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The Last Audio Cassette Factory

Sagemind says...

I still have a cache of cassette tapes I'm not willing to let go of - including all of the released Skinny Puppy cassettes, Rossini's Barber of Saville, Caramon (Bizet), and a whack of classical (Bethovan, Stravinsky, Chopin, Tchaikovsky, Phillip Glass) , the Brown Album from Bootsauce and some Pop Will Eat Itself (PWEI)

Unfortunately, without thinking, I sold both my cassette players at my last garage sale, now I have nothing to play them on....

Tel Aviv - Incredible Amateur Audio/Video Mashup

Sagemind says...

Haha, I knew I'd open a can of worms....
I enjoy music of all types, trust me. I know the history. I grew up in a radio station, and remember when DJs were the rock Stars of the 70s.

I have no boundaries, and in fact, the more music pushes the boundaries the better, but I still have to feel the groove.
Often, "musicians," get caught up in the medium and forget the composition. I know - I'm an artist, I've been there, created works, not for composition, but to better understand my medium. It's still art, but it's not "ART."

See what I'm saying. There is a whole new generation of not just musicians and composers, but listeners. they have their own new sound, but a lot of the soul is getting filtered out while the artists explore the medium. I know it will come full circle, but I believe we are in a stagnant period of exploration.

And no, I'm not commenting on all those classical musicians, in fact, they are doing the opposite. There are many classical musicians that are taking their instruments in new directions - finally - and breaking out of the Bach & Beethoven standards. (Stereotyping here). My favorite is Stravinsky, who pushed every boundary of his day. and Guys like Rossini, who was the Heavy Metal Rocker of his day. But there comes a time, to break out and use the instruments differently.

And that's what they are doing right now. Breaking out and exploring. Which is great, it will define another period in music. But we're not quite there yet. Publishers and studios, are the bottom feeders, trying to keep the industry alive, but they are manufacturing the lowest common denominator, giving the public some of the most contrived music of our day.

It's okay to criticize music as it evolves and still like it.
If we don't criticize it, then it doesn't evolve. And I think the artists themselves would agree because, once you stop and consider your groves perfect, then there is no point creating more.

You can come to the defense of the genre, but not every piece is perfect. Yes there are better musicians out there, and some worse, and some I like, you won't like, and so on, that's what makes it great. I remember laying on the couch listening to Kraftwork's Autobahn for hours and loving it. That was over 25 years ago. And I've listened to so much more in between. I've heard it, I've studied it in school, spun discs and worked DJ booths, and was literally raised in a radio station. I've heard a lot, and have the knowledge to compare notes.

I'll end this, it's going too long - but suffice to say, this piece here, is okay, but has no crescendo, nothing to keep me on the edge. The grove becomes quite trance, while trying not to be. He's done a great mix up, and I see what he's doing here. He's taken video excerpts and contained and arranged them together. Great... he's experimenting. But it's not perfect, and that's okay. He's worked hard to create something, and as he evolves, he'll create better, that's what it's all about

The Long Game Part 1: Why Leonardo DaVinci was no genius

Trancecoach says...

DELVE DEEPER
For more on Leonardo DaVinci's little known early years take a look at:
"Da Vinci's Ghost: Genius, Obsession and how Leonard Created the World in his Own Image" by Toby Lester amazon.co.uk/gp/product/1439189242/ref=as_li_ss_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=1439189242&linkCode=as2&tag=adammeetsworl-21
"Leonardo and the age of the eye" by Ritchie Calder
"Mastery" by Robert Greene amazon.co.uk/gp/product/B009U1U2IU/ref=as_li_ss_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B009U1U2IU&linkCode=as2&tag=adammeetsworl-21
This series began life as a couple of essays on Medium
Difficult medium.com/i-m-h-o/a7f8bdabd67b
47 years to success medium.com/the-dept-for-dangerous-ideas/8654ee14e4b2
Sources:
All paintings and archive in the Public Domain via Wikimedia Commons & Prelinger Archives
Ultimate Fails Compilation: youtube.com/watch?v=Ujwod-vqyqA
The Craig Ferguson Show © CBS
Music released under a Creative Commons Licence
"Nola" by Broke for Free soundcloud.com/broke-for-free
"Lullaby" by _ghost soundcloud.com/ghost-14
With extracts from:
"Frozen Star" by Kevin Macleod incompetech.com
"William Tell Overture" by Giachino Rossini
Translations:
Spanish by: Elena Sanchez
Portuguese: Gustavo Silveira
Story Design and Production by Adam Westbrook
adamwestbrook.co.uk
Published by
delve.tv

William Tell Overture - Rossini

Human Bellagio Fountain.

Cat Duet - Boys Choir

Cat Duet - Boys Choir

Cat Duet - Boys Choir

ponceleon says...

Very fun piece, but a few observations... it is incorrectly attributed to Rossini. It is just because of the Bel Canto style that it is often said to be Rossini.

It is a very nice performance, but the kid on the left just isn't having much fun doing it. The one on the right seems to get the humor a lot better.

The Barber of Seville played on the hands!

The Barber of Seville played on the hands!

William Tell Overture by Gioachino Rossini

Bugs Bunny in the Rabbit of Seville

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