controversy is not warranted by the evidence. I have reason to know, as do many of you, that when the evidence on a controversial subject is fairly and calmly presented, the public recognizes it for what it is--an effort to illuminate rather than to agitate.

Several years ago, when we undertook to do a program on Egypt and Israel, well-meaning, experienced and intelligent friends shook their heads and said, "This you cannot do--you will be handed your head. It is an emotion-packed controversy, and there is no room for reason in it." We did the program. Zionists, anti-Zionists, the friends of the Middle East, Egyptian and Israeli officials said, with a faint tone of surprise, "It was a fair count. The information was there. We have no complaints."

Our experience was similar with two half-hour programs dealing with cigarette smoking and lung cancer. Both the medical profession and the tobacco industry cooperated in a rather wary fashion. But in the end of the day they were both reasonably content. The subject of radioactive fall-out and the banning of nuclear tests was, and is, highly controversial. But according to what little evidence there is, viewers were prepared to listen to both sides with reason and restraint. This is not said to claim any special or unusual competence in the presentation of controversial subjects, but rather to indicate that timidity in these areas is not warranted by the evidence.

Recently, network spokesmen have been disposed to complain that the professional critics of television have been "rather beastly." There have been hints that somehow competition for the advertising dollar has caused the critics of print to gang up on television and radio. This reporter has no desire to defend the critics. They have space in which to do that on their own behalf. But it remains a fact that the newspapers and magazines are the only instruments of mass communication which remain free from sustained and regular critical comment. If the network spokesmen are so anguished about what appears in print, let them come forth and engage in a little sustained and regular comment regarding newspapers and magazines. It is an ancient and sad fact that most people in network television, and radio, have an exaggerated regard for what appears in print. And there have been cases where executives have refused to make even private comment or on a program for which they were responsible until they heard'd the reviews in print. This is hardly an exhibition confidence.

The oldest excuse of the networks for their timidity is their youth. Their spokesmen say, "We are young; we have not developed the traditions nor acquired the experience of the older media." If they but knew it, they are building those traditions, creating those precedents everyday. Each time they yield to a voice from Washington or any political pressure, each time they eliminate something that might offend some section of the community, they are creating their own body of precedent and tradition. They are, in fact, not content to be "half safe."

Nowhere is this better illustrated than by the fact that the chairman of the Federal Communications Commission publicly prods broadcasters to engage in their legal right to editorialize. Of course, to undertake an editorial policy, overt and clearly labeled, and obviously unsponsored, requires a station or a network to be responsible. Most stations today probably do not have the manpower to assume this responsibility, but the manpower could be recruited. Editorials would not be profitable; if they had a cutting edge, they might even offend. It is much easier, much less troublesome, to use the money-making machine of television and radio merely as a conduit through which to channel anything that is not libelous, obscene or defamatory. In that way one has the illusion of power without responsibility.

So far as radio--that most satisfying and rewarding instrument--is concerned, the diagnosis of its difficulties is rather easy. And obviously I speak only of news and information. In order to progress, it need only go backward. To the time when singing commercials were not allowed on news reports, when there was no middle commercial in a 15-minute news report, when radio was rather proud, alert and fast. I recently asked a network official, "Why this great rash of five-minute news reports (including three commercials) on weekends?" He replied, "Because that seems to be the only thing we can sell."

In this kind of complex and confusing world, you can't tell very much about the why of the news in broadcasts where only three minutes is available for news. The only man who could do that was Elmer Davis, and his kind aren't about any more. If radio news is to be regarded as a commodity, only acceptable when saleable, then I don't care what you call it--I say it isn't news.

My memory also goes back to the time when the fear of a slight reduction in business did not result in an immediate cutback in bodies in the news and public affairs department, at a time when network profits had just reached an all-time high. We would all agree, I think, that whether on a station or a network, the stapling machine is a poor substitute for a newsroom typewriter.

One of the minor tragedies of television news and information is that the networks will not even defend their vital interests. When my employer, CBS, through a combination of enterprise and good luck, did an interview with Nikita Khrushchev, the President uttered a few ill-chosen, uninformed words on the subject, and the network practically apologized. This produced a rarity. Many newspapers defended the CBS right to produce the program and commended it for initiative. But the other networks remained silent.

