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Arcade Fire- Elevator Session- Neon Bible and Wake Up

Krupo says...

>> ^critttter:
OK, I love their music, but they were arrogant and rude to whoever was in that elevator.


Dude, have you ever tried to perform live music? I'm the biggest ass on the PLANET when the show needs to start. Maybe some musicians are chill and humble, but I don't listen to them.

Plus, don't forget they were in Paris where this time of behaviour is to be expected.

Original source - http://www.blogotheque.net/Arcade-Fire

Some background on this glorious *rocknroll *bravo session:

"Win Butler had to slouch a little to fit into the freight elevator. He went directly to the back, leaned against the iron door, turned around, and taking a look at the grudging space, asked us: «Think we can all go back now?» Then he smiled a smile that a kid would give, so pure and honest like he had just found his hiding place. in Butler smiled, and five weeks of work seemed to crumble before us.

During those weeks I had been in continual contact with Vincent Morisset, who runs the Neon Bible site. Win and Régine had been responsible for coordinated our Take Away Show. We had discussed dates and places, imagining the Madeleine at night, the knoll at the Île de la Cité, an old café, a roundabout behind the Olympia...We checked the weather every day, put to despair by the cold front that’s passing through Paris. We had surveyed the entire inhumane neighborhood from top to bottom, trying to anticipate the crowd, the will power of the group, the cold, and the fatigue. Then suddenly we had a plan. Win asked if there was a freight elevator. We found it, he smiled, and the Take Away Show was no longer in our hands."


Some more after the cut:


We knew that the Take Away Show with Arcade Fire wouldn’t be like the others. The project was born for them because they’re of a different kind, a different essence. We had spent the afternoon with them and suddenly we realized, in a flashing instant, that «yes, this group is different.».

We had been playing the role of outsider the entire day, like a foreign body that latches onto the daily grind of these magnificent musicians. We had to adapt, through astonishment and wonder, as the band took up their tools and started to play. But Arcade Fire didn’t take us as outsiders. It seemed to unfold naturally: we entered into their logic, as they awaited us and eventually swallowed us up. It was now Win Butler’s Take Away Show, and we followed.

It was too cold to play outside after the show, so we initially thought about playing in the entrance hall during Electralane’s performance, but the Olympia didn’t allow it. All we had left was the freight elevator, and we had to do a little convincing to make it happen. On the other side of the elevator there was a door that would lead us into the concert hall. They could go back to the pit in the Olympia by exiting through there, and then re-exit through the door near the stage. Win wasn’t so hot on the plan...the venue was a little too big and it the whole thing sounded complicated. It took us about 20 minutes to convince him, not knowing at all what was waiting for us at the other end of this crazy idea. Win went back to tell Richard and Will to follow him to the elevator, with everyone asking when to play, or whether this was going to happen before or after the show. It’s going to be before. Régine was the only one who thought differently and there were a couple seconds of exchanging furious looks, which immediately settled and eased into resolution. The big guy won, and everyone went back to reconfigure the set-list.

Arcade Fire is a unique group. Everyone’s split up during the day, managing and wandering through his/her own affaires in the dressing rooms and corridors. No one seems to move about as much as Win, who manages everything, knows everything, watches everything, and hears everything. Afterwards, as show time approaches, everyone slowly comes together again, each still folded into him/herself. A couple notes sound from a bugle, Régina taps on a box, Jérémy amuses himself with a drum, and Tim does a little Monty Python dance. A mobile cacophony, a music that takes form, several people coming together, and some random and various snippets of songs to come. Everyone is concentrating alone, but at the same time following a trace towards the group’s uncanny unity. As the orchestra tuned and grew powerfully aligned, we started towards the elevator.

The rest waits on film. We all bunched into the elevator, and I took my position at Richard’s feet. They started off with an enchanting version of «Neon Bible» and then door opened, allowing us to approach and penetrate the massive torrent of fans. I didn’t think about anything more. I was taken by the fervor, watching Vincent Moon with his camera, screaming in silence, and thinking over and over again:

«We did it. Shit, we really did it!»


