thank fucking christ for some solidarity, even it is too late. i was just spitting blood about this 'song' to my girlfriend the other day. it's a fucking embarrassment for all those somehow involved, and that includes all of us, as fellow human beings.

we should've stopped these talentless motherfuckers before they had a chance to release anything more than a debut album, the quality of which was obviously just at the level needed to ensure the formation of a brainless, loyal fanbase who would, evidently, continue to pay good money for anything and everything these cunts chose to subsequently release.

even the brainwashed victims who buy this current single must, as they listen on loop, faeces smeared on face, be aware of a dull nagging pain at the back of their brains as their entire being attempts to reject the poisonous noise before permanent damage is done, much like a defensive human body rejecting a transplanted lung. the only difference is, that lung had good intentions. this song does not.

it's a fucking disease on the battered face of music, a disease we could've nipped in the bud following early detection. but, as with many unexplainable bands (e.g. nickleback) we were either too embarrassed to talk about it or we thought it'd disappear.

well it fucking didn't. this one's fucking terminal people. the black eyed peas are just getting bigger and bigger and bigger, and one day our brains will just give in to the relentless, monotonous, mindless beat that will eventually riddle our bodies, pickle our brains and cause us to breathe our final breath.

you'd better hope that when you die, that's it. lights out. otherwise this fucking piece of shit song will be playing in your mind for eternity.

boston was... pretty much one dude's effort anyway... he (scholz) himself a multinstrumentalist... only recruited others at the behest of the record company when things started to take off.

http://en.wikipedia.org/wiki/Boston_(band)

"Despite having problems with manager Paul Ahern, being caught in the middle of a fight between Ahern and McKenzie, and having to wear many different hats with Boston and do most of the recording work alone, Scholz completed the second Boston album two years after the debut album's release. etc etc

In late 1979, Scholz began writing new material, but Boston's former co-manager, Paul Ahern, argued that, according to an agreement Scholz had signed years earlier with Ahern, Ahern owned a percentage of all songs Scholz wrote from that point on. Delayed further by the dispute, Scholz suggested, in the meantime, the individual members should work on whatever other projects they might be considering."

im not going to look, but has this guy made any ORIGINAL material of any caliber? yea, im an asshole about music too.. surprise.

Checked out their debut album "Ordinary Riches" today, and I really liked what I heard. Pretty cool stuff, you should download it and give it a quick listen to check it out.

In reply to this comment by kronosposeidon:
Very nice. Her voice reminds me of Feist's. Can't go wrong with that.

Does anyone recognize the string part at the beginning? It reminds me of something off their debut album...

I'm looking forward to the debut album sometime this year.

Tags for this video have been changed from '2nd, randb, rap, hiphop, debut, album, barackobama, michelleobama' to 'banned, redacted' - edited by nibiyabi

this person was previously banned:
http://www.videosift.com/video/HOME-1

and banned for this also before that:
http://www.videosift.com/video/HOME-From-the-new-debut-album-Freaky-Mon

I don't understand.

This is a great song and definatly inspired by Bob Dylans version on his debut album.

i was thinking it was a different version than the one on their debut album, but upon checking i can't find the other version, so mayhaps they are one and the same...

changing title.

That's "Soul Decoded" from the Divine Heresy's debut album "Bleed the Fifth". But, it's not an intrumental ... (even if there's a jam session here : http://youtube.com/watch?v=tbi1tuqwGDs )

If you want some metal instrumental, look for Meshuggah's stuff.

According to some of the YouTube commenters, this is the Perito Moreno glacier in Argentina. I would have guessed Canadian Rockies, but that shows what I know

The song is Storms in Africa by Enya, which is on her Watermark album. That and her self-titled debut album are pure magic, for those who haven't overplayed them to death like me.

The Stone Roses were an influential English rock band from Manchester, active during the late 1980s through to the mid 1990s. Their 1989 eponymous debut album quickly achieved the status of a classic in the UK, and topped NME's list of the Greatest Albums of All Time. They released a second album, Second Coming, in 1994 and split in 1996.

I always liked Timo Maas even though he's not as innovative as others he still make some nice songs like this one with Brain Molko from Placebo. The video is pretty cool too, it actually is very short, but was edited going back and forth to form the entire video clip.

Timo Maas is a very well-renowned electronic music DJ/producer and remixer. Maas first became popular in mainstream dance music through his remix of Azzido Da Bass' Doom's Night, in the wake of this success he released Music For the Maases Volume 1, a mix album consisting of many of his previous tracks and remixes.

After producing another mix album called Connected with Paul Oakenfold's imprint Perfecto Maas released his own debut album Loud in 2002. The album featured guest appearances from Kelis and Finley Quaye. A second Music for the Maases, Volume 2, was released, again consisting of remixes and new tracks. In 2005 Maas released his second personal album, Pictures, featuring guest artists Kelis, Neneh Cherry and Placebo's Brian Molko.

*STARES AT MT256*

I love the campiness of dnb videos. this one is quite funny and includes Pendulum at the end (coming out of store). This track actually made it into the UK Singles chart it was so popular!!

http://en.wikipedia.org/wiki/Pendulum_%28drum_and_bass_group%29

Pendulum is a drum and bass/breaks group from Perth, Australia. In 2003, the group relocated to the United Kingdom. They have no affiliation with the late 1990s Melbourne based electronic group of the same name who released the album 3 Knocks.

The group is comprised of Rob Swire, Gareth McGrillen and Paul Harding. In 2005 they released their debut album, Hold Your Colour. Critically, the album was well-received in both the United Kingdom and Australia. In addition, it was one of the biggest selling Drum and bass releases of all time. Pendulum have also collaborated with The Freestylers, releasing the single Fasten Your Seatbelt. MC Spyda and Tenor Fly also feature as vocalists on Tarantula. They are currently signed to the Breakbeat Kaos Records label.

The Pendulum sound is typically heavy beats accompanied by low, buzzing basslines, overlaid with epic synthesized leads. They've produced various remixes of other artists, the most well-known being their remix of "Voodoo People" by The Prodigy.

"Slam" is still their biggest hit to date, peaking at #34 in the UK Singles Chart after receiving substantial airplay from BBC Radio 1.




*Stares at Farhad*

I've seen these live a couple of times in Manchester and they're incredible. If you get a chance, listen to the album - for a debut it's phenomenal.

From Wikipedia...

'Clap Your Hands Say Yeah is an American indie rock group based in Brooklyn, New York and Philadelphia, Pennsylvania, comprised of Alec Ounsworth, Lee Sargent, Robbie Guertin, Tyler Sargent, and Sean Greenhalgh. Their debut album, Clap Your Hands Say Yeah, was self-released in 2005.
They received praise from Rolling Stone as the 'Hot New Band' for 2005.'