Oops…did I trigger someone with my opinion? I didn’t know my opinion means so much to you. 😂
god forbid someone doesn’t love your new anti tax anti assistance “where’s my assistance?” fat people fat shaming fat people MAGA anthem.

I just looked up who he is, a drunkard and high school drop out now complaining he’s not very successful, and looked at the crowd, 99.99% white MAGgots, and read the lyrics, which are easy to read/hear as racist, pro-incel, and anti government, blaming politicians for his low wages not his boss…blaming taxes for his lack of cash, not the $7 a hour minimum wage.

If he’s so popular among minorities as you claim, why were they not present at his concert? Are just his fans racist? Possible. The line “people like me and people like you” sung to pure white crowds has a definitive racist feel, and your denials are meaningless…you said the Charlottesville rioters weren’t racists. It’s less about what he thought when he wrote it (if he in fact did, there’s accusations it was written by conservative operatives, but no evidence of that) and it’s more about what his audience hears…and I’m pretty sure what the conservative lily white crowd he’s playing to hears.

You found a few “blacks for Trump” who like it. Ok. You think that makes it less a racist anthem? 😂 that’s fine, it convinces you. You’ve never seen racism you believed existed…except racism against whites, you’ve complained that that’s a major problem. 😂 Do you honestly believe that all black people are going to love this conservative country song? You probably do, you are that delusional.

“ It's a damn shame what the world's gotten to
For people like me and people like you”. Who are those people, because the people in his crowd are all just one type of people. White middle class conservative and middle aged.

Or a pedophilic anthem?
“ I wish politicians would look out for miners
And not just minors on an island somewhere”
Really, he’s complaining the government (eventually) stopped Epstein’s pedophile island but only spent $850 million on welfare programs specifically supporting coal communities since Covid!?… https://www.eda.gov/funding/programs/american-rescue-plan/coal-communities-commitment#:~:text=Through%20ACC%2C%20EDA%20awards%20funds,%2C%20and%20re%2
Demployment%20opportunities.

An obese man complaining that fat people get food assistance while complaining about people starving in the street is the height of hypocrisy and ridiculousness. The solution isn’t to starve the obese, it’s to feed everyone…but that’s not his solution. To him, only some people deserve assistance….you can guess which ones.

Go ahead, love the song. It fits you. Understand it wouldn’t have ever charted if your political leaders like Walsh and Greene hadn’t told you to love it, made it a “conservative anthem” (their words). It’s not a great song, it’s a politically motivated whine about stupidity by an uneducated drunk. Before MTG and others started hyping him, he had barely a few hundred followers…his success is not “natural”, it’s a political move.

I hate the Bob Dylan quality it has, never liked him one bit.

https://www.theguardian.com/commentisfree/2023/aug/20/rich-men-north-of-richmond-oliver-anthony-protest-song-america

The best part is, the right has forgotten… who is the richest man north of Richmond? Hint, he moved to Florida in 2021, but wants to move back north of Richmond. If this song isn’t a pure conservative whine fest, it’s definitely 100% anti Trump…so which is it @bobknight33?

On her debut album for Philips, Nina Simone in Concert (1964), for the first time she addressed racial inequality in the United States in the song "Mississippi Goddam". This was her response to the June 12, 1963, murder of Medgar Evers and the September 15, 1963, bombing of the 16th Street Baptist Church in Birmingham, Alabama, that killed four young black girls and partly blinded a fifth. She said that the song was "like throwing ten bullets back at them", becoming one of many other protest songs written by Simone. The song was released as a single, and it was boycotted in some[vague] southern states.[31][32] Promotional copies were smashed by a Carolina radio station and returned to Philips.[33] She later recalled how "Mississippi Goddam" was her "first civil rights song" and that the song came to her "in a rush of fury, hatred and determination". The song challenged the belief that race relations could change gradually and called for more immediate developments: "me and my people are just about due". It was a key moment in her path to Civil Rights activism.[34] "Old Jim Crow", on the same album, addressed the Jim Crow laws. After "Mississippi Goddam", a civil rights message was the norm in Simone's recordings and became part of her concerts.

You know what mothers haven't "abandoned" their families?

