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Mongo knocks out a horse in Blazing Saddles!
"Never mind that shit, here comes MONGO!"
ant (Member Profile)
Your video, Mongo knocks out a horse in Blazing Saddles!, has made it into the Top 15 New Videos listing. Congratulations on your achievement. For your contribution you have been awarded 1 Power Point.
This achievement has earned you your "Pop Star" Level 204 Badge!
Mongo knocks out a horse in Blazing Saddles!
Mongo doesn't like being called an animal.
Jimmy Carr at it Again, Doing What He Does Best
Jimmy's a classic.
"Mongo no like"
Tornado Forms in Front of Car
I believe Blazing Saddles said it best:
"Nevermind that shit -- here comes MONGO!"
13439 (Member Profile)
Thanks. No non-cammed one?
In reply to this comment by Retroboy:
http://www.youtube.com/watch?v=BB7tClTaQbg
Ask and ye shall receive.
In reply to this comment by ant:
>> ^Retroboy:
Mel Brooks was fall-down funny in his day. This was a spectacular piece of tongue-in-cheek parody of blacksploitation for its time.
But the soundsync is so far off (at least for me) this barely got an upvote. Needs the "where de white wimmen at?" scene.
I couldn't find one. If you find one, then please kindly let me know!
ant (Member Profile)
http://www.youtube.com/watch?v=BB7tClTaQbg
Ask and ye shall receive.
In reply to this comment by ant:
>> ^Retroboy:
Mel Brooks was fall-down funny in his day. This was a spectacular piece of tongue-in-cheek parody of blacksploitation for its time.
But the soundsync is so far off (at least for me) this barely got an upvote. Needs the "where de white wimmen at?" scene.
I couldn't find one. If you find one, then please kindly let me know!
Blazing Saddles: Candygram for Mongo
>> ^Retroboy:
Mel Brooks was fall-down funny in his day. This was a spectacular piece of tongue-in-cheek parody of blacksploitation for its time.
But the soundsync is so far off (at least for me) this barely got an upvote. Needs the "where de white wimmen at?" scene.
I couldn't find one. If you find one, then please kindly let me know!
For all lovers of Ethiopian Jazz: Mulatu Astatqe (HYPNOTIQ)
Musically trained in London and schooled in the club scene of mid-'60s New York, Mulatu Astatke stands as the exceptional musical innovator of the Ethiopian groove. Starting in 1969, he created the first bands independent of the military, which had previously dominated the country's music scene. Having immersed himself in Caribbean music, funk, jazz and Latin grooves during his lengthy stint abroad, Mulatu returned to his native land to give rise to a brand new sound.
An album of instrumentals, Ethiopiques Volume 4 is a case study in the inventive blending of influences that comprised the Ethiopian groove. Strains of funk and reggae timings permeate the thick and chunky bass lines, which are pushed prominently forward in the mix. Multiple saxophones swirl with the hypnotic, snake-charming sounds of the East, while at the same time resonating with jazzy tones reminiscent of John Coltrane and Lester Young. Guitar is a main ingredient here, growling with funky distorted wah-pedaled fuzz riffs that sound like they were lifted straight out of an early '70s black-exploitation flick. Drums and percussion combine the punchy funk of James Brown and the Meters with the heavy Latin rhythms of Mongo Santamaria and Willie Bobo. Fusing all of these elements together, Mulatu unleashes a potent brew of afro-jazz grooves that pull you in and leave you in a mystical trance-like state.
From http://either-orchestra.org/mulatu.html