>> ^siftbot:

This video has been nominated as a duplicate of this video by Zifnab. If this nomination is seconded with isdupe, the video will be killed and its votes transferred to the original.


*isdupe and much longer!

Yay, thanks for the quality!!

In reply to this comment by ponceleon:
*quality

Your video, South Park's First Ever Deleted Scene, has made it into the Top 15 New Videos listing. Congratulations on your achievement. For your contribution you have been awarded 1 Power Point.

arsing region locked..

FFS it's a deleted scene!

aaaaarrrrgggggg

Classic scene. Such a good movie.

One of the deleted scenes in 'About Schmidt" (which Nicholson also plays in) shows him ordering the same breakfast, the woman saying "No substitutes" and Nicholson just calmly accepting it. Good little homage, but they decided to drop it because they didn't want the movie seeming too self-reflexive.

>> ^siftbot:
Invocations (dupeof=http://www.videosift.com/video/Vader-Falls-in-Love) cannot be called by xxovercastxx because xxovercastxx is not privileged - sorry.


*dupeof=http://www.videosift.com/video/Vader-Falls-in-Love

Okay yeah i remember now. This is a deleted scene. There's a weightlifting scene in the movie, but it's at home and his kid is with him. The kid keeps adding plates, and Dunn lifts it without noticing he's gotten up above 400lbs.

>> ^xxovercastxx:
I think The Sixth Sense had more general appeal than Unbreakable, but obviously I liked Unbreakable better. There's nothing wrong with TSS, mind you.
Signs was awful, I thought. The story wasn't bad, but I just didn't feel like it translated well to movie.
I really enjoyed The Village. Yes, there are holes and such in the story, but I enjoyed it in spite of them.
I fail to see how Unbreakable has a tacked-on ending.
I was also pleasantly surprised by Lady in the Water. It was unfortunate that it was billed like a kids movie, because it really wasn't. It was about a fairytale, yes, but it was far from a kids movie.
The Happening and the Avatar movie don't interest me, so I haven't and/or don't plan on seeing them.
>> ^Smugglarn:
Well I thought The Sixth Sense was contrived and forcefully understated.
The Village even more so and that film is kind of a missed opportunity not focusing on the reason why cults separate their members from society. What you get is pointless mystery story. Since you mentioned Hitchcock I could liken it to one of his television episodes, rather than any of his films.
Unbreakable is, with the exception of the clearly tacked on ending, his standout work.
I have avoided The Sham's later films like the plague.


I was referring to the "signs" at the very end in the sense giving the movie, which is essentially an origin story, a friggin epilogue.

I think The Sixth Sense had more general appeal than Unbreakable, but obviously I liked Unbreakable better. There's nothing wrong with TSS, mind you.

Signs was awful, I thought. The story wasn't bad, but I just didn't feel like it translated well to movie.

I really enjoyed The Village. Yes, there are holes and such in the story, but I enjoyed it in spite of them.

I fail to see how Unbreakable has a tacked-on ending.

I was also pleasantly surprised by Lady in the Water. It was unfortunate that it was billed like a kids movie, because it really wasn't. It was about a fairytale, yes, but it was far from a kids movie.

The Happening and the Avatar movie don't interest me, so I haven't and/or don't plan on seeing them.
>> ^Smugglarn:
Well I thought The Sixth Sense was contrived and forcefully understated.
The Village even more so and that film is kind of a missed opportunity not focusing on the reason why cults separate their members from society. What you get is pointless mystery story. Since you mentioned Hitchcock I could liken it to one of his television episodes, rather than any of his films.
Unbreakable is, with the exception of the clearly tacked on ending, his standout work.
I have avoided The Sham's later films like the plague.

>> ^jimnms:
>> ^dannym3141:
For me, it made sense: She was blind, so she would only have a vague idea of what the outside world had turned into, anyone with sight would have had more questions still - what's that big metal thing with wheels that moves, what's this smooth surface with white lines on it? It was still fraught with danger from her perspective, and it kept the village confined and intact. Yes they sent a frailer person to get supplies, but that was the risk and sacrifice to keep the village contained.
Made sense to me like i say, but i'm sure you could tear it apart with overanalysis. But i think you could do that with most stuff.

