The great Gazoo dinna wear panties on that show, and one time when Wilma was a Slaghoople, she bent over and you could see some bush...That 's when Fred fell for her.....swear!! Flintstones was a big no-underwear show....
Gina Loadabricks
Ann Margrock
Tony Curtis was on there with no skivs.....

>> ^critttter:
OK, I love their music, but they were arrogant and rude to whoever was in that elevator.


Dude, have you ever tried to perform live music? I'm the biggest ass on the PLANET when the show needs to start. Maybe some musicians are chill and humble, but I don't listen to them.

Plus, don't forget they were in Paris where this time of behaviour is to be expected.

Original source - http://www.blogotheque.net/Arcade-Fire

Some background on this glorious *rocknroll *bravo session:

"Win Butler had to slouch a little to fit into the freight elevator. He went directly to the back, leaned against the iron door, turned around, and taking a look at the grudging space, asked us: «Think we can all go back now?» Then he smiled a smile that a kid would give, so pure and honest like he had just found his hiding place. in Butler smiled, and five weeks of work seemed to crumble before us.

During those weeks I had been in continual contact with Vincent Morisset, who runs the Neon Bible site. Win and Régine had been responsible for coordinated our Take Away Show. We had discussed dates and places, imagining the Madeleine at night, the knoll at the Île de la Cité, an old café, a roundabout behind the Olympia...We checked the weather every day, put to despair by the cold front that’s passing through Paris. We had surveyed the entire inhumane neighborhood from top to bottom, trying to anticipate the crowd, the will power of the group, the cold, and the fatigue. Then suddenly we had a plan. Win asked if there was a freight elevator. We found it, he smiled, and the Take Away Show was no longer in our hands."


Some more after the cut:


We knew that the Take Away Show with Arcade Fire wouldn’t be like the others. The project was born for them because they’re of a different kind, a different essence. We had spent the afternoon with them and suddenly we realized, in a flashing instant, that «yes, this group is different.».

We had been playing the role of outsider the entire day, like a foreign body that latches onto the daily grind of these magnificent musicians. We had to adapt, through astonishment and wonder, as the band took up their tools and started to play. But Arcade Fire didn’t take us as outsiders. It seemed to unfold naturally: we entered into their logic, as they awaited us and eventually swallowed us up. It was now Win Butler’s Take Away Show, and we followed.

It was too cold to play outside after the show, so we initially thought about playing in the entrance hall during Electralane’s performance, but the Olympia didn’t allow it. All we had left was the freight elevator, and we had to do a little convincing to make it happen. On the other side of the elevator there was a door that would lead us into the concert hall. They could go back to the pit in the Olympia by exiting through there, and then re-exit through the door near the stage. Win wasn’t so hot on the plan...the venue was a little too big and it the whole thing sounded complicated. It took us about 20 minutes to convince him, not knowing at all what was waiting for us at the other end of this crazy idea. Win went back to tell Richard and Will to follow him to the elevator, with everyone asking when to play, or whether this was going to happen before or after the show. It’s going to be before. Régine was the only one who thought differently and there were a couple seconds of exchanging furious looks, which immediately settled and eased into resolution. The big guy won, and everyone went back to reconfigure the set-list.

Arcade Fire is a unique group. Everyone’s split up during the day, managing and wandering through his/her own affaires in the dressing rooms and corridors. No one seems to move about as much as Win, who manages everything, knows everything, watches everything, and hears everything. Afterwards, as show time approaches, everyone slowly comes together again, each still folded into him/herself. A couple notes sound from a bugle, Régina taps on a box, Jérémy amuses himself with a drum, and Tim does a little Monty Python dance. A mobile cacophony, a music that takes form, several people coming together, and some random and various snippets of songs to come. Everyone is concentrating alone, but at the same time following a trace towards the group’s uncanny unity. As the orchestra tuned and grew powerfully aligned, we started towards the elevator.

