In which the narrator shows how effective use of quadrants can make a movie scene come alive. It'll give you a different perpective on movies.
"One of the many pleasures of Nicolas Winding Refn’s “Drive” (2011) is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame. Let’s take a look." -YT