>> ^dystopianfuturetoday:
'bf: non-right-to-work-state'
Your rhetoric is adorable.


It's tough trying to make a film where the unions exclude the little guy. Hell, they exclude art. The days of the unions being for the worker are a myth. They collude with Los Angeles city to make big money.

Even Leftist filmmakers find it unbearable, DFT. Stop politicizing every comment I make. Take German filmmaker Michael Haneke (Funny Games, 1997); not an anti-unionist and certainly not a right-winger. In this article in LA Weekly he passionately illuminates the difficulty of shooting in LA with the unions:

"You need five people for every job. If I want to move a pencil from here to there, then I have to tell this to my assistant, and he tells his assistant; I can’t just carry it myself. We were filming for eight and a half weeks, which wasn’t even enough time. But in Austria, we filmed the whole thing in six weeks.

“To work within this huge apparatus, you need a lot of money and a lot of time. If you’re doing a huge studio production with a $100 million budget, it’s great — you get 30 seconds of footage a day, and that’s fine. But if you want to get three minutes a day, it’s very paralyzing.”

>> ^kronosposeidon:
Zuma Dog is my new hero.
(Rottenseed?)

Nah...he draws too much public attention I'm more of the "wolf in sheep's clothing' type of public nuisance.

The very first concert I went to. Missing Person was the opening act.
I still have my vinyls of them also.

They had to change their name to Angel City because an American group already had used Angels and they changed it to avoid confusion when they finally started touring in the States. Anyone got a version of "I don't want to face the day"?

Angel City was my absolute favorite group in high school. I still have all their vinyls. I had no idea the rest of the world knew them as The Angels.

Probably won't make it out of queue, but it's in my favorites.

Lyrics: http://www.lyricstime.com/the-angels-fashion-and-fame-lyrics.html