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My cat is afraid of the vacuum cleaner
The way it goes, "Vroom, vroom, vroom"
Vroom, vroom, vroom
Vroom, vroom, vroom

My cat is afraid of the vacuum cleaner
The way it goes "Vroom, vroom, vroom".
And the way it makes calls in the middle of the night
To shadowy men with underworld connections
It's conversations sound innocent enough,
But then, why is it whispering
And saying things that are obviously codes
Like, "Go to the laundry and pick up my shorts"?
It's a vacuum cleaner, it doesn't wear shorts.
But it does have a secret hidden room
Full of instruments of torture from ancient times
That were stolen from a little-known Idaho museum.
And on the wall in the secret room
Is a picture of actor Anthony Hopkins
Taken from the movie "Silence of the Lambs",
The one where he wears the scary mask.
And next to the picture of Anthony Hopkins
Is a picture of the vacuum cleaner
In the same scary mask, but a smaller version.
It's cute in a way, but in other ways no.
And also on the walls are some scribbled words.
Incoherent paranoid rants
Written in a language called Vacuumese
Derived from French and the operating manual
Of a 1972 Electrolux.
And what is written on those walls
In the language known as Vacuumese
Sends icy chills up my little cat's spine
And makes it toss and turn at night.
But the thing about the vacuum cleaner
That scares my cat the very most,
That makes it wake in a cold, cold sweat
And haunts its days and haunts its nights
And makes it jump at the slightest noise...

Is the way it goes, "Vroom, vroom, vroom".
Vroom, vroom, vroom
Vroom, vroom, vroom
Vroom, vroom, vroom

I learned this from the movie, "The Edge" with Anthony Hopkins and Alec Baldwin...

"Did you know you can make fire from ice? You can make fire from ice. Hello? I'm talking to you... do you know how that would be done?"

@TheGenk @Skeeve @Boise_Lib @gwiz665 @packo @IronDwarf @MaxWilder @westy @BicycleRepairMan @shuac @KnivesOut

Evolution is pseudo-science. It exists in the realm of imagination, and cannot be scientifically verified. At best, evolution science is forensic science, and what has been found not only does not support it, but entirely rules it out. I don't think any of you realize how weak the case for evolution really is. None of them quotes, as far as I know, are from creation scientists btw

No true transitional forms in the fossil record:

Darwins theory proposed that slow change over a great deal of time could evolve one kind of thing into another. Such as reptiles to birds. The theory proposed that we should see in the fossil records billions of these transitional forms, yet we have found none. When the theory was first proposed, darwinists pleaded poverty in the fossil record, claiming the missing links were yet to be found. It was then claimed that the links were missing because conditions conspired against fossilizing them, or that they had been eroded or destroyed in subsequent fossilization.

120 years have gone by since then. We have uncovered an extremely rich fossil record with billions of fossils, a record which has completely failed to produce the expected transitions. It has become obvious that there was no process that could have miraculously destroyed the transitionals yet left the terminal forms intact.

The next theory proposed was "hopeful monster" theory, which states that evolution occurs in large leaps instead of small ones. Some even suggested that a bird could have hatched from a reptile egg. This is against all genetic evidence, and has never been observed.

The complete lack of transitional forms is not even the worst problem for evolution, considering the big gaps between the higher categories, and the systemic absence of transitional forms between families classes orders and phyla.

"I fully agree with your comments on the lack of direct illustration of evolutionary transitions in my book. If I knew of any, fossil or living, I would certainly have included them. You suggest that an artist should be used to visualise such transformations, but where would he get the information from? I could not, honestly, provide it, and if I were to leave it to artistic license, would that not mislead the reader?"

Dr. Colin Patterson, senior paleontologist at the British Museum of Natural History (and a hardcore evolutionist), in a letter to Luther Sunderland, April 10, 1979 admitting no transitional forms exist.

"Contrary to what most scientists write, the fossil record does not support the Darwinian theory of evolution because it is this theory (there are several) which we use to interpret the fossil record. By doing so we are guilty of circular reasoning if we then say the fossil record supports this theory."