Westboro Baptist moms, who take their children with them as they travel the country. Having them hold those signs, teaching them their protest song. Now there's a good cause. Teaching their children a special brand of family values. And the kids aren't abandoned! What could be more admirable?

That has to be one of the best summaries of the 60's I've ever heard. An amazing protest song...sad to say, it would take only minor changes to make it fit today's world as well. Seems like we should have improved somewhat more than we have.

hey... what do you think of Yeh Hum Naheen?
http://www.youtube.com/watch?v=s6P9qP_Rpxw&eurl=http://www.sensibleerection.com/entry.php/72602
http://www.independent.co.uk/arts-entertainment/music/features/how-a-pakistani-protest-song-is-redefining-islam-as-antiterrorist-926665.html

Very Nice!

In reply to this comment by Fedquip:
Glad to help, I wrote this post eons ago, but could help you.
Ten Protest Songs - http://www.internetresearchleague.com/?p=245

Glad to help, I wrote this post eons ago, but could help you.
Ten Protest Songs - http://www.internetresearchleague.com/?p=245

MLX has a great playlist full of protest songs. http://www.videosift.com/playlists/mlx/This-is-how-I-protest-the-war

>> ^castles:
It's in reference to Dylan going electric and "betraying" his acoustic/folk roots. People were so upset about this switch that he had to perform half his shows acoustically and half electrically to try to ease people in to it.


He performed the first half of his shows acoustically because a big part of his material is acoustic, not to try to ease audiences into his new stuff. Dylan performed some of his protest songs with his rock band (The Band), and some of his non-protest stuff acoustically, probably to fuck with his audience.

God, I thought he looked old 30 years ago. And it's a real protest song!

I've sifted quite abit of material that falls into this category, and most of y'all know that I think it's important that we catalog these War on Terror videos. Very glad to see that Raven wants to do a channel on this.

Instead of *death, what about a *graphic tag? I've used that tag quite a bit for my protest song submissions and it seems to fit...

Tags for this video have been changed from 'racist, protest, song, lynch, hanging, classic, emotion' to 'racist, protest, song, lynch, hanging, classic, emotion, 30s' - edited by swampgirl

Kick-ass war protest song with powerful footage.

"Billie Holiday, also known as "Lady Day" is probably one of the best known female jazz vocalists. She reigned during the 1940's performing with such greats as Louis Armstrong. Holiday is best known for her love songs which she innovated into the jazz world.

What a lot of people do not know about Billie Holiday, was that she used her music to speak out against social injustice and raise consciousness. Holiday was openly communist and when she was only twenty four years old, poet Lewis Allen reluctantly offered his song "Strange Fruit" for Holiday to record. The song provided vivid imagery about the horrors of the lynching of Southern Blacks at a time when racism was very prevalent.

When Holiday first sang the song "she could not comprehend the metamorphic presentations of anything other than women in love or spurned by lovers", (Davis. p185). This quote may make Holiday sound ignorant, but at the time the idea of a woman, especially a Black woman, making an anti racist statement was almost unheard of. Holiday soon embraced the song.

Lady Day had said that the lyrics reminded her of her own father's death (Clarence Holiday had inhaled poisonous gases after serving his country in World War I and was left to die in a hospital after being neglected by racist doctors). "Strange Fruit" ignited a spark that made Holiday want to speak out against the racism that killed her father (Davis, 1998).

Because feminism incorporates the fight against racism, I believe that Billie Holiday was a feminist before her time. "Strange Fruit" was sung by Holiday at the height of the Harlem Renaissance and not long after women had received the right to vote. The rights of African Americans and an awareness of their culture was just beginning to take shape. Women's rights were also still in the making. Holiday, who was mainly known for her love songs, boldly stepped out of a stereotyped mold and sang a song that stood defined the injustices performed against her people.

She took a poem and transformed it into a protest song, which she never sang the same twice. Compared to Black female vocalists of today, like Erykah Badu and Tracy Chapman who have mostly social and political songs, one protest song may not seem like much, but "Strange Fruit" became Billie Holiday's signature song. She took the song and personally made it her own."

- http://www.newpaltz.edu/wmnstudies/3women/billie.html

My favorite protest song.