Amazing. I dare you not to feel *happy watching this bit of *shortfilms.

krumzy (Member Profile)

Chris Matthews Interviews Bill Richardson onHis Obama Endor.

Arcade Fire- Elevator Session- Neon Bible and Wake Up

Super slo-mo, explosions and skateboarding.

Arcade Fire / Eisenstein - Intervention

Krupo (Member Profile)

BicycleRepairMan says...

Thanks for the quality
The video of Arcade Fire is from the HOVE festival earlier this summer, but there is also a festival on RIGHT now, Gogol Bordello just finished, and the whole thing is broadcast LIVE and immediately posted here:
http://rita.nrk.no/community/oya07/

TOOL is on later tonight B)
In reply to your comment:
Awesomeness, thanks!

In reply to your comment:
Hey, since you liked my Arcade fire video, I've posted in SiftTalk about a free streaming of a whole concert in pretty damn high quality to:http://www.videosift.com/talk/See-Free-Concerts-in-HQ-Arcade-Fire-fans-listen-up

See Free Concerts in HQ -Arcade Fire fans, listen up!! (Sift Talk Post)

BicycleRepairMan (Member Profile)

Krupo says...

Awesomeness, thanks!

In reply to your comment:
Hey, since you liked my Arcade fire video, I've posted in SiftTalk about a free streaming of a whole concert in pretty damn high quality to:http://www.videosift.com/talk/See-Free-Concerts-in-HQ-Arcade-Fire-fans-listen-up

Krupo (Member Profile)

lisacat (Member Profile)

Arcade Fire - This must be the place

Culture Club #1 - Essential Music (Sift Talk Post)

deputydog says...


1. Arcade Fire
2. Turin Brakes
3. Radiohead
4. LCD Soundsystem
5. Pixies
6. Tom Petty
7. Interpol
8. REM (Old School)
9. Editors
10. Kings Of Leon

The order changes on a regular basis.

SNL Jorm Dancing Backstage

maudlin says...

The audoence got a mini-concert after the show that wasn't broadcast. Lucky bastards.

Want to to know why Arcade Fire ran off the stage during the closing credits of "Saturday Night Live" last night?

Because, in something that is apparently rarely done at Studio 8H, they played a mini-concert for the audience. Making up the front row of the 3-song set was Seth Meyers, Amy Poehler, Fred Armisen, Bill Hader and Andy Samberg, all looking absolutely transfixed by this band. The Fire has some high-powered fans, for sure, and converted a good chunk of the audience last night as well.

It's odd that my highlight of the show happened off-camera-- at the end of their three-song set, they played "Wake Up", off the stage and in the audience. Amazing. The cameras were rolling, I'm hoping this appears somewhere.

Also a funny tidbit: Five seconds before the show went back live for Arcade Fire's second song, Rainn Wilson looked at lead singer Win Butler and, in a very deadpan voice, asked what happened to his guitar (he had smashed it during their first song). Ha.

Do They Know It's Halloween?

robdouglas says...

This is a music project with the joined forces of: Arcade Fire's Win & Regine + Redd Kross' Steve McDonald + Beck + R.E.M.'s + Joey Waronker + Buck 65 + Rilo Kiley's Jenny & Black + David Cross + Roky Erickson + Devendra Banhart + Sloan's Chris Murphy + Elvira, Mistress of the Dark + Smoosh's Asya & Chloe + Feist + Sonic Youth's Thurston Moore + Gino Washington + Sparks' Russel Mael + Les Savy Fav's Syd Butler + Subtitle + Islands' J'aime + Sum 41's Stevo + Malcolm Mclaren + Tagaq + Peaches + That Dog's Anna Waronker + Postal Service's Jimmy Tamborello + Wolf Parade's Dan & Spencer + Yeah Yeah Yeah's Karen O

...pretty impressive.



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