Ronald R. West, PhD (paleoecology and geology) (Assistant Professor of Paleobiology at Kansas State University), "Paleoecology and uniformitarianism". Compass, vol. 45, May 1968, p. 216

"Lastly, looking not to any one time, but to all time, if my theory be true, numberless intermediate varieties, linking closely together all the species of the same group, must assuredly have existed. But, as by this theory, innumerable transitional forms must have existed, why do we not find them embedded in countless numbers in the crust of the earth?"

-Charles Darwin

"In fact, the fossil record does not convincingly document a single transition from one species to another."

-Evolutionist Stephen M. Stanley, Johns Hopkins University

Fossil record disputes evolutionary theory:

According to evolutionary theory we should see an evolutionary tree of organisms starting from the least complex to the most complex. Instead, what we do see in the fossil record is the very sudden appearance of fully-formed and fully-functional complex life.

If you examine the fossil record, you see all kinds of complex life suddenly jumping into existence during a period that evolutionists refer to as the "Cambrian explosion".

None of the fossilized life forms found in the "Cambrian period" have any predecessors prior to that time. In essence, the "Cambrian period" represents a "sudden explosion of life" in geological terms.

Evolutionists try to disprove this by stretching it over a period of 50 million years, but they have no transitional fossils to prove that theory before or during.

"The earliest and most primitive members of every order already have the basic ordinal characters, and in no case is an approximately continuous series from one order to another known. In most cases the break is so sharp and the gap so large that the origin of the order is speculative and much disputed"

-Paleontologist George Gaylord

What disturbs evolutionists greatly is that complex life just appears in the fossil record out of nowhere, fully functional and formed.

A major problem in proving the theory has been the fossil record; the imprints of vanished species preserved in the Earth's geological formations. This record has never revealed traces of Darwin's hypothetical intermediate variants - instead species appear and disappear abruptly, and this anomaly has fueled the creationist argument that each species was created by God.

-Paleontologist Mark Czarnecki (an evolutionist)

"It is as though they [fossils] were just planted there, without any evolutionary history. Needless to say this appearance of sudden planting has delighted creationists. Both schools of thought (Punctuationists and Gradualists) despise so-called scientific creationists equally, and both agree that the major gaps are real, that they are true imperfections in the fossil record. The only alternative explanation of the sudden appearance of so many complex animal types in the Cambrian era is divine creation and both reject this alternative."

-Richard Dawkins, 'The Blind Watchmaker', W.W. Norton & Company, New York, 1996, pp. 229-230

Evolution can't explain the addition of information that turns one kind into another kind

There is no example recorded of functional information being added to any creature, ever.

"The key issue is the type of change required — to change microbes into men requires changes that increase the genetic information content, from over half a million DNA ‘letters’ of even the ‘simplest’ self-reproducing organism to three billion ‘letters’ (stored in each human cell nucleus)."

Species just don't change. Kind only produces kind:

"Every paleontologist knows that most species don't change. That's bothersome....brings terrible distress. ....They may get a little bigger or bumpier but they remain the same species and that's not due to imperfection and gaps but stasis. And yet this remarkable stasis has generally been ignored as no data. If they don't change, its not evolution so you don't talk about it."

Evolutionist Stephen J. Gould of Harvard University

Not enough bones:

Today the population grows at 2% per year. If we set the population growth rate at just 0.5% per year, then total population reduces to zero at about 4500 years ago. If the first humans lived 1,000,000 years ago, then at this 0.5% growth rate, we would have 10^2100 (ten with 2100 zeroes following it) people right now. If the present population was a result of 1,000,000 years of human history, then several trillion people must have lived and died since the emergence of our species. Where are all the bones? And finally, if the population was sufficiently small until only recently, then how could a correspondingly infinitesimally small number of mutations have evolved the human race?

"Evolutionism is a fairy tale for grown-ups. This theory has helped nothing in the progress of science. It is useless."

-Professor Louis Bounoure, past president of the Biological Society of Strassbourg, Director of the Strassbourg Zoological Museum and Director of Research at the French National Center of Scientific Research.

Try to debunk this if you can
http://www.youtube.com/watchv=tYLHxcqJmoM&feature=PlayList&p=C805D4953D9DEC66&index=0&playnext=1

More fun facts:

There are no records of any human civilization past 4000 BC

"The research in the development of the [radiocarbon] dating technique consisted of two stages—dating of samples from the historic and prehistoric epochs, respectively. Arnold [a co-worker] and I had our first shock when our advisors informed us that history extended back only for 5,000 years . . You read statements to the effect that such and such a society or archeological site is 20,000 years old. We learned rather that these numbers, these ancient ages, are not known accurately; in fact, the earliest historical date that has been established with any degree of certainty is about the time of the First Dynasty of Egypt."—*Willard Libby, Science, March 3, 1961, p. 624.