Likewise, when John Foster Dulles, by personal decree, banned American journalists from going to Communist China, and subsequently offered contradictory explanations, for his fiat the networks entered only a mild protest. Then they apparently forgot the unpleasantness. Can it be that this national industry is content to serve the public interest only with the trickle of news that comes out of Hong Kong, to leave its viewers in ignorance of the cataclysmic changes that are occurring in a nation of six hundred million people? I have no illusions about the difficulties reporting from a dictatorship, but our British and French allies have been better served--in their public interest--with some very useful information from their reporters in Communist China.

One of the basic troubles with radio and television news is that both instruments have grown up as an incompatible combination of show business, advertising and news. Each of the three is a rather bizarre and demanding profession. And when you get all three under one roof, the dust never settles. The top management of the networks with a few notable exceptions, has been trained in advertising, research, sales or show business. But by the nature of the coporate structure, they also make the final and crucial decisions having to do with news and public affairs. Frequently they have neither the time nor the competence to do this. It is not easy for the same small group of men to decide whether to buy a new station for millions of dollars, build a new building, alter the rate card, buy a new Western, sell a soap opera, decide what defensive line to take in connection with the latest Congressional inquiry, how much money to spend on promoting a new program, what additions or deletions should be made in the existing covey or clutch of vice-presidents, and at the same time-- frequently on the same long day--to give mature, thoughtful consideration to the manifold problems that confront those who are charged with the responsibility for news and public affairs.

Sometimes there is a clash between the public interest and the corporate interest. A telephone call or a letter from the proper quarter in Washington is treated rather more seriously than a communication from an irate but not politically potent viewer. It is tempting enough to give away a little air time for frequently irresponsible and unwarranted utterances in an effort to temper the wind of criticism.

Upon occasion, economics and editorial judgment are in conflict. And there is no law which says that dollars will be defeated by duty. Not so long ago the President of the United States delivered a television address to the nation. He was discoursing on the possibility or probability of war between this nation and the Soviet Union and Communist China--a reasonably compelling subject. Two networks CBS and NBC, delayed that broadcast for an hour and fifteen minutes. If this decision was dictated by anything other than financial reasons, the networks didn't deign to explain those reasons. That hour-and-fifteen-minute delay, by the way, is about twice the time required for an ICBM to travel from the Soviet Union to major targets in the United States. It is difficult to believe that this decision was made by men who love, respect and understand news.

So far, I have been dealing largely with the deficit side of the ledger, and the items could be expanded. But I have said, and I believe, that potentially we have in this country a free enterprise system of radio and television which is superior to any other. But to achieve its promise, it must be both free and enterprising. There is no suggestion here that networks or individual stations should operate as philanthropies. But I can find nothing in the Bill of Rights or the Communications Act which says that they must increase their net profits each year, lest the Republic collapse. I do not suggest that news and information should be subsidized by foundations or private subscriptions. I am aware that the networks have expended, and are expending, very considerable sums of money on public affairs programs from which they cannot hope to receive any financial reward. I have had the privilege at CBS of presiding over a considerable number of such programs. I testify, and am able to stand here and say, that I have never had a program turned down by my superiors because of the money it would cost.

But we all know that you cannot reach the potential maximum audience in marginal time with a sustaining program. This is so because so many stations on the network--any network--will decline to carry it. Every licensee who applies for a grant to operate in the public interest, convenience and necessity makes certain promises as to what he will do in terms of program content. Many recipients of licenses have, in blunt language, welshed on those promises. The money-making machine somehow blunts their memories. The only remedy for this is closer inspection and punitive action by the F.C.C. But in the view of many this would come perilously close to supervision of program content by a federal agency.

So it seems that we cannot rely on philanthropic support or foundation subsidies; we cannot follow the "sustaining route"--the networks cannot pay all the freight--and the F.C.C. cannot or will not discipline those who abuse the facilities that belong to the public. What, then, is the answer? Do we merely stay in our comfortable nests, concluding that the obligation of these instruments has been discharged when we work at the job of informing the public for a minimum of time? Or do we believe that the preservation of the Republic is a seven-day-a-week job, demanding more awareness, better skills and more perseverance than we have yet contemplated.

I am frightened by the imbalance, the constant striving to reach the largest possible audience for everything; by the absence of a sustained study of the state of the nation. Heywood Broun once said, "No body politic is healthy until it begins to itch." I would like television to produce some itching pills rather than this endless outpouring of tranquilizers. It can be done. Maybe it won't be, but it could. Let us not shoot the wrong piano player. Do not be deluded into believing that the titular heads of the networks control what appears on their networks. They all have better taste. All are responsible to stockholders, and in my experience all are honorable men. But they must schedule what they can sell in the public market.

