But... nothing in the 80s looked like that. Late 90s maybe. I suppose there were feature films that looked this good, but no tv shows of which I'm aware.

If it were 80s anime there would be a lot of static shots where only the mouths were moving. This full-body animation w/ moving scenery takes way too much work.

Based on a novel, if anyone is interested.

https://www.goodreads.com/book/show/17457008-apocalypse-now-now

This is being developed as a feature film, a joint Canadian, South African project (as predicted, there appears to be no Hollywood involvement). Same screenwriter as District 9. I think this video is just to help drum up some financial support.

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Looks great. Really interesting to see Netflix make more feature films. I know they would like to do simultaneous cinema releases, but the movie machine business is blocking them.

It's all a big hoax, this is really just a viral campaign for a new Pigs In Space feature film.

Axanar Feature Film - "Vulcan Scene" has been added as a related post - related requested by VoodooV on that post.

Feature film?!? Looks more like a syfy channel movie to me.

Good points, but I meant 'automatic' film cameras of today VS 'automatic' digital cameras of today. All other things being equal, film will give better quality than any but the best professional digitals, but even new film cameras are more expensive and bulky for the same features...+ film, + developing, + prints.

Cast...muumph. Stunts meh, CGI FRIDAYS.... Jokes and gags?? (see Family Guy reruns)- Creator of Family Guy feature film destined to reign in first-place in next week's box receipts??...Death of comedy, art, and pop-culture on skids running downhill into a sewage-bilge pit.

Yeah, I didn't get this at all.

There are people like that arcades?

There are still arcades?

I actually just wish he'd move on to feature films or something. I don't watch many of his videos anymore, I get sick of seeing him "act" in everything he produces, and I believe the work he was doing as a student back in the day was more creative than anything he's done in the last few years. VGHS being the extreme exception.

Watched it once, never to return-One of those once is enough flicks....Don't dig that 'window into slow demise' kinna flick(didn't LLV kinna put him on the map....Best Actor)?

He takes on roles as cage playing cage-I place him in the Keanu Reeves category of hactors as in, where are they now?
But you really can say that about any A-lister from the 80's-90's, Hollywoods' drying up on her corner and vine-Cage got roles and was handed prominence because of the Godfather, FFC.

Brian Cranstons' got more talent in his little finger, and he's done how many feature films???

Liked 'Next', but because of Jessica Beale and Julianne Moore, plus.....Philip K Dick story-and I'm about the PhilDick.

Can't watch Raising Arizona anymore-can't get a giggle from it-my chucklers' maybe broke....

(watching Lord of War now, revisiting it to try and prove myself wrong)

Watched the whole roast and the best segment came from Jeff Ross, who had the entire panel of comedians in-stitches with short, well-timed quips and a comfortable, un-strained delivery. Samberg's schtick was crude, overworked, manic, tiresome and dull....oh, and unnecessarily long, not unlike most of the tired skits from SNL nowadays.
Lorne Michaels should take him back. Oh. He's there now.....give him a permanent dressing room star then and keep him from polluting any future feature film offerings.

Vimeo description:

Animated by Austin illustrator Divya Srinivasan, this animated video depicts three sleepy ghost kids following a heterochromic fox through a snowy twilight. When the group discovers an impromptu critter disco in a forest clearing, the spirits and strays dance in harmony until a cranky babushka bemoans the noise and breaks up the party. Thus, the spectral youths return to the astral plane... but not without a final farewell to their new found animal friends.

Divya Srinivasan has previously created animated videos for Spoon ("Everything Hits at Once"), They Might Be Giants, The Sundance Channel and Wonder Showzen, and worked on Richard Linklater's "Waking Life" feature film. Divya's illustration portfolio includes numerous pieces for the New Yorker magazine, as well as the album artwork for Sufjan Stevens' Illinois and This American Life's "Stories of Hope and Fear" collection.

"I Saw The Bright Shinies" is from The Octopus Project's album "Hello, Avalanche," released in 2007 on Peek-A-Boo Records. The "Bright Shinies" video appears on the "Golden Beds" enhanced CD EP released in 2009 on Peek-A-Boo Records.

peekaboorecords.com/octopusproject
theoctopusproject.com
myspace.com/theoctopusproject
pupae.com/portfolio

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Somebody give Freddie Wong $100M to make a feature film already.

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This is an email submission request by the creator - very cool video. More details:

The Ancestor is a collaboration between Chinese Takeout and Crazy Lake Pictures, both young production companies forged in the fires of speed-filmmaking challenges. Chinese Takeout members Timothy Hahn – Pixar employee by day, ruthless preditor (producer/editor) by night – and Abraham Dieckman, writer-director of the upcoming sci-fi feature Trash and Progress – recently made a splash on the festival circuit with the animated short film Cadaver, featuring the voices of Christopher Lloyd, Kathy Bates, and Tavi Gevinson. Crazy Lake Pictures accomplices Mike Lavoie, co-executive producer of the acclaimed film Sleepwalk with Me, and Keith Boynton, whose feature film Chasing Home was chosen as the opening-night premiere of the 2012 Gotham Screen International Film Festival, also collaborated on the well-received "Here We Go" music video for Brooklyn-based band The Spring Standards.

The Ancestor is Crazy Lake's second video for Darlingside (after the jaunty parable "Terrible Things"), and the first meeting of the minds between Crazy Lake and Chinese Takeout, though Hahn and Boynton have enjoyed the texture of each other's brains since their days doing improv comedy together at Amherst College. All four men are sensitive film nerds who look forward to many future collaborations.