Prior to a certain point several thousand years ago, there was no trace of man having ever existed. After that point, civilization, writing, language, agriculture, domestication, and all the rest—suddenly exploded into intense activity!

"No more surprising fact has been discovered, by recent excavation, than the suddenness with which civilization appeared in the world. This discovery is the very opposite to that anticipated. It was expected that the more ancient the period, the more primitive would excavators find it to be, until traces of civilization ceased altogether and aboriginal man appeared. Neither in Babylonia nor Egypt, the lands of the oldest known habitations of man, has this been the case."—P.J. Wiseman, New Discoveries, in Babylonia, about Genesis (1949 ), p. 28.

Oldest people/language recorded in c. 3000 B.C., and were located in Mesopotamia.

The various radiodating techniques could be so inaccurate that mankind has only been on earth a few thousand years.

"Dates determined by radioactive decay may be off—not only by a few years, but by orders of magnitude . . Man, instead of having walked the earth for 3.6 million years, may have been around for only a few thousand."—*Robert Gannon, "How Old Is It?" Popular Science, November 1979, p. 81.

Moonwalk disproves age of moon:

The moon is constantly being bombarded by cosmic dust particles. Scientists were able to measure the rate at which these particles would accumulate. Using their estimates according to their understanding that the age of the Earth was billions of years, their most conservative estimate predicted a dust layer 54 feet deep. This is why the lander had those huge balloon tires, to be prepared to land on a sea of dust. Neil Armstrong, after saying those famous words, uttered two more which disproved the age of the moon entirely "its solid!". Far from being 54 feet, they found the dust was 3/4 of an inch.

Evolution is a fairy tale that modern civilization has bought, hook line and sinker. Humorously, atheists accuse creationists of beiieving in myths without any evidence..when they place their entire faith in an unproven theory even evolutionists know is fatally flawed and invalid. Evolution is a meta physical belief that requires faith. Period.

Evolution is false, science affirms a divine Creator
http://www.jesus-is-savior.com/Books,%20Tracts%20&%20Preaching/Tracts/big_daddy.htm

Though most of this is undisputable, I'm just getting started..

(Taken from Liveleak)
Serene Branson - did she suffer a stroke?

"Well, a very heavy burtation tonight," she said, smiling broadly. But her smile More.. disappeared as her speech devolved into a series of incomprehensible utterances.

To be clear, it's not immediately known what happened to Branson and calls to the station where she works went unanswered at presstime. But a neurologist who watched Branson's episode offered several possible explanations as to what happened to her.

"Stroke is the number one possibility," Dr. John Krakauer, associate professor of neurology and neuroscience at Johns Hopkins School of Medicine in Baltimore, told CBS News. Other possibilities, he said, include a transient ischemic attack - a sort of "mini-stroke" that produces no lasting problems - a migraine headache, or a seizure.

That trick was in the movie "The Worlds fastest Indian" Great Movie by the way Based on a true story with Anthony Hopkins.

Preview of The Worlds fastest Indian

The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle -- a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.

My cat is afraid of the vacuum cleaner
The way it goes, "Vroom, vroom, vroom"
Vroom, vroom, vroom
Vroom, vroom, vroom

My cat is afraid of the vacuum cleaner
The way it goes "Vroom, vroom, vroom".
And the way it makes calls in the middle of the night
To shadowy men with underworld connections
It's conversations sound innocent enough,
But then, why is it whispering
And saying things that are obviously codes
Like, "Go to the laundry and pick up my shorts"?
It's a vacuum cleaner, it doesn't wear shorts.
But it does have a secret hidden room
Full of instruments of torture from ancient times
That were stolen from a little-known Idaho museum.
And on the wall in the secret room
Is a picture of actor Anthony Hopkins
Taken from the movie "Silence of the Lambs",
The one where he wears the scary mask.
And next to the picture of Anthony Hopkins
Is a picture of the vacuum cleaner
In the same scary mask, but a smaller version.
It's cute in a way, but in other ways no.
And also on the walls are some scribbled words.
Incoherent paranoid rants
Written in a language called Vacuumese
Derived from French and the operating manual
Of a 1972 Electrolux.
And what is written on those walls
In the language known as Vacuumese
Sends icy chills up my little cat's spine
And makes it toss and turn at night.
But the thing about the vacuum cleaner
That scares my cat the very most,
That makes it wake in a cold, cold sweat
And haunts its days and haunts its nights
And makes it jump at the slightest noise...