The rest waits on film. We all bunched into the elevator, and I took my position at Richard’s feet. They started off with an enchanting version of «Neon Bible» and then door opened, allowing us to approach and penetrate the massive torrent of fans. I didn’t think about anything more. I was taken by the fervor, watching Vincent Moon with his camera, screaming in silence, and thinking over and over again:

«We did it. Shit, we really did it!»


Amazing. I dare you not to feel *happy watching this bit of *shortfilms.

I was 5 hrs late, but I'm just glad the video made it here.

By the way, GINA stands for (if you didn't already know) Geometry In N Adaptations. N is a mathematical variable that can be any number. It's a good way to describe the concept, if you ask me.

Gina Solomon is a specialist in adult internal medicine, preventive medicine, and occupational and environmental medicine. She is a Senior Scientist in the Health and Environment Program of the Natural Resources Defense Council (NRDC). NRDC is a national nonprofit organization with over 550,000 members dedicated to the protection of public health and the environment.

Dr. Solomon is also an Assistant Clinical Professor of Medicine at the University of California at San Francisco where she is an attending physician at the U.C. Pediatric Environmental Health Specialty Unit. Her work has included research on asthma, diesel exhaust, breast cancer, pesticides, contaminants in breast milk, and threats to reproductive health and child development.

Dr. Solomon attended medical school at Yale and did her residency and fellowship training at Harvard.

*****

Dr. Susan Kegley is an organic chemist with expertise in pesticide toxicology, pollutant fate and transport; environmental monitoring and analytical chemistry; and experience with pesticide regulation, pesticide data sources and the pesticide toxicology and epidemiology literature.

After 14 years of teaching, research and curriculum development in academia, Dr. Kegley worked as a Senior Scientist for nine years at Pesticide Action Network North America, a non-governmental, non-profit organization that works to promote sustainable alternatives to toxic pesticides.

Dr. Kegley started Pesticide Research Institute in 2006.

*****

Tyrone Hayes is a professor in the Department of Integrative Biology, UC Berkeley. His research focuses on the role of steroid hormones in amphibian development and he conducts both laboratory and field studies in the U.S. and Africa. The two main areas of interest are metamorphosis and sex differentiation.

His work addresses problems on several levels including ecological, organismal, and molecular questions. Studies examine the effects of temperature on developmental rates, interactions between the thyroid hormones and steroids, and hormonal regulation of skin gland development.

Drug induced sleep can be of two varieties, (1) "drug assisted" (mostly benzodiazepines, like lorazepam (Ativan), or imidazopyridines, like Zolpidem (Ambien), and (2) true "general anesthesia." Benzos assist sleep but because they are potent amnestics, one is less likely to remember a dream, even if you had one. Melatonin is not a benzo. It is an endogenous hormone, produced by the pineal gland. Melatonin is involved in regulating circadian rhythms, although it is not the main determinate. High doses of melatonin seem to be associated with more REM sleep and more dreaming.

"General Anesthesia" is not normal sleep and, rather, is unconsciousness produced by specific inhibition of neuronal communication (synapsis), whether by inactivation of protein channels on cell membranes, or by inhibition of GABA receptors, (a neurotransmitter). Deep levels of general anesthesia can flat-line your EEG, meaning your brain is totally shut down and is doing no synaptic work at all.
However, people may do normal sleeping after recovery from general anesthesia and they do occasionally relate dreaming during the period of recovery. In particular, the sedative/anesthetic Propofol is associated with some "erotic" dreaming and I have had some people relate rather vivid and interesting content. I had one older gentlemen who wanted to be put "back to sleep" so he could continue his "relations" with Gina Lollibrigida.

Espero que lea a la página
In reply to this comment by Edgardo:
Por qué no puedo enviar el video que he creado si con el mismo no tengo un fin comercial ni de promoción. Considero que es útil para otras personas o artistas que quieran ver la técnica utilizando el mouse óptico convencional. No me parece justo que lo quiten o no me permitan mostrarlo.
No es mi intención causar un inconveniente o problema. Igual muchas gracias.

Ant - It is indeed, Gina Torres who plays Zoe in Firefly. She kicks ass.

Yep, upvote for awful tele made in NZ! (I cringe). Oh, and for Gina Torres of course.