And this brings us to the nub of the question. In one sense it rather revolves around the phrase heard frequently along Madison Avenue: The Corporate Image. I am not precisely sure what this phrase means, but I would imagine that it reflects a desire on the part of the corporations who pay the advertising bills to have the public image, or believe that they are not merely bodies with no souls, panting in pursuit of elusive dollars. They would like us to believe that they can distinguish between the public good and the private or corporate gain. So the question is this: Are the big corporations who pay the freight for radio and television programs wise to use that time exclusively for the sale of goods and services? Is it in their own interest and that of the stockholders so to do? The sponsor of an hour's television program is not buying merely the six minutes devoted to commercial message. He is determining, within broad limits, the sum total of the impact of the entire hour. If he always, invariably, reaches for the largest possible audience, then this process of insulation, of escape from reality, will continue to be massively financed, and its apologist will continue to make winsome speeches about giving the public what it wants, or "letting the public decide."

I refuse to believe that the presidents and chairmen of the boards of these big corporations want their corporate image to consist exclusively of a solemn voice in an echo chamber, or a pretty girl opening the door of a refrigerator, or a horse that talks. They want something better, and on occasion some of them have demonstrated it. But most of the men whose legal and moral responsibility it is to spend the stockholders' money for advertising are removed from the realities of the mass media by five, six, or a dozen contraceptive layers of vice-presidents, public relations counsel and advertising agencies. Their business is to sell goods, and the competition is pretty tough.

But this nation is now in competition with malignant forces of evil who are using every instrument at their command to empty the minds of their subjects and fill those minds with slogans, determination and faith in the future. If we go on as we are, we are protecting the mind of the American public from any real contact with the menacing world that squeezes in upon us. We are engaged in a great experiment to discover whether a free public opinion can devise and direct methods of managing the affairs of the nation. We may fail. But we are handicapping ourselves needlessly.

Let us have a little competition. Not only in selling soap, cigarettes and automobiles, but in informing a troubled, apprehensive but receptive public. Why should not each of the 20 or 30 big corporations which dominate radio and television decide that they will give up one or two of their regularly scheduled programs each year, turn the time over to the networks and say in effect: "This is a tiny tithe, just a little bit of our profits. On this particular night we aren't going to try to sell cigarettes or automobiles; this is merely a gesture to indicate our belief in the importance of ideas." The networks should, and I think would, pay for the cost of producing the program. The advertiser, the sponsor, would get name credit but would have nothing to do with the content of the program. Would this blemish the corporate image? Would the stockholders object? I think not. For if the premise upon which our pluralistic society rests, which as I understand it is that if the people are given sufficient undiluted information, they will then somehow, even after long, sober second thoughts, reach the right decision--if that premise is wrong, then not only the corporate image but the corporations are done for.

There used to be an old phrase in this country, employed when someone talked too much. It was: "Go hire a hall." Under this proposal the sponsor would have hired the hall; he has bought the time; the local station operator, no matter how indifferent, is going to carry the program-he has to. Then it's up to the networks to fill the hall. I am not here talking about editorializing but about straightaway exposition as direct, unadorned and impartial as falliable human beings can make it. Just once in a while let us exalt the importance of ideas and information. Let us dream to the extent of saying that on a given Sunday night the time normally occupied by Ed Sullivan is given over to a clinical survey of the state of American education, and a week or two later the time normally used by Steve Allen is devoted to a thoroughgoing study of American policy in the Middle East. Would the corporate image of their respective sponsors be damaged? Would the stockholders rise up in their wrath and complain? Would anything happen other than that a few million people would have received a little illumination on subjects that may well determine the future of this country, and therefore the future of the corporations? This method would also provide real competition between the networks as to which could outdo the others in the palatable presentation of information. It would provide an outlet for the young men of skill, and there are some even of dedication, who would like to do something other than devise methods of insulating while selling.

There may be other and simpler methods of utilizing these instruments of radio and television in the interests of a free society. But I know of none that could be so easily accomplished inside the framework of the existing commercial system. I don't know how you would measure the success or failure of a given program. And it would be hard to prove the magnitude of the benefit accruing to the corporation which gave up one night of a variety or quiz show in order that the network might marshal its skills to do a thorough-going job on the present status of NATO, or plans for controlling nuclear tests. But I would reckon that the president, and indeed the majority of shareholders of the corporation who sponsored such a venture, would feel just a little bit better about the corporation and the country.