Is the way it goes, "Vroom, vroom, vroom".
Vroom, vroom, vroom
Vroom, vroom, vroom
Vroom, vroom, vroom

I found this movie made by Pixar and voiced by Academy Award winning actor Anthony Hopkins.

Dali was fascist scum.

http://www.counterpunch.org/navarro12062003.html

The Jackboot of Dada

Salvador Dali, Fascist

By VICENTE NAVARRO

The year 2004, the centenary of Dali's birth, has been proclaimed "the year of Dali" in many countries. Led by the Spanish establishment, with the King at the helm, there has been an international mobilization in the artistic community to pay homage to Dali. But this movement has been silent on a rather crucial item of Dali's biography: his active and belligerent support for Spain's fascist regime, one of the most repressive dictatorial regimes in Europe during the twentieth century.

For every political assassination carried out by Mussolini's fascist regime, there were 10,000 such assassinations by the Franco regime. More than 200,000 people were killed or died in concentration camps between 1939 (when Franco defeated the Spanish Republic, with the military assistance of Hitler and Mussolini) and 1945 (the end of World War II, an anti-fascist war, in Europe). And 30,000 people remain desaparecidos in Spain; no one knows where their bodies are. The Aznar government (Bush's strongest ally in continental Europe) has ignored the instructions of the U.N. Human Rights Agency to help families find the bodies of their loved ones. And the Spanish Supreme Court, appointed by the Aznar government, has even refused to change the legal status of those who, assassinated by the Franco regime because of their struggle for liberty and freedom, remain "criminals."

Now the Spanish establishment, with the assistance of the Catalan establishment, wants to mobilize international support for their painter, Dali, portraying him as a "rebel," an "anti-establishment figure" who stood up to the dominant forces of art. They compare Dali with Picasso. A minor literary figure in Catalonia, Baltasar Porcel (chairman of the Dali year commission), has even said that if Picasso, "who was a Stalinist" (Porcel's term), can receive international acclaim, then Dali, who admittedly supported fascism in Spain, should receive his own homage." Drawing this equivalency between Dali and Picasso is profoundly offensive to all those who remember Picasso's active support for the democratic forces of Spain and who regard his "Guernica" (painted at the request of the Spanish republican government) as an international symbol of the fight against fascism and the Franco regime.

Dali supported the fascist coup by Franco; he applauded the brutal repression by that regime, to the point of congratulating the dictator for his actions aimed "at clearing Spain of destructive forces" (Dali's words). He sent telegrams to Franco, praising him for signing death warrants for political prisoners. The brutality of Franco's regime lasted to his last day. The year he died, 1975, he signed the death sentences of four political prisoners. Dali sent Franco a telegram congratulating him. He had to leave his refuge in Port Lligat because the local people wanted to lynch him. He declared himself an admirer of the founder of the fascist party, Jose Antonio Primo de Rivera. He used fascist terminology and discourse, presenting himself as a devout servant of the Spanish Church and its teaching--which at that time was celebrating Queen Isabella for having the foresight to expel the Jews from Spain and which had explicitly referred to Hitler's program to exterminate the Jews as the best solution to the Jewish question. Fully aware of the fate of those who were persecuted by Franco's Gestapo, Dali denounced Bunuel and many others, causing them enormous pain and suffering.

None of these events are recorded in the official Dali biography and few people outside Spain know of them. It is difficult to find a more despicable person than Dali. He never changed his opinions. Only when the dictatorship was ending, collapsing under the weight of its enormous corruption, did he become an ardent defender of the monarchy. And when things did not come out in this way, he died.

