That Casiotone bass line send my fingers straight for the up vote.

So very hot.

Yeah, dig that bass line.

Awesome. This is a brilliant bit of commentary on Disney and Copyright laws. Another bit of delicious irony is that the film was made entirely on Disney equipment. (The film-maker was an employee at the time)

The music at 2:19 blows my mind. The combination of 'Part of Your World' with the Bartok-ish strings and that creepy walking bass line is pretty striking, and the double meaning of the lyrics in this context is perfect.

"I just don't see how a world that makes such a wonderful things could be bad."

ah, the 80's such fond memories (at timelikes this). great song, with a great bass line. The imagery in their videos really stood out at the time.

The instruments fit the song very well, except for the bass line.

pretty fun. beat has nice Ginuwine-era Timbaland bass line, and Diplo double snares.

yeah, i remember Francis Buchholz the main bassist for the Scorpions.. his bass lines in some classics like Yellow Raven were really great.

Ahh yes, Rush is one of the finest hard rock bands of our time. I remember growing up learning the bass lines of this band. Fun music!

Thanks. Yeah, like I said, they're pretty good. I like some of their stuff, and they're a great example of a popular Japanese band (though a lot of the most popular music in Japan is just...ugh; look at stuff like Smap and shit ) that actually has decent music. My main thing is the generic vocals and pretty uninteresting lead and bass lines, but decent is far better than sucky.

my favorite led zep song just because of the bass line

Musically trained in London and schooled in the club scene of mid-'60s New York, Mulatu Astatke stands as the exceptional musical innovator of the Ethiopian groove. Starting in 1969, he created the first bands independent of the military, which had previously dominated the country's music scene. Having immersed himself in Caribbean music, funk, jazz and Latin grooves during his lengthy stint abroad, Mulatu returned to his native land to give rise to a brand new sound.

An album of instrumentals, Ethiopiques Volume 4 is a case study in the inventive blending of influences that comprised the Ethiopian groove. Strains of funk and reggae timings permeate the thick and chunky bass lines, which are pushed prominently forward in the mix. Multiple saxophones swirl with the hypnotic, snake-charming sounds of the East, while at the same time resonating with jazzy tones reminiscent of John Coltrane and Lester Young. Guitar is a main ingredient here, growling with funky distorted wah-pedaled fuzz riffs that sound like they were lifted straight out of an early '70s black-exploitation flick. Drums and percussion combine the punchy funk of James Brown and the Meters with the heavy Latin rhythms of Mongo Santamaria and Willie Bobo. Fusing all of these elements together, Mulatu unleashes a potent brew of afro-jazz grooves that pull you in and leave you in a mystical trance-like state.

From http://either-orchestra.org/mulatu.html