It may be that the present system, with no modifications and no experiments, can survive. Perhaps the money-making machine has some kind of built-in perpetual motion, but I do not think so. To a very considerable extent the media of mass communications in a given country reflect the political, economic and social climate in which they flourish. That is the reason ours differ from the British and French, or the Russian and Chinese. We are currently wealthy, fat, comfortable and complacent. We have currently a built-in allergy to unpleasant or disturbing information. Our mass media reflect this. But unless we get up off our fat surpluses and recognize that television in the main is being used to distract, delude, amuse and insulate us, then television and those who finance it, those who look at it and those who work at it, may see a totally different picture too late.

I do not advocate that we turn television into a 27-inch wailing wall, where longhairs constantly moan about the state of our culture and our defense. But I would just like to see it reflect occasionally the hard, unyielding realities of the world in which we live. I would like to see it done inside the existing framework, and I would like to see the doing of it redound to the credit of those who finance and program it. Measure the results by Nielsen, Trendex or Silex-it doesn't matter. The main thing is to try. The responsibility can be easily placed, in spite of all the mouthings about giving the public what it wants. It rests on big business, and on big television, and it rests at the top. Responsibility is not something that can be assigned or delegated. And it promises its own reward: good business and good television.

Perhaps no one will do anything about it. I have ventured to outline it against a background of criticism that may have been too harsh only because I could think of nothing better. Someone once said--I think it was Max Eastman--that "that publisher serves his advertiser best who best serves his readers." I cannot believe that radio and television, or the corporation that finance the programs, are serving well or truly their viewers or listeners, or themselves.

I began by saying that our history will be what we make it. If we go on as we are, then history will take its revenge, and retribution will not limp in catching up with us.

We are to a large extent an imitative society. If one or two or three corporations would undertake to devote just a small traction of their advertising appropriation along the lines that I have suggested, the procedure would grow by contagion; the economic burden would be bearable, and there might ensue a most exciting adventure--exposure to ideas and the bringing of reality into the homes of the nation.

To those who say people wouldn't look; they wouldn't be interested; they're too complacent, indifferent and insulated, I can only reply: There is, in one reporter's opinion, considerable evidence against that contention. But even if they are right, what have they got to lose? Because if they are right, and this instrument is good for nothing but to entertain, amuse and insulate, then the tube is flickering now and we will soon see that the whole struggle is lost.

This instrument can teach, it can illuminate; yes, and it can even inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it is merely wires and lights in a box. There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon of television could be useful.

Stonewall Jackson, who knew something about the use of weapons, is reported to have said, "When war comes, you must draw the sword and throw away the scabbard." The trouble with television is that it is rusting in the scabbard during a battle for survival.

I was thinking "Should we take Stellar with butterfly nets, or tranquilizer darts?"

In reply to this comment by imstellar28:
This discussion to me draws the line between half full and half empty. Can you find something positive in an overwhelming negative subject, or can you only see the negative?

c.f. Katko v. Briney.

Ideally you would use the least force (of the tools at your disposal) that is necessary to stop the theft. What lesser force could Briney have effectively used? He had already tried locking and boarding up everything, to no avail, and he certainly couldn't afford a human guard. A booby trap that dials 911 and shoots a tranquilizer dart at the criminal is a bit above the level of technology that he had to work with circa 1970 in rural Iowa.

Quote from Netrunner: they both owe each other restitution.

Precisely, they're now even.

Here, read some jurisprudence on the many variations on this theme. It's actually rather complicated

^quantumushroom:
One more thing: the Constitution means what it says, not what liberals claim it means.




"We the people of the United States, in order to form a more perfect union, establish justice, insure domestic tranquility, provide for the common defense, promote the general welfare, and secure the blessings of liberty to ourselves and our posterity, do ordain and establish this Constitution for the United States of America."

It's right there in the Constitution, buddy. The. First. Sentence.

Government is (at least it should be) the manifestation of the collective will of the people. If the people want government operated healthcare, where taxes are collected to pay for it equally among the citizens, then that's what the government should do.

One more thing: the Constitution means what it says, not what conservatives pick and choose.

>> ^calvados:
>> :
Well in each case the videos are made up of short clips that each display a build-up to a resolution of action, over and over. Also the things that happen are prosaic and slightly tranquilizing to watch. Plus there's no sound besides the ambient noises; it's almost like there's nobody there.


QFT. Nice deduction.