Dali also visited the U.S. frequently. He referred to Cardinal Spellman as one of the greatest Americans. And while in the U.S., he named names to the FBI of all the friends he had betrayed. In 1942, he used all his influence to have Buñuel fired from the Museum of Modern Art in New York, where Buñuel worked after having to leave Spain following Franco's victory. Dali denounced Buñuel as a communist and an atheist, and it seems that under pressure from the Archbishop of New York, Buñuel had to leave for Mexico, where he remained for most of his life. In his frequent visits to New York, Dali made a point of praying in St. Patrick's Cathedral for the health of Franco, announcing at many press conferences his unconditional loyalty to Franco's regime.

Quite a record, yet mostly unknown or ignored by his many fans in the art world.

Vicente Navarro is the author of The Political Economy of Social Inequalities: Consequences for Health and Quality of Life and Dangerous to Your Health. He teaches at Johns Hopkins University. He can be reached at navarro@counterpunch.org.

Dali was fascist scum. http://www.counterpunch.org/navarro12062003.html

The Jackboot of Dada

Salvador Dali, Fascist

By VICENTE NAVARRO

The year 2004, the centenary of Dali's birth, has been proclaimed "the year of Dali" in many countries. Led by the Spanish establishment, with the King at the helm, there has been an international mobilization in the artistic community to pay homage to Dali. But this movement has been silent on a rather crucial item of Dali's biography: his active and belligerent support for Spain's fascist regime, one of the most repressive dictatorial regimes in Europe during the twentieth century.

For every political assassination carried out by Mussolini's fascist regime, there were 10,000 such assassinations by the Franco regime. More than 200,000 people were killed or died in concentration camps between 1939 (when Franco defeated the Spanish Republic, with the military assistance of Hitler and Mussolini) and 1945 (the end of World War II, an anti-fascist war, in Europe). And 30,000 people remain desaparecidos in Spain; no one knows where their bodies are. The Aznar government (Bush's strongest ally in continental Europe) has ignored the instructions of the U.N. Human Rights Agency to help families find the bodies of their loved ones. And the Spanish Supreme Court, appointed by the Aznar government, has even refused to change the legal status of those who, assassinated by the Franco regime because of their struggle for liberty and freedom, remain "criminals."

Now the Spanish establishment, with the assistance of the Catalan establishment, wants to mobilize international support for their painter, Dali, portraying him as a "rebel," an "anti-establishment figure" who stood up to the dominant forces of art. They compare Dali with Picasso. A minor literary figure in Catalonia, Baltasar Porcel (chairman of the Dali year commission), has even said that if Picasso, "who was a Stalinist" (Porcel's term), can receive international acclaim, then Dali, who admittedly supported fascism in Spain, should receive his own homage." Drawing this equivalency between Dali and Picasso is profoundly offensive to all those who remember Picasso's active support for the democratic forces of Spain and who regard his "Guernica" (painted at the request of the Spanish republican government) as an international symbol of the fight against fascism and the Franco regime.

Dali supported the fascist coup by Franco; he applauded the brutal repression by that regime, to the point of congratulating the dictator for his actions aimed "at clearing Spain of destructive forces" (Dali's words). He sent telegrams to Franco, praising him for signing death warrants for political prisoners. The brutality of Franco's regime lasted to his last day. The year he died, 1975, he signed the death sentences of four political prisoners. Dali sent Franco a telegram congratulating him. He had to leave his refuge in Port Lligat because the local people wanted to lynch him. He declared himself an admirer of the founder of the fascist party, Jose Antonio Primo de Rivera. He used fascist terminology and discourse, presenting himself as a devout servant of the Spanish Church and its teaching--which at that time was celebrating Queen Isabella for having the foresight to expel the Jews from Spain and which had explicitly referred to Hitler's program to exterminate the Jews as the best solution to the Jewish question. Fully aware of the fate of those who were persecuted by Franco's Gestapo, Dali denounced Bunuel and many others, causing them enormous pain and suffering.

None of these events are recorded in the official Dali biography and few people outside Spain know of them. It is difficult to find a more despicable person than Dali. He never changed his opinions. Only when the dictatorship was ending, collapsing under the weight of its enormous corruption, did he become an ardent defender of the monarchy. And when things did not come out in this way, he died.

