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Fake DJs Compilation

kir_mokum says...

1. people who like this kind of trash music and pay for these trash festivals do not give a fuck about how it's done, unfortunately. this does NOT fly in most scenes and you'll get laughed out of a career if you get caught. mistabishi being a fine example (being racist didn't help either though).

2. i have no idea why these people fake this stuff anyway. it would be SO BORING to stand there doing nothing for an hr or 2. plus it is not that hard to DJ on those CDJs. PLUS THEY HAVE A SYNC BUTTON.

3. some of these are false positives. the guy at the 4 min. mark is doing shit. and aoki is searching for the next tune. the dudes with him are faking doing anything though. there's only one tune playing.

Can This Change Everything for DJs

kir_mokum says...

this is pretty much bang on. there are several versions of a "special turntable" which are just controllers. you can use all in one controller set ups, CDJs/XDJs in HID mode, or rane's 12 turntable, which is just a stand alone controller for DVS. all in one controllers are geared more toward bedroom and wedding DJs, the rane 12 is pretty boutique and for turntablist/party rock DJs, and CDJs/XDJs are what everyone else uses and are industry standard and in every club/rave/festival/tech rider. there is also a growing move back to vinyl in certain scenes, especially techno and jungle/choppage/breakbeat hardcore scenes.

AeroMechanical said:

I'm pretty sure the vinyl itself has nothing on it. It's all digitized and stored in a module. The "Phase" device is just a very accurate, low-latency angular-position transducer for controlling the module.

So... why not just read the position directly from a special turntable (like the other digital sets they sell)? I dunno, I guess these let you use your favorite Technics turntables from 1989 that have just the right feel or whatever.

I don't know this, I'm just basing it on the evidence that there is clearly no stylus dragging across the record, so the sound can't be coming from there.

Ed: Oh, and I guess it's wireless. Maybe that's a big deal.

Doom (Zero Punctuation)

w1ndex says...

I got it for 43 bucks on CDJ's cd keys, well worth it, best single player campaign I have played in a while for a fast FPS. One thing id is good at is making their games feel nice. Rage didn't have the best story, but it played amazingly.

Somewhere Over the Rainbow - Hawaiian Version by Iz

DJ Girl rocks your world

14622 (Member Profile)

ATTIGO: Touchscreen turntable DJing

MINK says...

that's bollocks. file under "awweeeesum!!!!! (for 5 minutes)".

there's only 2 methods that have caught on enough so that you don't have to take the kit to the club with you: CDJs and turntables.

Then there's the final scratch / serrato guys who come along and annoy everybody by plugging in loads of cables to their laptop, which then crashes or runs out of battery (seen that happen to grooverider).

This system in comparison is expensive, heavy, fragile, large, and never gonna catch on. Added to that, a touchscreen is neither tactile enough nor fast enough. Perhaps the guy demonstrating this is just a shit DJ, but I expect he is being restricted by the performance of the system. Already there is a sense of "detachment" when playing CD instead of vinyl, and this system here just takes that detachment to a whole new level. In music, a delay of more than about 5ms can be noticeable and ruin your flow.

There is no benefit for the DJ here, just cool tech. (the large waveform display is not much more useful than the small display on serrato anyway, and anybody serious about scratching the record would use real vinyl or one of those technics CDJs with the real motor in it), and the audience can't even see your "kewl" screens, and they don't give a shit anyway...
most people don't even realise that DJs actually change the speed of records to blend them together. They don't realise, because they never tried to find out, because they don't give a shit.

So this looks to me like one of those "kewl" things that might eventually become the future, but only after several technological limitations are lifted. E.g if i could roll these two screens up and stick them in a small backpack, then we might start talking. but of course, if these things were light, they would move around the table when you touch them. Hmmmm.

But remember... most venues don't have space on their table for this shit, so you end up being restricted by a very basic and primitive limit. If you design your show around this technology you won't be able to play in a large percentage of venues. The main reason CDJs became standard was because they are small, cheap, and CDs are very very very universal. And CDs aren't heavy.

Sell this technosplurge to Bjork or something. Get Microsoft to buy you out because you are "youth" or whatever. Wait 20 years and you won't even need a screen, it will all be about waving your hands in the air or just "thinking" about the mix while wearing a braintooth headset. anyway by then live music will have killed the DJ. mark my words.

But lets face it, the music I just heard in this video was bullshit, not even in rhythm. Sort that out first, yeah? Music > tech.

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