Awkward CG transition at 2:50, but most of the wipes were pretty clean (like 3:27). Well-choreographed and -flown though.

The Matrix paired with the perfect Rage Against The Machine song and a brilliantly choreographed light show. What is there not to love.

I was expecting some choreographed fight scene.

Fucking legend. No one else can create, choreograph, and execute a comedy fight scene as well as him, presuming he was involved in all of that here as he usually is. Excellent.

So well choreographed it makes me skeptical... ahhh fuck it. benefit of the doubt.

I like The Blanks version too.

David Leitch is a seasoned stunt coordinator/choreographer. His stunt work can be perceived to be hit or miss, but he has a fairly solid track record. Look him up, he has worked on some SHIT movies, but he's also worked on some modern action classics. It's easy to get triggered by women beating up men though, so I feel ya.

He's also the director of Deadpool 2.

Ho Lee Fuk.

While that opening fight scene felt too choreographed, it's still awesome to see her in an extended hands-on-violence scene all shot in a single take! American movies far too often turn every punch in a fight scene into pile of a dozen different cuts spliced together.

Overall, this looks pretty killer to me. I can't wait until it's released [on TPB].

Oof. That fight scene in the beginning was atrocious. I've seen B-grade movies with better fight scenes. Either Charlize can't "fight" for shit or the director/choreographer needs to be fired.

Meh. Looks pretty corny and forgettable all over actually.

Couldn't agree more! The writer is pretty fresh and the director(s) are stunt guys. Beyond that, I don't know much about the production, but both John Wick and John Wick 2 are precise and well choreographed gunfu with elements of the Matrix/Indigo Prophecy, Hitman, Assassin's Creed, Bruce Lee movies, and on and on. Star power, as well.

I have Jack Reacher (same writer as Usual Suspects), John Wick, Collateral (Michael Mann), and Jason Bourne in the same stack.

In 2002, when I was studying film I had a chance to listen to Doug Liman, the director of The Bourne Identity talk about the making of the film. He hadn't really done much at the time, but now he's in the thick of these highly stylized, star powered, accurate (bullet count, stunts, etc.) Action flicks.

This seems to be parts of https://videosift.com/video/A-Ballet-Chock-Full-of-WTF

The piece is called bODY_rEMIX les_vARIATIONS_gOLDBERG by Canadian choreographer Marie Chouinard.

Yet another movie ruined by bad direction.

Is it really so hard to get help from action directors/choreographers who actually know what they're doing? This has been going on for 20 years in Hollywood. Some movies figure it out and manage clean, comprehensible action (ie The Matrix) while others do this garbage close-up after close-up fast-cutting fight scenes which look like absolute shit on screen because they're too lazy to do the action the right way.

I honestly can't remember the last time I saw a big-budget Hollywood film that I truly enjoyed. All the execs and their hand wringing, "Oh why don't we see the returns we used to?"

Because you make shit movies, that's why.

@dannym3141 Yes, it does have a lot to do with people having to scoot around the back of the camera. It can take a bit of time to choreograph all the actor blocking and camera movements. In this piece there was no dialogue or field sound captured, so it wasn't as difficult as some of the projects I remember crewing on when I was in school a hundred years ago.

Hahaha, it does kinda look like it is 35 pixels, sorry about the poor quality of the image. I found this on Youtube, and I think the transfer from film to video might not have been of the highest quality. Not sure though. I added the bit about the difficulty a single-shot like this is to get in the can.

I started the video by asking, I wonder if he's some type of stunt choreographer; quickly followed by my response, oh. =)

This qualifies as 'dancing'?

Man I feel old, to me it looks like they are all experiencing a strangely choreographed seizure.