I'm saying, why didn't one of the adults, who knew the truth of the outside world sneak out one night and get the medical supplies? But like I said, that wouldn't have made a very good movie that way. A lot of movies are like that if you stop and think about it after watching them.


Ah, my explanation wasn't thorough enough.

How i figured it, was that they were committed to this idea, most of them wouldn't want to go and the only one who MIGHT want to go is the father of the girl, who was the ultimate leader of the town and i imagine couldn't realistically leave the town for a while and come back and not have everyone be just a little bit suspicious - she might go for her true love, more foolish things have been done in the name of love, but if he demonstrates that even he's too scared to go, then that cements the apparent danger to the knowlessmen.

And let's face it, she wasn't really in much danger, she was a very capable person even being blind, the path through the forest wasn't very difficult (they may not have known about the road, i suppose getting hit by a car could have been a concern), the only difficulty appeared because the mental handicapped guy escaped and chased her.

>> ^dannym3141:
For me, it made sense: She was blind, so she would only have a vague idea of what the outside world had turned into, anyone with sight would have had more questions still - what's that big metal thing with wheels that moves, what's this smooth surface with white lines on it? It was still fraught with danger from her perspective, and it kept the village confined and intact. Yes they sent a frailer person to get supplies, but that was the risk and sacrifice to keep the village contained.
Made sense to me like i say, but i'm sure you could tear it apart with overanalysis. But i think you could do that with most stuff.


I'm saying, why didn't one of the adults, who knew the truth of the outside world sneak out one night and get the medical supplies? But like I said, that wouldn't have made a very good movie that way. A lot of movies are like that if you stop and think about it after watching them.

>> ^jimnms:
>> ^dag:
Am I the only one who actually liked The Village?
I liked The Village while I watched it. Then later after thinking about it, I was like WTF? They knew the monsters weren't real and they sent a fucking blind girl out in the woods to get medical supplies so they could save that guy. If they knew, why didn't one of them just sneak out one night and get it themselves? I guess that wouldn't have made a very good movie that way.


For me, it made sense: She was blind, so she would only have a vague idea of what the outside world had turned into, anyone with sight would have had more questions still - what's that big metal thing with wheels that moves, what's this smooth surface with white lines on it? It was still fraught with danger from her perspective, and it kept the village confined and intact. Yes they sent a frailer person to get supplies, but that was the risk and sacrifice to keep the village contained.

Made sense to me like i say, but i'm sure you could tear it apart with overanalysis. But i think you could do that with most stuff.

>> ^dag:
Shamalamaman gets a lot of grief- but I've always thought his movies were pretty damn good. He's a cheesier, modern version of Hitchcock. Am I the only one who actually liked The Village? I love movies with surprise hooks- especially if I haven't guessed or been told what it is. 6th Sense was an amazing movie. >> ^Smugglarn:
I like that movie a lot too. My only real gripe with it is the text at the end saying "and he turned him in to thepolice yada yada yada... whatever - ruined a great movie.
Then again Shamalamanamanam turned out to be full of shit.



M. Night should make his next movie without a twist ending. THAT would fuck EVERYONE up.

>> ^dag:
Am I the only one who actually liked The Village?

I liked The Village while I watched it. Then later after thinking about it, I was like WTF? They knew the monsters weren't real and they sent a fucking blind girl out in the woods to get medical supplies so they could save that guy. If they knew, why didn't one of them just sneak out one night and get it themselves? I guess that wouldn't have made a very good movie that way.

>> ^dag:
Shamalamaman gets a lot of grief- but I've always thought his movies were pretty damn good. He's a cheesier, modern version of Hitchcock. Am I the only one who actually liked The Village? I love movies with surprise hooks- especially if I haven't guessed or been told what it is. 6th Sense was an amazing movie. >> ^Smugglarn:
I like that movie a lot too. My only real gripe with it is the text at the end saying "and he turned him in to thepolice yada yada yada... whatever - ruined a great movie.
Then again Shamalamanamanam turned out to be full of shit.



Well I thought The Sixth Sense was contrived and forcefully understated.

The Village even more so and that film is kind of a missed opportunity not focusing on the reason why cults separate their members from society. What you get is pointless mystery story. Since you mentioned Hitchcock I could liken it to one of his television episodes, rather than any of his films.

Unbreakable is, with the exception of the clearly tacked on ending, his standout work.

I have avoided The Sham's later films like the plague.