This is not her finest work I think... still excellent... she has a ton of videos and they are all worth watching ; )

Besides jumping and walking, Geddy also plays a friggin keyboard via foot pedels.

Good one, not perfection but if you hear Geddys solo tracks from the record and lately from a live, it's about that. Of course what makes it different is that Geddy is there walking and jumping, waving to the crowds AND doing this. It's quite surreal when you know how much talent there is when he takes these licks so effortlessly. And his right hand technique... It looks like a muddly mess and yet hits just the right strings at the right time. Farcry from disciplined action you see this fine lady doing in this video.

Geddy Lee probably wouldn't have a problem with anything he said.

Geddy Lee is not impressed.

I miss Geddy's former vocal style. Perhaps I'm an outlier. He's still my favorite rock bassist tho, by a huge margin.

Thanks for the promote @lurgee

Kick-ass when Geddy comes in with the bass

^vote for Geddy's t-shirt.
\m/ \m/

Geddy Lee disagrees.

The song's lyrics (and title) are both a tribute to Ayn Rand's novella Anthem, who deeply influenced Neil Peart - Rush's lyricist - at the time:

Know your place in life is where you want to be
Don't let them tell you that you owe it all to me
Keep on looking forward, no use in looking 'round
Hold your head above the ground and they won't bring you down

Chorus:
Anthem of the heart and anthem of the mind
A funeral dirge for eyes gone blind
We marvel after those who sought
New wonders in the world, wonders in the world,
Wonders in the world they wrought

Live for yourself -- there's no one else
More worth living for
Begging hands and bleeding hearts will
Only cry out for more

[Chorus]

Well, i know they've always told you
Selfishness was wrong
Yet it was for me, not you, i
Came to write this song

[Chorus]

From a Q&A with fan questions in 1993:

Q. It's fairly well known that you've been influenced to a great extent by the writings of Ayn Rand. Knowing that her philosophy places a great deal of emphasis on individualism and creative integrity, particularly in the realm of art, how do you reconcile this with the fact that the music of Rush is written collectively? What happens if one of you has your heart set on a particular part, but the other two are dead-set against it?

Eric Simpson
Miami Springs, FL

A. Well, I saved this one until last, and you can see why! Eric and other people often send long lists of questions, and I hope they understand that I just can't justify spending half a page on a complex answer for each arcane question (for myself or for the general reader) so I have to be selective. Since I'm giving my time to this as a service to others, I go about it in my own way -- like the selfish bum I am.

Sometimes I choose questions which a few people have asked about, but which are unlikely to appear in an interview; sometimes I choose questions I think are interesting; sometimes I head off a growing myth and debunk it for you; other times I just say "what the heck" and answer any old one. So okay...

For a start. the extent of my influence by the writings of Ayn Rand should not be overestimated -- I am no one's disciple. Yes, I believe the individual is paramount in matters of justice and liberty, but in philosophy, as Aristotle said long ago, the paramount good is happiness. My self-determination as an individual is part of the pursuit of happiness, of course, but there's more to it than that.

In this particular example, working together with Alex and Geddy is a more important part of my pursuit of happiness than is my attachment to any line of lyric or phrase of music. Thus the conflict you describe would not arise -- if we disagree on such a detail, we work on it until it satisfies everybody, and if (very) occasionally one of us has to sacrifice a petty preference, they hey -- it's no big deal. Especially when you compare such an issue against the satisfaction we get from the big picture, the sum of our work together, it would be foolish to sacrifice long-term happiness for a small difference in taste.

I've said before that in regard to my own work, the lyrics, I am more often excited by the input from the other two than I am disappointed by it, and I certainly never feel compromised by it.

And there you can see how complicated it is to identify and pursue happiness, and how complicated it can be just to answer one question (out of twenty submitted by the curious Mr. Simpson, though others often rival him.)

You see what I'm up against...

Bye for now,

N. Peart

November 4, '93, Toronto

Comment hidden because you are ignoring dag. (show it anyway)

Cool, I will vote it up. You hoser.
>> ^Bruti79:
Hey Dag, I found it and posted it =)
http://www.videosift.com/video/Geddy-Lee-Take-Off

Hey Dag, I found it and posted it =)

http://www.videosift.com/video/Geddy-Lee-Take-Off

Comment hidden because you are ignoring dag. (show it anyway)

3 years and seven months. All questions are answered on the Sift eventually.

>> ^Bruti79:
Dag, that's off the Bob & Doug LP, I used to listen to that a looooooooong time ago =D I think it was sung by Geddy Lee?
As for the Oilers, Oiltown is an amazing hockey place to visit. I love at 1:00 the equipment manager really going to town for it. The oils may be having some terrible luck this year, but next year Jodran Eberle (Captain Clutch!) and Taylor Hall (if the draft picks go right,) are coming in. Those two along will make Edmonton a power house again.

Dag, that's off the Bob & Doug LP, I used to listen to that a looooooooong time ago =D I think it was sung by Geddy Lee?

As for the Oilers, Oiltown is an amazing hockey place to visit. I love at 1:00 the equipment manager really going to town for it. The oils may be having some terrible luck this year, but next year Jodran Eberle (Captain Clutch!) and Taylor Hall (if the draft picks go right,) are coming in. Those two along will make Edmonton a power house again.

>> ^Opus_Moderandi:
>> ^therealblankman:
In my 15 or so years of professional concert production, on thing I've learned above all else is that nothing clears a room faster than a bass solo.
promote

What about Geddy Lee? Or Billy Sheehan? Victor Wooten? Jean Baudin? Larry Graham? Louis Johnson? Norwood Fisher? Flea? Les Claypool? Mick Karn?


Thank you for helping me prove my point.