To nitpick, he never says WHY we are so dumb, only that when compared to real intelligence we likely ARE so dumb we will be lucky if we are seen as moderately bright animals.

In the end he reverted to Tarantino…”There are known known (things we know), known unknowns (things we know we don’t know), and unknown unknowns (things we don’t even know we don’t know)”…I agree the unknown unknowns are the most interesting by far.

I can smell the faint fragrance of Tarantino.

A scent? More like Tarantino with the serial numbers filed off.

It's got just a scent of Tarantino to it.

Btw if you guys are worried about getting the vaccine I got it and it was fine. As I told my niece it's cool just like this instructional video from Tarantino...

7% and dinner with Tarantino.

Seems 50% of my admiration for Tarantino needs to be shared with Sally Menke.

I love hearing just about anything regarding Tarantino's film making *doublepromote

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From NYT article https://www.nytimes.com/2018/02/03/opinion/sunday/this-is-why-uma-thurman-is-angry.html?referer=https://t.co/3KI4YYryAt?amp=1

In the famous scene where she’s driving the blue convertible to kill Bill — the same one she put on Instagram on Thanksgiving — she was asked to do the driving herself.

But she had been led to believe by a teamster, she says, that the car, which had been reconfigured from a stick shift to an automatic, might not be working that well.

She says she insisted that she didn’t feel comfortable operating the car and would prefer a stunt person to do it. Producers say they do not recall her objecting.

“Quentin came in my trailer and didn’t like to hear no, like any director,” she says. “He was furious because I’d cost them a lot of time. But I was scared. He said: ‘I promise you the car is fine. It’s a straight piece of road.’” He persuaded her to do it, and instructed: “ ‘Hit 40 miles per hour or your hair won’t blow the right way and I’ll make you do it again.’ But that was a deathbox that I was in. The seat wasn’t screwed down properly. It was a sand road and it was not a straight road.” (Tarantino did not respond to requests for comment.)

Thurman then shows me the footage that she says has taken her 15 years to get. “Solving my own Nancy Drew mystery,” she says.

It’s from the point of view of a camera mounted to the back of the Karmann Ghia. It’s frightening to watch Thurman wrestle with the car, as it drifts off the road and smashes into a palm tree, her contorted torso heaving helplessly until crew members appear in the frame to pull her out of the wreckage. Tarantino leans in and Thurman flashes a relieved smile when she realizes that she can briefly stand.

Uma Thurman said she didn't want to drive this car. She said she had been warned that there were issues with it. She felt she had to do it anyway. It took her some 15 years to get footage of the crash. (Note: There is no audio.)
“The steering wheel was at my belly and my legs were jammed under me,” she says. “I felt this searing pain and thought, ‘Oh my God, I’m never going to walk again,’” she says. “When I came back from the hospital in a neck brace with my knees damaged and a large massive egg on my head and a concussion, I wanted to see the car and I was very upset. Quentin and I had an enormous fight, and I accused him of trying to kill me. And he was very angry at that, I guess understandably, because he didn’t feel he had tried to kill me.”

Even though their marriage was spiraling apart, Hawke immediately left the Abbey of Gethsemani in Kentucky to fly to his wife’s side.

“I approached Quentin in very serious terms and told him that he had let Uma down as a director and as a friend,” he told me. He said he told Tarantino, “Hey, man, she is a great actress, not a stunt driver, and you know that.” Hawke added that the director “was very upset with himself and asked for my forgiveness.”

Two weeks after the crash, after trying to see the car and footage of the incident, she had her lawyer send a letter to Miramax, summarizing the event and reserving the right to sue.

Miramax offered to show her the footage if she signed a document “releasing them of any consequences of my future pain and suffering,” she says. She didn’t.

I saw Once Upon A Time In Hollywood at the theater. I found myself smiling pretty much through the whole movie. Whether it was the dialog or the way the camera shots were done or the characters or all the memories from that era, Tarantino is truly one of a kind. I will watch it again because there is so much I'm sure I missed in just one sitting.

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