Excellent! I have updated the video with the new link (and cited your contribution in the description). Thanks for your exemplary sportsmanship. :-)

In reply to your comment:
“SPIFF! Your Live Earth Spinal Tap post is dead... sorry. And, damnit, you beat men to it!

So, here's a present for you! The entire set (stonehenge/big bottoms) from a new source. Cheers.

http://www.dailymotion.com/video/x2hlt6_metallica-spinal-tap-live-earth-lon”

SPIFF! Your Live Earth Spinal Tap post is dead... sorry. And, damnit, you beat men to it!

So, here's a present for you! The entire set (stonehenge/big bottoms) from a new source. Cheers.

http://www.dailymotion.com/video/x2hlt6_metallica-spinal-tap-live-earth-lon

Well, without the accent symbols it's always difficult to interpret Vietnamese, particularly if misspelled... "Cho" could mean "dog" or "for" when used with a subject (as in "this is for you"). "Cai" could mean "spicy" or "of them/these/those" when used in conjunction with a quantity (as in "three of those pancakes"). As for "Thang nguc lon" I'm at a loss.

Tại sao Choggie biết nội tiên Việt? Có biết đọc không?

Defiantly cool, -this thrifty viet-mate is probl'y getting job offers bic-tye....
(Cho cai!! Steve Job, Thang nguc lon!!)

anyone care to translate????

Freaks is in the public domain and the full movie is presented here.



Wikipedia sez:

Freaks is a Pre-Code 1932 horror film about sideshow performers, directed by Tod Browning.

The movie was adapted by Al Boasberg, Willis Goldbeck, Leon Gordon, and Edgar Allan Woolf from the short story Spurs by Tod Robbins. Browning, famed at the time for his collaborations with Lon Chaney and for directing Bela Lugosi in Dracula (1931), took the exceptional step of casting real people with deformities as the eponymous sideshow "freaks," rather than using costumes and makeup. Director Browning had been a member of a traveling circus in his early years, and much of the film was drawn from his personal experiences. He intended to portray the classic moral of how outer beauty does not necessarily equate to inner beauty. In the film, the physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are two of the "normal" members of the circus who conspire to murder one of the performers to obtain his large inheritance.