This is a supplementary video for THE MARVEL SYMPHONIC UNIVERSE

The Marvel Symphonic Universe has been added as a related post - related requested by eric3579 on that post.

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My buddy Mike Garfield, over at globalish says about this video:

"t’s that time of the year again: since 2008 (a million years ago!), DJ Earworm’s mashup mania crescendos once a year to form an epic audio collage that features Billboard’s favorite 25, all woven into one symphonic DJ mix. It’s like a Google Earth view of the musical identity of young Americans – by zooming out until a year of singles happens in four minutes, culture seems like nature, and the spirit of the times shines through the often-mediocre music Earworm brings together. Seeing Earth from space, we found a new identity beyond the nation states; a similar escape into low orbit around Pop reveals the flavor of the age with more appeal and sentiment than year-end news reviews.
It isn’t merely that “United States of Pop” resamples factory-assembled dross to offer tunes more interesting than their gathered parts. “Do What You Wanna Do” sings volumes about how and who we are right now, the character of mainstream culture we can’t see until it’s past, the air that we’ve been breathing without paying much attention. The cynical might say it demonstrates how all this music sounds the same, how easily it’s recombined – and while that’s definitely true, it’s also and more deeply true that we’re in this together, and will be remembered sharing space on stage as actors in a common play of history. Here is a window into how this moment will be seen, in digest form, the way we now look back on 1969. But go back and look at the mixes from 2008 – 2013, and a trend is obvious: even lousy music’s getting better. It’s an optimistic sign that we are getting deeper as a culture. Let’s hope.
Earworm’s genius lies not only in up-cycling tracks I’d rather never hear again as standalone recordings, but also in transforming the familiar and mundane into a damn-near magical homage to each year’s zeitgeist. This must be what an end-of-life review feels like: everything remembered and forgotten rushes back for one last joyous and nostalgic celebration.
Here’s to the change we all seek in 2015."

>> ^shuac:
One question for you, Sarzy. You say this film is a milestone. I'm sure you're right. Can you tell me why this film is a milestone?


Because the fight choreography and direction are peerless; the film's fight scenes easily rival anything that I've ever seen, and I've seen my share of action movies.

Because the critical consensus is that it's an instant classic.

Because it's breaking through into the mainstream more than any martial arts film I can think of since Ong Bak.

Because it is awesome.

Some quotes from reviews:

David Fear -- Time Out: And in terms of beautifully coordinated film violence—the kind involving flying fists and feet, whizzing blades and ballistic superbattles—Gareth Evans’s insta-classic Indonesian crime flick is leagues above every kinetic bullet-ballet and martial arts epic of the past decade. Whether this 31-year-old Welsh director will eventually be mentioned in the same breath as legendary chaos orchestrators like Sam Peckinpah or John Woo remains to be seen. For now, Evans can take pride in the fact that he’s set the bar for cinemayhem impossibly high.

Andrew O'Hehir -- Salon: “The Raid” is a witty, pulse-pounding instant midnight classic, an immediate sensation at the Sundance and Toronto festivals that should appeal to cinema buffs, action freaks and a pretty large mainstream audience besides. It offers some of the best Asian martial-arts choreography of recent years and an electric, claustrophobic puzzle-palace atmosphere that’ll leave you wrung out and buzzed.

Ty Burr -- Boston Globe: Not yet 30, Evans is a master of visceral tension and release. “The Raid’’ repeatedly slows down, gathers force, and rushes forward using all the elements of filmmaking at a director’s disposal: editing’s ability to expand and contract time; the camera’s gift for revealing information through motion and light; a good musical score (by Joseph Trapanese and Linkin Park’s Mike Shinoda) that can cue audiences to respond or just play with their heads. At times, “The Raid’’ feels like pure cinema.

Nordling -- Ain't it Cool: Then, there are the action sequences, which are so exquisitely orchestrated that they build like a symphonic suite of pain and kickassocity. This movie builds and builds, each fight even bigger than the one before it. I can't imagine an audience that won't be on their feet for some of them - and the action choreography is damn near perfect, with cinematography to match. Sure, there's some shakycam, but it's only to build the intensity because Uwais and director Gareth Evans have planned each fight so well that it's never confusing, not once. The geography is flawless. The film wisely lays out the building early on, so that you unconsciously understand where everyone is in the building and even in the same room. I haven't seen such confident action direction since John Woo unleashed the doves in THE KILLER and, yeah, HARD BOILED.

I noticed you put your dual barrel 1911 video in metal. metal is not for actual "metal" it is for metal MUSIC -

" For all things metal, including sub-genres, can be found in metal sift.

No rock and roll. No soft rock, or rock of any kind.

Gothic, Doom, Heavy, Thrash, Speed, Death, Black, New, Post,Industrial, Symphonic, Operatic, Power, Viking, Folk, Extreme, Viking,MetalCore and many others can all find a home here.


Now stop reading this, and mosh. "


yea its pretty stupid of a channel name, It depicts actual METAL not metal music.... But I wanted to let you know so you can "Modify details" under the title and change the channel assignments yourself.

** edit- let me express that again, IT IS A COMPLETELY STUPID CHANNEL ANNOTATION THAT DEPICTS WHAT THIS CHANNEL IS ABOUT... Jackass'

This video has been seconded as a duplicate; transferring votes to the original video and killing this dupe - dupeof seconded with isdupe by jonny.

>> ^doogle:

No oncoming train can stop any car playing that kind of heroic symphonic music while in a rush.


that brought so many awesome images to my mind, epic car vs. predator.

No oncoming train can stop any car playing that kind of heroic symphonic music while in a rush.

>> ^Sarzy:

If you hover over the "6 months" text with your mouse, you can see the exact date something was posted. This was posted January 13th, and the other one was posted on the 11th.
dupeof=http://videosift.com/video/Pogo-Skynet-Symphonic


Thank you!

Now, what are the chances that a statute of limitations applies, and we just let this one just quietly fade into obscurity?) I'll *isdupe it after I get my gold.

If you hover over the "6 months" text with your mouse, you can see the exact date something was posted. This was posted January 13th, and the other one was posted on the 11th.

*dupeof=http://videosift.com/video/Pogo-Skynet-Symphonic

This video has been nominated as a duplicate of this video by Sarzy. If this nomination is seconded with *isdupe, the video will be killed and its votes transferred to the original.

>> ^Duckman33:

ooops! dupeof=http://videosift.com/video/Pogo-Skynet-Symphonic
Bite me siftbot


And with each vid showing a submit time of exactly "6 months 1 week ago" how do we really know which is first?

(Not trying to be a jerk, I actually don't know the answer to my question...)

ooops! *dupeof=http://videosift.com/video/Pogo-Skynet-Symphonic

Bite me siftbot

Sorry friend dupeof=http://videosift.com/video/Pogo-Skynet-Symphonic