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Every Frame A Painting - Coen Brothers - Shot | Reverse Shot
I've always wondered the same thing. What if they use a single camera, but both actors still run through the scene even though one of them is off camera? When the camera is over-the-shoulder, either the other actor is sitting there with the camera behind them, or it's a body double. I imagine it would be easier for the actors if they are both doing the whole scene even if the camera is not on them. If that's the case, that would explain the unscripted reactions - it might even make more sense since the offscreen actor might instinctively do things a little differently without the camera on them.
I was hoping this was going to answer a question I have asked for a long time but still don't have a clear answer. Is it common to have 2 cameras filming actors simultaneously during a shot/counter-shot scene in a standard Hollywood production, so it's recording their interactions in real time?
Or is it more likely done with one camera, with the actors filmed sequentially and responding to off-camera dialog as they speak their lines. And then the shot/counter-shot are strung together in editing.
Seems to me the one camera would be more logical, as otherwise the lighting resources themselves would have to be doubled and kept out of view. Also I don't ever remember seeing any pictures or footage from a movie set where they have 2 cameras and 2 sets of lights, etc.
The reason I keep asking is that on IMDB in the trivia section you always read some nonsense about somebody's onscreen reaction to some unscripted ad-libbed line being genuine.
Well if they aren't both in the same shot how could it be a genuine reaction if the shot/counter-shot are filmed with one camera at different times? And the dialog may be spoken and recorded hours apart?
Like this scene from the "Die Hard" trivia section:
Hart Bochner's line "Hans... Bubby!" was ad-libbed. Alan Rickman's quizzical reaction was genuine.
They weren't in the same shot, so how can his reaction be genuine when the line may have been ad-libbed several hours earlier or later. If it was ad-libbed at all.
It strikes me as stupid made-up shit that passes for trivia and knowledge on the Internet but wanted to get some opinions on this.
BOOTY
Body double much?
Jennifer Aniston Nude Walk
The cuts and soft focus make me think we are seeing a body double here.
Frankie goes to Hollywood - Relax (alternative Version)
Tags for this video have been changed from 'frankie, says, relax, 80s, new wave' to 'frankie, says, relax, 80s, new wave, brian de palma, body double, nerd, porn' - edited by Eklek
Jennifer Aniston gets her boyfriend's attention (kinda NSFW)
>> ^dag:
Stunt butt?
i would also guess it's a body double. but i like the name "stunt butt" much more :-D
Patrick Swayze - She's like the wind
hehehe yup -- Patrick, Heath Ledger and I all used to be body doubles for each other. I just never wanted to be in the celebrity spotlight.
Frankie goes to Hollywood - Relax (alternative Version)
This from the 1984 Brian De Palma film "Body Double" with Craig Wasson and Melanie Griffith. A total homage/rip-off of every Alfred Hitchcock film plot used.
Here is a link to one of the other versions, that was banned here in the US.
http://www.videosift.com/video/The-Art-of-Noise-Relax
Semyazza
Cool! I had never seen this "banned" version of "Relax" MTV wouldn't show this version so the record label had FGTH do a more kid friendly version... Also I remember that they did another version in the Brian DePalma movie "Body Double".
Hitchcock's "Rear Window"
From Wiki:
Brian De Palma paid homage to Rear Window with his movie Body Double (which also added touches of Hitchcock's Vertigo). Rear Window was remade as a TV movie in 1998 starring Christopher Reeve. Marcos Bernstein's The Other Side of The Street (2004) also makes a reference to Rear Window, albeit with a Brazilian twist. Animated series such as The Simpsons, Tiny Toon Adventures, Rocket Power, The Venture Bros., and Home Movies have all paid homage to Rear Window. That 70's Show also spoofed the film in the episode "Too Old to Trick or Treat, Too Young to Die" along with other Hitchcock works. Robert Zemeckis' "What Lies Beneath" is another film that pays tribute to this film and another Hitchcock's features.
This movie has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. The film was restored by the team of Robert A. Harris and James C. Katz for its 1999 limited theatrical re-release and the Collector's Edition DVD release.