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I don't know that Carlin's voice would be the right one, but doing so wouldn't necessarily be an issue for the character of Blaine. Seems reasonable to have a computer simulation of a particular voice rather than a voice actor specifically acting out each line. I'd argue however that if we're going to resurrect someone to voice Blaine, let's go with Alan Rickman. Just the right blend of civilized / polite and deadly serious / menacing.

Edit:
I've been a fan of the books from sometime between 3 and 4, and love most of the story. The last three books lost me some, as they felt quite different in tone. Even Wizard and Glass felt a bit of a miss, though it was a solid story in its own right. I frequently avoid watching trailers for films I know I'll see, so as to avoid spoilers and being mislead if the trailer happened to be poorly made. I plan to see this movie, and originally came here for the comments exclusively; having read them, I chose to watch it. I get the impression that the actors treat the characters well, and they feel like good interpretations. McConaughey's Walter is hard to read with what little we see here, but I've generally liked him in other things.

My biggest worry is that visuals all seem too clean, and the more sci-fi direction bothers me some. To me Mid-World always seemed like a character itself. An ancient thing, being stretched thin, fighting to hold itself together and losing. High tech doesn't feel right there, like the extreme entropy would have rendered it all non-operative. There was some tech here and there in the books, but most of it was broken or breaking down.

this is channeling some serious Matthew McConaughey...

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Matthew McConaughey is watching

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@dannym3141

It just felt like a bait and switch. They feed you in with in fact very plausible concepts of time dilation and black holes as we best know it, then hit you with a deux ex machinima so implausible that it makes my brain hurt.

I mean, we're meant to believe that future humans, in order to effect their continued existence create an eloborate, highly risky and convoluted system like this 'tesseract library' thing, with the completely unfounded apparent knowledge that Mcconaughey's character will both willingly jump into it and somehow know how to use it to communicate with his daughter, who will pick up on highly cryptic and unlikely signals, and know how to interpret them?

And then Mcconaughey's character also gets saved. Obviously. Why not just convey the information in a far more direct way? And by the way, I will say that the argument that there is a paradox (future humans save themselves in the past) that the video makes is not strictly true given Hathaway's team survives and it's plausible that while Earth perishes, their team eventually redevelops human society.

To me the way that the story suddenly becomes ridiculous at the end when the first half is so rooted in real actual science makes it pretty clear what happened. Some producer decided to overule the script writers and insert in an ending that is happy, sees the characters reunited lest they offend the crucial female demographic.

That was a super unfunny SNL except for the McConaughey spoofs. The new cast on there isn't doing it for me. Yet.

One of Matthew McConaughey's Lincon Car Commercial for reference

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Tags for this video have been changed from 'Interstellar, Christopher, Nolan, Matthew, McConaughey, space' to 'Interstellar, Christopher Nolan, Matthew McConaughey, space' - edited by lucky760

Worm hole = the worst bullshit fantasy since Star Trek.
This film looks WORSE than Mission to Mars.

To even postulate that the Earth or Humanity could be 'saved' by a multi-billion dollar mission light years away is so fucking ridiculous I can't even be bothered to write anymore.

This is way worse than even Inceptions 'a dream in a dream in a dream up your ass' crap.

Love the thumbnail for the video, McConaughey looks so dumb in his plastic toy space suit.