Dali also visited the U.S. frequently. He referred to Cardinal Spellman as one of the greatest Americans. And while in the U.S., he named names to the FBI of all the friends he had betrayed. In 1942, he used all his influence to have Buñuel fired from the Museum of Modern Art in New York, where Buñuel worked after having to leave Spain following Franco's victory. Dali denounced Buñuel as a communist and an atheist, and it seems that under pressure from the Archbishop of New York, Buñuel had to leave for Mexico, where he remained for most of his life. In his frequent visits to New York, Dali made a point of praying in St. Patrick's Cathedral for the health of Franco, announcing at many press conferences his unconditional loyalty to Franco's regime.

Quite a record, yet mostly unknown or ignored by his many fans in the art world.

Vicente Navarro is the author of The Political Economy of Social Inequalities: Consequences for Health and Quality of Life and Dangerous to Your Health. He teaches at Johns Hopkins University. He can be reached at navarro@counterpunch.org.

I was just revisiting some of my videos and decided to do some research about this debate.

First, from a medical standpoint, basketball and baseball are considered contact sports as contact can and does occur. Boxing, MMA, NFL, etc are known as collision sports, where players impacting each other or the ground is a goal rather than incidental.

If you look at this report by Johns Hopkins University, they indicate 69 of the 171 matches in their sample set ended with injuries: 40%. That seems high until you look at the next page and see that 46 of those 69 injuries (48%) were cuts. In most cases, cuts just need time to heal and have no long-term effect save perhaps some scarring. If we take those out, we're left with 13% of the matches ending with injuries that have potential to be serious. There has been one death in sanctioned MMA but it was after the release of this study so it's not reflected.

Note their conclusion paragraph at the end: " Mixed Martial Arts competitions have changed dramatically since the first Ultimate Fighting Championship in 1993. The overall injury rate in MMA competitions is now similar to other combat sports, including boxing. Knockout rates are lower in MMA competitions than in boxing. This suggests a reduced risk of TBI in MMA competitions when compared to other events involving striking."

Unfortunately I can't find statistics on the NFL that can be directly compared, but here is an article talking about injuries. 60% of players report having suffered a concussion. This Wikipedia page cites statistics that the rate of direct fatalities has dropped to 4.3 per year on average from 1991-2006. I think these stats include people playing in their yards with no pads or helmets, though, so it's not easy to make a comparison to sanctioned MMA.

According to Cenk, Evangelical moralist preacher, Anthony Hopkins, stuffed his wife in a freezer after she caught him molesting children.

>> ^HenningKO:

>> ^geo321:
No....I didn't catch an excuse for stuffing his wife in a freezer.>> ^Kreegath:
Can't make out what Cenk says the guy's excuse was. Could anyone clarify?


I can see why it doesn't strike you as an excuse, but Cenk said his excuse was the guy didn't know HOW she got dead before he stuffed her in the freezer.
It's right in the video description...?

Recommendation:

Deep Down Things: The Breathtaking Beauty of Particle Physics
by Bruce A. Schumm. Johns Hopkins Press.

Thanks for the boost!

In reply to this comment by notarobot:
I'm no music expert, but I suspect the influence of Mr Lightnin' is greater than I know.

(CNN) -- A Johns Hopkins University student killed an apparent burglar with a samurai sword after discovering the man in his garage, police said Tuesday.

Baltimore, Maryland, police received a phone call shortly before 1:30 a.m. Tuesday about a suspicious person, and an off-duty officer arrived at the scene with campus security, city police spokesman Anthony Guglielmi said.

When authorities arrived, they heard calls for help and for police, he said. They discovered a suspected burglar with a severed left hand and severe lacerations to his upper body, Guglielmi said.

The suspect died at the scene, he said.

The man had entered a home where several Johns Hopkins students lived, Guglielmi said. Four students, one armed with a samurai sword, had confronted the suspect in the garage.

The man "lunged" at the students, and the student with the sword defended himself, severing the man's left hand and cutting his upper body, Guglielmi said.

Police did not release the name of the suspect, who Guglielmi said had a long criminal history, or that of the student.

Police questioned the three witnesses, Guglielmi said, and released them. It was not immediately clear whether all four students lived at the house, he said.

Authorities are determining whether the student will face criminal charges, Guglielmi said.

Burglars had taken two laptops and a Sony PlayStation from the students' home Monday, Guglielmi said.

The burglary suspect had been released from prison Saturday, Guglielmi said.
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